What a way to finish up 2015.
Winnie and Elvin sure know how to celebrate their marriage, with not 1, but 3 weddings across 3 different countries. We had the honour of shooting their wedding in Ho Chi Minh City, Vietnam, where the always lovely Winnie grew up.
The blending of east and west, and tradition with modern opulence were perfect, with an emphasis on family and respect for Vietnamese culture permeating throughout the day.
Winnie & Elvin, we feel privileged for the experience, and especially enjoyed the numerous local cuisines you lavished upon us while we were in HCMC.
You may have seen my earlier post about my First Day Impressions of the Fujifilm XF90,
which details my Fuji fan-boi experience with the new kid on the block. One month on and a fair few more shooting experiences later, this lens has done nothing but impress and inspire me. At my favoured full-frame equivalent focal length of ~137mm, the XF90 fits me like a glove and allowed me to move completely away from my Canon system, which had always been a go to when I needed the sharp and speedy 135mm F2 L.
This past month with the XF90 saw me checking out temperate rain-forest waterfalls in Victoria's east, shooting in stunning Western Australian sunsets with my dear friend Dan at Matsu Photography, exploring the historical sites of federation era Australia, and shooting for Ormsby Guitars and the Melbourne Guitar Makers Festival. On each and every varied occasion the XF90 never missed a beat and I have been left pondering how FujiFilm will outdo themselves next in their world of supreme, high quality consumer photography lenses.
There's something really frustrating about the XF90 - it leaves many of its brethren feeling somewhat inferior (emphasis on 'somewhat').
What Fuji have managed to achieve with this lens and its new quad-motor system is a lens that is incredibly responsive, accurate, and works extremely well in tough lighting conditions, such as low light and heavy back-lighting. I couldn't believe how well it focused on my mate Dan (below) during sunset, or at night as I often put it through its paces targeting objects near and far. As much as I love the XF56 1.2, after using the XF90 it feels somewhat slow and outdated and simply doesn't perform anyway near as well. Also, the XF90's bokeh trumps it by a long shot. Sorry, I know that F1.2 is still a hell of a feature and I'll continue to use mine, but the bokeh it produces simply isn't as smooth and rich.
Something sports and action photographers are going to love about the XF90 is how well it plays with continuous focusing mode, zone focusing and bursts, even at F2. It's smooth, accurate and damned responsive! Overall, a consistently high focus hit rate on par with what I was used to when using my Canon 7D/6D and the 135mm F2.
Did I mention that the XF90 is sharp?
Take a look at the 3 pictures above. I'm not normally a 'here's a 1:1 crop guy' but in this case I had to provide a quick screen grab at that ratio from my LR module (post grain added). I'll just leave you with those snaps to ponder.
If you're considering this lens be aware of how beneficial it is to have a ridiculously close minimum focusing distance on a lens of this focal length. I have loved utilizing the 60cm min. focusing distance so often and cannot wait to try it on some detailed wedding ring shots soon. If you like getting out and shooting a bit of wildlife like me, it's also particularly useful for some more intimate nature shots or flower snaps that provide a beautiful level of compression at this focal length.
I'll keep my conclusion simple. If you're a Fuji X-series user, buy this lens.
If you're on the fence about coming on board to the Fuji-side, get this lens and an XT-1 or XT-10 and be prepared to be blown away.
Fuji, you're gonna cost me marriage. By all means of financial responsibility I should not have bought this lens on a whim, I simply never do that. That was the immediate impact and impression the new Fujinon XF90 left on me and it only got better as the day wore on.
For some time now I have been bloody excited about Fuji releasing a roughly 135mm F2 equivalent lens. It was the first lens I bought for my Canon system a few years back when I started off and it has been a staple lens in my kit. Even when it was stolen from my house whilst I was home, I still had it replaced. I have always found the XF56 to be a satisfying and impressive lens since getting onto the XT-1 but as a focal length, it never quite fit like the old pair of undies that is the 135mm F2. Thank the good science-folk at Fuji, they have created a lens that surpasses the Canon equivalent and I am as happy as a pig in it's own filth with the new XF90.
(all photos are JPEGs in classic chrome with minor tweaks)
Something that immediately jumps out at you when grasping the XF90 is the build quality. All my XF lenses are certainly well built, but somehow the XF90 and the XF16 seem to be a step up from the previous builds. The aperture ring is just perfect! A wonderful balance of ease of movement and firmness. It just clicks into place confidently across the range.
I was concerned that the XF90 would be too large a lens to match with the XT-1 but it was thankfully not the case. It's actually a bit short and slight more rotund than the XC50-230, which I'm quite used to so it was very familiar territory with the XF90 going onto my XT-1.
