What a way to finish up 2015.
Winnie and Elvin sure know how to celebrate their marriage, with not 1, but 3 weddings across 3 different countries. We had the honour of shooting their wedding in Ho Chi Minh City, Vietnam, where the always lovely Winnie grew up.
The blending of east and west, and tradition with modern opulence were perfect, with an emphasis on family and respect for Vietnamese culture permeating throughout the day.
Winnie & Elvin, we feel privileged for the experience, and especially enjoyed the numerous local cuisines you lavished upon us while we were in HCMC.
As the weather starts to warm up down here in Australia (Yes, we do experience temperatures other than stinking bloody hot) and the season to be wed kicks off, I have been out getting my eye trained up for some moodier portraits, and further venturing down that road of posing models to achieve the results I'd truly like to see. I also recently had the pleasure of attending an incredible 2-day workshop here in Melbourne with David Talley Photography, Rob Woodcox, and Kiara Rose Photography, all of whom are incredibly inspiring people and artists whose level of achievements and business savvy for their ages is somewhat confronting and mind-blowing. Truly awesome young creatives!
The love for Fujifilm gear continues on for me and I am so inspired by the XF90 135mm equivalent lens that I purchased a few months ago. It's a focal length that just works for me and the quality of the product itself demonstrates how much Fuji is still evolving, leaving me to wonder what 2016 will mean with the X-Pro2 and potentially, the XT-2. Of course, photography isn't all about gear, but having an inspirational piece of equipment or gear certainly helps!
As I look to the summer months ahead I am eagerly looking forward to a very special wedding that my wife and I will be shooting in Vietnam over Christmas, as well as some other lovely couples here in Melbourne, Australia. With the long days of shooting and travels comes preparation in the gym and good eating, which will hopefully serve me well in the more rural areas of Vietnam and some of long wedding days ahead.
To those of you who read and view my posts, and keep my website traffic at some pretty inspiring levels, I thank you for your support and hope that I can continue to keep you returning in the months and years to come.
Well not quite 2 weeks....
But there was a lot packed into those 11 days - a crazy big Irish wedding, amazing ancient sights and scenery, and a heck of a lot of good food, people, and beer. Oh yeah... and the XT-10 & XT-1 with the new Firmware 4.0 plus a few rather nice pieces of FujiFilm glass.
After many months of dreaming about this big trip and even bigger wedding in Ireland, the time finally came. The lead up to the trip and shooting said wedding was made even better with the arrival of the XT-10 and the new firmware 4.0 update that proved the XT-10 to be a formidable force in 'budget' mirrorless cameras, and breathed new life into the XT-1, even though it didn't really need it.
For this trip, my wife and I were primarily hired to shoot a wedding on the west coast of Ireland in the incredibly picturesque town of Dingle. Jaw-dropping would be an understatement. Of course, it would be a pity to not see more of a country than just one place and Ireland is a place of wonder and awe. We packed a rather nice bit of kit for this one, including the fresh and sharp Fujinon XF16 and XT-10.
So how about that XT-10?
Well, what can I say? It's a damn fine camera and a perfect match for the XT-1 for shooting weddings in a discrete and professional manner. I actually ended up using the XT-10 for most of the trip because of its compact size and to give it a fair run for its money. Did it impress me just like almost every Fuji product I've used before it? Absolutely!
For the wedding I shot with the XT-1 over my shoulder with the XF56 and had the XT-10 on a holster with the XF16. A light-weight combo that after 16 hours of shooting did not leave me sore, fatigued or in any state of pain. The only ailment was the tiredness that was to be expected from shooting a day that long! I also got to experience the true value of the SP-1 Instax printer and how integral it is for creating a truly memorable wedding photography service that leave clients overjoyed on their big day! Alas, I cannot share their photos just yet.
XT-10 or X100?
Something that's fairly obvious and should be considered by anyone buying into the Fujifilm X-series is the power in a small package with the XT-10. Shortly after the announcement of the XT-10, I did the usual level of research regarding its specs, size and reported performance, and well, it's almost the same size as the X100 series but does a heck of a lot more! So, I sold off my X100s and jumped on the XT-10 the day after it was available in Australia. I also made a point of picking up the XF27 so I had a very pocketable and discrete option for shooting streets and other settings. Do I miss the X100? Absolutely! Does the XT-10 rock! Yes! I will probably get back into the X100 game when they announce their next model. Until then, the equally discrete and lightweight XT-10 paired with the XT-1 will continue to suit my needs appropriately. More on the XT-10 down the page.
And what about the XF16? It's fair to say that it got a good work out, and yet again, the weather sealing was tested and passed wonderfully when paired with the XT-1. Irish summers aren't particularly summery at times, so long exposure shots with the XT-1 and XF16 on a tripod often meant it got rather wet. Well, quite wet. It really is a sensational combo and the close focusing ability of the XF16 (10cm) is rather useful in a country full of beautiful flowers and other majestic scenery.
Let's get to the burning question - XT-1 VS XT-10
At the time of purchasing the XT-10 there were great end of financial year sales going on and the lovely folks at DigiDirect offered me a killer deal on a second XT-1 rather than the XT-10 (think $100 price difference). Sure, it was tempting but I took the XT-10 instead. Why? As I said before, it's almost the same size as the X100 series (it's actually shorter) and when paired with the XF27 is only slightly deeper in size, which makes it 'pocketable' for me. I also liked some of the new features not present on the XT-1, most notably the full-auto switch that can be useful when handing over your camera to someone who doesn't know what to do, or when teaching a friend casually about composition or something similar. The buttons and dials also feel a bit firmer too, and the d-pad buttons are far more pronounced making it just a little better than the XT-1. Reality is, I simply didn't want a copy of another camera body that's going to sit in storage frequently. I wanted a different option when weather sealing wasn't required and when I wanted the tidiest and most discrete camera option.
