Welcome to the final part of my posts from Brasil!
If you haven't already seen the previous two posts from this trip you can check them out here.
For my fifth visit to Brasil (my wife's home country) Nat and I chose to visit a very unique part of the country that is greatly overlooked and unknown by most foreigners. Chapada Diamantina is a national park situated ~400kms west of Salvador, Bahia. It is known for its old mining towns, incredible panoramas, stunning waterfalls, and numerous ancient sandstone caves. To sum it up, it's the best kept secret from foreigners visiting Brasil, in my opinion.
Traveling to and staying in Chapada Diamantina is very easy, but you'll have to plan carefully as there are only 2 flights to the region each week, or otherwise be prepared to sit on a bus for 7-8 hours.
We were fairly budget minded for accommodation, as we wanted to make sure we could comfortably pay for transport around the national park and its many sites. We stayed with Tatu Do Bem in the town of Lencois, which was an exceptionally comfortable hotel, run by Shirley and Eduardo. They put on a fantastic breakfast (included) everyday, and also run really great personal tours throughout the Chapada. Eduardo knew of all the best places to check out, which often meant that secluded waterfalls and caves were left for us to experience independently of other tourists!
We only had two full days to explore Chapada, but we still managed to do a lot of exploring!
On Day 1 we visited Mucuguezinho River and Poco do Diabo (waterfall), Caverna da Fumaca (cave), Pratinha (turquoise river), Gruta Azul (river cave), finished with sunset at Morro do Pai Inacio.
On Day 2 we visited Poco Azul (river cave) and Cachoeira do Mosquito (waterfall).
Enough with the chatter. I hope you enjoy the snaps!
I just need to get this out of the way.
If you've not visited Vietnam, do so as soon as you can. The people, the culture, the food, the traffic, the history behind the nation, and so much more are something every traveler or adventurer must experience. I am already planning to go back.
We were very fortunate with this trip, having been hired to shoot an incredible wedding in Saigon for Winnie and Elvin, which enabled us to extend our travels throughout Vietnam afterwards. Since the wedding was our main priority, a full kit was packed for our travels, including my prized Fuji family below, with the XF35 F2 being a late addition just before we left Australia. Despite having such a formidable kit, outside of the wedding, most of it didn't see much use*, as the new XF35 F2 completely dominated as a discrete and powerful combination with either the XT-1 or XT-10. I cannot praise the new XF35 F2 highly enough.
*For the purpose of addressing people's curiosity, I will tag photos with lenses that aren't the XF35 F2.
Fuji have really created something special with the XF35 F2.
For many, an F2 50mm equivalent lens doesn't sound particularly amazing, especially when you can get a basic F1.8 50mm for around $100 (disregarding Fuji's XF35 F1.4) with other brands. However, lenses like that feel cheap and simply don't have the performance and quality of this little beast from FujiFIlm.
The very immediate and obvious thing about the XF35 F2 is that it focuses so brilliantly fast and accurately that it puts all the small talkers who badmouth mirrorless cameras for having slow auto-focus right back in their wornout, chiropractor's best customer, DSLR ladened holes. This lens is basically silent, has little to no focusing feel to it and slays (gets the shot) in very tough lighting conditions. And how about that F2 maximum aperture? Well....
The big thing about the maximum aperture of F2 is that it is way more flexible and capable than I imagined and works in conditions I didn't expect it to handle. Throughout my time in Vietnam when shooting with it on my XT-1 or XT-10 (depending on weather) I often shot from the hip in a vertical/portrait position, shutter priority and wide focus, What really made this work was I could push the shutter button and be guaranteed focus in a very, very immediate manner as I walked past or towards my subject. This had two benefits. For one, the plane of my depth of field was basically unchanged so shots (most between F2 & F4) were on the mark, which gave me the highest keeper ratio I have ever had on any camera and lens combo. The other really profound thing was how the auto-focus of the lens performed in low-light or mixed lighting in streets and social settings - think loads of motorbikes, cars, lanterns and other sorts of mixed lighting. I was able to find something that caught my eye, frame it, shoot it, and capture it, without issue.
Wait? That doesn't sound very impressive.
Well, when I want THAT shot it's when I'm most stable at that point of grabbing focus and taking the shot. In clearer terms, I was able to shoot at shutter speeds much lower than I previously could because the absence of lag between me pressing the shutter button and the camera acquiring focus was minute (very, very short/small). If it was down to shooting action on the streets at night with the XF35 F2 and say, the XF56 1.2 I would take the XF35 purely for its speed, accuracy, and very, very nice ease of handling.
