Spontaneity is incredibly underrated. And sometimes, simply saying 'yes' to an opportunity is the best way to go.
I'm sure many of us feel our work-life creep into our weekend-life, which invariably leaves us feeling unrested and often stifled by a job that we otherwise enjoy. The idea of driving 6 hours on your 2 days off a week is often too great of a sacrifice, and one that we don't see the true value in doing until we finally do it. That was my weekend. A short Saturday getaway with a good mate to Victoria, Australia's south west to the Great Ocean Road and down to the awe inspiring Twelve Apostles.
Our trip saw us travel to some pristine temperate rainforests in Otway, where the endangered black snail can be found, amongst rich, moist forest floors. This experience provided ideal circumstances for me to use my favourite FujiFilm gear to get up close and really craft an image that I wanted, first time, using the ever useful EVF of the XT-1. As we walked among the native blackwood and ash trees, some 25 floors up, I got to capture native flora that I never knew existed. In one small reserve the biodiversity was truly something to behold and had me appreciating, yet again, the beauty that exists in my own backyard.
As the sun began to set low in the afternoon sky, we made a last hour drive to the legendary Twelve Apostles and were fortunate enough to arrive just in time for sunset, with thankfully low numbers of other tourists to be found or hinder the experience. The sea salts rolled in through the air and I took that breath that many of us forget to take in this working life of ever-digital-connectedness. That investment of an afternoon and an evening was worth more than 2 weeks away in a tropical paradise, and it won't be the last.
I recently spent an incredible weekend down in Tasmania, Australia (that's the little piece of Oz that's detached from the mainland at the bottom) with the brand spanking new Fujinon XF16 F1.4 R WR Lens, XF56 1.2 R, and my trusty XT-1. FujiFilm, you made my 30th birthday extremely memorable and blew my expectations for the XF16 out of the water, and those expectations were already very high.
As with my previous post, these are all in-cam JPEGs with Chrome simulation and my own tweaks.
Given how busy my life has been for some time now, as well as my wife's more than hectic schedule, I figured a weekend away in a part of Australia we've never been to was the best way to celebrate my 30 years on this wonderful planet. Little did I know that my dearest friend from the other side of Australia, Western Australia, was scheming to get the XF16 for me as a combined birthday gift with my family.
See why we're best mates?
After waking up in a Hobart hotel with my wife presenting me with the XF16 on a Saturday morning, we grabbed some breakfast from a hipster cafe and embarked on our drive to the awe inspiring Pumphouse Point on Lake St Clair. The drive took a little longer than it should have though because there were simply too many places to stop at and shoot with this 24mm equivalent lens.
A common criticism of FujiFilm's X-cameras is the speed and accuracy of AF, which will hopefully be long gone once they drop the Firmware 4.0 update for the XT-1. So what's the XF16 like on an XT-1 with Firmware 3.0? ABSOLUTELY MARVELOUS! It's focuses quickly, hits the mark with very high accuracy, and doesn't go on hunting trips! LOVE IT!
The XF16 paired with the XT-1 is my favourite combo to date, when considering how it balances on a body with no battery grip and the size and weight of the lens additionally. It just feels right and it has a rather attractive lens hood too. It also features the clutch focusing mechanism that is featured on several other Fujinon XF lenses, which is total gem for street shots fired from the hip. The XF16 was also my first Fujinon lens that has the Weather Resistance (WR) treatment, and believe me, I put the WR of the XF16 and XT-1 to the test though rain, hail, and unexpectedly, snow!
For most of time we spent in Tasmania it rained and snowed, which gave me an awesome opportunity to test the XT-1 and XF16 in some rather rough conditions and see if Fuji is worth their word on their weather sealing. Heck, I even used the XF56 in some less than stellar conditions. Needless to say, the whole kit held up perfectly and in the days I have been using it since, I have not had a single issue. *fingers crossed
I could ramble on about how good the lens is and attempt to get into highly technical language about why it's good, but I think enough has been said in pictures alone. FujiFilm is making the best 'affordable' professional glass out there. The XF16 is a sensational lens and I highly recommend even non Fuji owners get out there and try it out. My wallet is going to hate me though, because with the impeding release of the XF90 and the fact that it's going to be at least on par with the XF16 for IQ, I am going to have to buy it.
One last little snap with the XF16. We are going to be shooting this little man's mum and dad's wedding in Ireland in a few weeks! I think he's a bit excited.
It's autumn in Australia! What better way to show it off than to head off into the temperate rainforests of Victoria with my FujiFilm XT-1 and X100S.
Rather than rattle on about 'performance this...' and 'sharpness that...' here are some snaps from some bush-walks in some amazing forests that are less than 1 hour's drive from Melbourne's CBD. If you're ever in Victoria, Australia, be sure to check out Sassafras, Ferntree Gully, and East Gippsland.
Massive thanks to my good bud Theo, for taking us well off track for some of these snaps and for the lovely collection of baby leeches that tried to burrow through my shoes.