The XT-10 performs just as well as the XT-1 on most fronts. Obviously it can't handle burst shooting anywhere near as good but I have found it to be adequate in JPEG only mode when shooting kids playing sports. I'll be honest in saying that I do miss the metering switch that sits atop the XT-1, since I do like to switch between 'average' and 'spot' metering a fair bit. Other than these points they're very similar cameras with enough subtle differences to warrant their individual existence and purpose.
Ireland is a truly magical country. Whether it's the rolling green hills and mountains, decaying ancient ruins along roadsides, or incredible calorie filled Irish breakfasts, it is always a welcoming and inspiring place. My wife and I can't thank the couple who made it all happen enough (wedding blog to come soon) and the wonderful people who took care of us, fed us, gave us beds to sleep in, and most importantly, took me to the pub. A truly hospitable and generous bunch! I can only hope it doesn't take us another life-time to get back there and explore it even further.
There's no hiding the fact that I'm a big fan of FujiFilm and their current lineup of X-Trans mirrorless cameras. Between the X100S and the XT-1 they've become my shooters for 85-95% of assignments I undertake, leaving my Canon rig filling in when I need to shoot sports and flash photography. I'm sure that will change in the near future though once a solid flash system is available for Fuji users.
Looking back to only a few months ago, I scoured the web for posts about the XT-1 for weddings, low-light performance, concerts, and just general pointers about the system. With no local places offering the XT-1 for hire and having only limited in-store testing experiences with it, I decided to jump in and find out for myself. Since purchasing it I have tested just about every setting and style that I would typically shoot in and it has almost always surpassed my expectations. The ultimate test for me though was shooting the bulk of a wedding with only the XT-1 + XF56 & XF18 and the X100S. Did it pass? Or was it a stupid risk to shoot something as important as a wedding on a relatively new system that 'isn't pro'?
Before I go into further detail it's important to note that I had a second shooter on this wedding who shot with my Canon system (6D + Sigma 35mm & 135mm L) and took many incredible shots on a great camera system. I even ended up using it for part of the reception when I needed to use a flash since I haven't invested in a flash system for Fuji yet and the Yongnuo flash only works in manual on the Fuji Xt-1. My rig for the most part of the day consisted of the XT1 and XF56 slung over one shoulder and the X100s holstered using a knock-off version of the Spider Camera Holster, which for $5 performed without issue. You can see an integrated set of sample pictures from the day here.
Prior to the wedding festivities commencing I had my Fuji rig setup in silent mode - electronic shutter on the XT-1 and the super awesome leaf-shutter on the X100s. This allowed for complete discretion throughout the day and most importantly allowed me to move and shoot silently during the wedding ceremony. When you're in a space the has a lot of reverberation you very quickly notice the difference between a silent camera system and that of a typical DSLR shutter firing off nearby.
Switching between the XT1 and X100s was simple, easy, and effective, and I'm sure it contributed significantly in helping me not wear out at all across the 10 hour day and night. Well aware of the shortcomings of the batteries in the two cameras, I always had a spare full battery in my pocket, and thank the universe that I did because the first battery in the XT1 died on me just as the cake cutting was about to commence. Time to purchase the battery grip!
Aside from an instance of the XT-1's battery dying at an inopportune time, there was also one other peculiar instance where a dodgy eBay battery caused some pretty scary issues. We'd just finished shooting the main bridal party photos when the EVF on the XT-1 froze and flickered rapidly. The camera was effectively dead and I was devastated. I immediately took out the battery and let it cool down since I'd been firing off quite a few snaps on the cheap battery. I didn't have a backup XT-1 at the time so
I jumped across to my extra Canon gear and X100s for a while. Thankfully, with a new good quality battery and a bit of cool down time, the XT-1 came back to life and didn't skip a beat right through the reception. I have since tried to replicate the issue by firing off a hundreds of shots (more than this instance) in short succession but thankfully it hasn't happened again.
So what can be said about shooting with the XT-1 and X100s that hasn't been said in my previous blog posts? For one, people didn't think I was the primary or hired shooter for the wedding since my cameras were 'so small' and 'film like'. Do I have an issue with this? Certainly not, because if anything it made people more relaxed when I was present and let the moment be the moment. When I switched across to my 6D and flash combo the weight difference was tremendous and made me all the more grateful for the small form factor and mass of the XT-1 and X100s.
But the Fuji's aren't Full Frame!!! You can't be pro without Full Frame!!!
Go take a look at the wedding blog and tell me which pictures are Fuji and which ones are Canon.
I purchased the XT-1 shortly after Firmware 3.0 came out, which brought in a tonne of new features that I use frequently, such as: electronic shutter, 1/32000 max shutter speed, silent mode, AF point selection using the cross pad, and linked AF point and spot-metering. These were features that sealed the deal for me and the responsiveness of the XT-1's focusing system has been an absolute treat in low-light settings.
My next wedding is in the south west of Ireland and I plan to shoot the entire event on Fuji's with a Nissin i40 flash included. I have absolute faith that this rig will serve mine and my client's needs perfectly as a discrete, efficient, and professional photographic rig.
BONUS! Here are a few pics from Hayley and Dave's second pre-wedding shoot in an Australian bushland setting, all shot on the XT-1.