The image quality and characteristics of the XF35 F2 is something I'm still trying to figure out. It just has this certain 'pop' to it and the bokeh is just lovely, smooth and has a wonderful fall off between the in focus and out of focus areas. . If you're keen to see what I mean by 'pop' and just really deluxe detail, take a look at this link. That image was shot at F3.5 I have also found this to be my favourite lens when shooting at ISO6400, as it retains a lot of detail and separation between subjects across the image, and there is very little colour bleeding. Check the 100% crop below of the old dear from earlier on.
Another rather big point I want to discuss about this lens and camera combo when traveling in countries like Vietnam is discretion. Having only been shooting for ~2.5 years, this was my first time hitting a 'photographer's country' so I was somewhat concerned about how to approach photographing locals in a respectful manner, whilst also not drawing unwanted attention.
I am not lying when saying that over the course of 16 days of travel I could count on 1 hand when someone reacted or observed me using my camera, and I shot daily. What was very evident was the epidemic, if you will, of DSLR users EVERYWHERE and how very aware locals were of their presence. I'm sorry, but standing 30 meters back from a street vendor with a 70-200mm lens is not street style and you're leaving yourself open to potential trouble from criminal elements, not to mention missing out an opportunity to connect with a local or show them a little support.
To put it simply, if you want to get undisturbed, candid shots during your travels, this is definitely the kit to get, and would easily be my go to combo if someone forced me to take one camera and lens. Did I mention that I shot a significant part of the wedding we were hired to do on this lens? Yeah, it was that good, and I have used it for several more since with sensational results.
I know I talk about all my Fuji gear being amazing, however this is one really special bit of kit and it's left me hoping that Fuji will make more F2 versions of their lenses.
Perhaps a 56 F2?
Like many other folks who've posted about it before me, this lens has always been on either my XT-1 or XT-10 since its purchase. If you're on the fence about which XF35 to get or perhaps just adding another focal length to you kit, get this one!
If I could give a 'satisfaction or your money back' guarantee I would because I know you wouldn't part ways with it once you've tried it out.
Hit me up on Instagram or Facebook if you're keen to see more XF35 2 snaps.
It's a lovely Wednesday morning here in Ho Chi Minh/Saigon, Vietnam, as I write this post buzzing on iced Vietnamese style coffee - the juice of the Gods! My wife and I have arrived to shoot a very special wedding in a few days time and it's an honour to be involved.
About 10 hours before leaving Melbourne, Australia I picked up a little something that I'd been eyeing off for some weeks, the newish Fujifilm XF35 F2. As always, I saw the good folks at DigiDirect in the city and they hooked me up with the best price around, just as they've done with my entire Fuji kit. They were also super patient about me trying the original XF35 F1.4 back to back against the new F2 version, and although the F1.4 certainly has its merits, the F2 won out in a few key areas, which I'll discuss soon.
I'll be straight up. The photos in this post aren't intended to be about photographic prowess nor highly technical breakdowns of the XF35's features, construction, and all that camera nerd stuff. I get enough of that in the world of high end guitars, so cameras are a safe haven for me where I can focus more on creativity rather than technicality. Enough coffee induced rambling.
For a little challenge on my first day shooting the XF35, I decided to go with a bit of street style approach by firing from the hip and seeing how well the lens could keep up in the Auto Focus (AF) on Saigon's busy and beautiful streets. I must say, I am damned impressed by this tiny high performance lens.
Onto some stuff about the lens (I suppose). Something that is immediately clear about this lens is just how responsive the AF is. If you've ever been to Vietnam I'm sure you can understand that you need to keep moving in the busy streets, particularly in high traffic areas, which when trying to capture sharp and in focus pictures is not a great combination since your field of focus changes so quickly through movement.
The XF35 is quick, and I mean quick. It's the kind of speedy and accurate responsiveness that makes this such a different beast to many other Fuji lenses, particularly its predecessor, the XF35 1.4. Not only is it dead quiet and has no feel of movement from its internals, the XF35 F2 does not hunt!
In the past with some Fuji gear the AF has left me frustrated due to a missed shot or slightly lagging response time. This little piece of gear absolutely slays its siblings. My time at DigiDirect comparing the two 35's back to back quickly showed that although the 35 1.4 is still awesome and has that extra stop of light, it simply feels outdated in performance and feel when compare the the new 35 F2. When I compared them in continuous focusing with heavy back-light, the 1.4 didn't know what to do, and in single shot mode it had that slightly nagging back and forth hunt for a moment before acquiring focus. The 35 F2 displayed none of these features and made it very easy for me to make a decision on which one to take home, even though the original 35 had a $200 cashback on offer, making it around $100 cheaper than the new 35 F2.
A quick perusal of my snaps in Lightroom shows that most of my first day's snaps were taken between F2 and F4, so it's not as if the lens and camera have taken the easy path of narrow apertures, and thus, depths of field where focus is easier to acquire. So, keeping in mind that I was not holding the camera up to my eye and stopping for creative and stable framing, I think the XF35 F2 has really shown how much it's the new generation of what Fuji has to offer in terms of high performance gear.
So what about sharpness? Bokeh? Weather sealing? Well, it's the first day. I've got a wedding here to shoot that I'm sure will feature heavy use of the XF35 F2 and its brothers, but so far, for its size and performance, this is possibly Fuji's best XF lens to date. I cannot wait to see how this thing performs the new bodies rumoured for 2016, like the X-E2s or X-PRO2.
Hanging Rock, Victoria, Australia. It's a truly remarkable part of the state, and what's great is it's readily accessible for inner-city folk like myself at only 1 hour's drive away. At the spark of inspiration, my wife and I took off on a drive out there one Sunday for a good bit of fresh air and stunning, natural Australiana.
As you'd expect for this time of year the weather was a somewhat warm 30 degrees celsius, however many areas of the reserve were very refreshing due to different wind tunnels and the natural chill of many of the large shadowy rocks.
For this outing I wanted to keep it simple, light-weight and tack sharp.
Can you guess what I took?
As you may have guessed by the title of the post, I packed the XF16 1.4 and my XT-10. Two extremely powerful pieces of gear that are light-weight, responsive, and can wrestle (and win!) with the big boys. They're also incredibly robust, based on my awful experience of dropping the XF16 from waist height onto concrete some months ago. Watching it bounce several times made my heart skip a beat. Literally.
The temptation to shoot at wide apertures with this lens is always there, but with so much detail going on at Hanging Rock, I chose to shoot just about all these images between F8 and F11. I'm sure you can pick the few that are shot nice and shallow at F1.4 though.
There's really not much I can say about this combo that I've not said or shown before. Every time I pull an image off from this combo I'm just amazed at how much detail there is in the RAF files. Being able to pull shadow details from the way I expose images leaves my Canon rig for dead. I must also add for fellow Fuji X users regarding sharpening with Lightroom. Don't go beyond ~80 the amount of Sharpening and start with Masking at 100 and pull back from there. I like to sit mine around 70-90 depending on the style of photo. Trust me, it'll do your images justice.
Thanks for viewing!
As the weather starts to warm up down here in Australia (Yes, we do experience temperatures other than stinking bloody hot) and the season to be wed kicks off, I have been out getting my eye trained up for some moodier portraits, and further venturing down that road of posing models to achieve the results I'd truly like to see. I also recently had the pleasure of attending an incredible 2-day workshop here in Melbourne with David Talley Photography, Rob Woodcox, and Kiara Rose Photography, all of whom are incredibly inspiring people and artists whose level of achievements and business savvy for their ages is somewhat confronting and mind-blowing. Truly awesome young creatives!
The love for Fujifilm gear continues on for me and I am so inspired by the XF90 135mm equivalent lens that I purchased a few months ago. It's a focal length that just works for me and the quality of the product itself demonstrates how much Fuji is still evolving, leaving me to wonder what 2016 will mean with the X-Pro2 and potentially, the XT-2. Of course, photography isn't all about gear, but having an inspirational piece of equipment or gear certainly helps!
As I look to the summer months ahead I am eagerly looking forward to a very special wedding that my wife and I will be shooting in Vietnam over Christmas, as well as some other lovely couples here in Melbourne, Australia. With the long days of shooting and travels comes preparation in the gym and good eating, which will hopefully serve me well in the more rural areas of Vietnam and some of long wedding days ahead.
To those of you who read and view my posts, and keep my website traffic at some pretty inspiring levels, I thank you for your support and hope that I can continue to keep you returning in the months and years to come.