So what about that new quad-motor thingy? Well i'll be damned, this thing focuses quickly and accurately and provides the high performance that I was used when using my Canon 135mm F2 L. Admittedly I had my doubts but Fuji have completely destroyed them. Something else that also really surprised me was manual focusing. HOLY SMOKES! This is definitely the best and most 'authentic' and easy to manually focus Fuji lens I have ever used. It's so responsive and easy to finely focus, which is particularly useful when taking advantage of how close the minimum focusing distance is on this lens of 60cm! Yes! 60cm! Where the Canon 135mm only focuses to a minimum of 90cm, this guy comes along and enables you to use the focal range in whole new ways. I couldn't believe how close I could get to the flowers I shot (below) and how damn good the images came up at F2. It ain't macro but jeez, you could certainly get away with some pretty intimate shots.
BOKEH! Oh glorious Bokeh! Just take a look. It's simply the best I've ever seen Fuji produce for the XF range and the focus fall off on the xF90 will have the full frame purists shaking in their boots. Just take a look for yourself.
Fuji have created an absolute winner of a lens here. 'Nuff said.
Cheers to DigiDirect Melbourne as always for them deals!
Lens adapters and mirrorless cameras are certainly getting their fair share of exposure these days (mind the pun). Many Sony A-Series users can be seen sporting a variety of different brands of lenses on their mirrorless beasts, and of course Fuji have their M-Mount adapter for the X-series cameras. After looking into the various lenses folks were using on their mirrorless cameras I decided to purchase a cheap Canon EOS to Fuji X lens adapter and see what the hip rage is all about.
In case you're already looking at doing this based on the few quick snaps on here, this is the eBay link that I purchased my adapter from for ~$15 AUD. It's solid and does the job I expected admirably.
So why does this combo work so well on a mirrorless camera, particularly the XT-1, so well?
Firstly, Focus Peaking in manual mode with split screen focus makes it exceptionally easy to get focus on point. The XT-1 is well known for it's fantastic large Electronic View Finder (EVF) and it accommodates the split image exceptionally well. What's also great is that the cropped focus image changes according to the focal point you choose, which, combined with spot metering that matches the focal point, provides a set of features uncommon to most other systems.
The second point that makes the XT-1 and a lens adapter work so darn well is the electronic and mechanical shutter combo that allows it to max out at an incredible 1/32000 of a second. Basic lens adapters offer no electrical communication between the lens and camera meaning the lens is stuck at it's widest aperture. For typical DSLRs this makes using apertures like F1.4 difficult to use in broad daylight without the use of neutral density filters. This problem is easily overcome by the Fuji's electronic shutter, as demonstrated in the picture of the video surveillance camera
Another point to consider when using a lens adapter in these circumstances is how it changes the minimum focusing distance of full frame lenses. My Sigma 35mm was able to focus at ~15cm, which is only focuses to 40cm on my Canon 6D. Also, don't ever trust and Aussie giving you a spoon full of plain vegemite. You will die!
Focusing with the Sigma 35mm is a breeze. After shooting with fly-by-wire lenses like many of the native Fuji lenses for many months now, the Sigma was dead easy to get used to in manual mode and made me very conscious of exactly what I was focusing on, making sure it was on point. I was surprised at how easily I could focus on my neighbour's cats in poor light. I have not tested my Canon 135mm extensively, however it too was easy to focus with and having a 200mm equivalent focal length on my Fuji without having to dish out on a new lens is a greatly appreciated.
It's early days but I can definitely see adapting different lenses to my XT-1 as something to get addicted to. I've noticed too that manually focusing helps conserve the XT-1's battery-life since it's not dedicating power to the focusing mechanism in heavy duty glass beasts like the XF56. If you're sitting on the fence about trying this sort of rig out I suggest you get on over to my side and experience it.
There's no hiding the fact that I'm a big fan of FujiFilm and their current lineup of X-Trans mirrorless cameras. Between the X100S and the XT-1 they've become my shooters for 85-95% of assignments I undertake, leaving my Canon rig filling in when I need to shoot sports and flash photography. I'm sure that will change in the near future though once a solid flash system is available for Fuji users.
Looking back to only a few months ago, I scoured the web for posts about the XT-1 for weddings, low-light performance, concerts, and just general pointers about the system. With no local places offering the XT-1 for hire and having only limited in-store testing experiences with it, I decided to jump in and find out for myself. Since purchasing it I have tested just about every setting and style that I would typically shoot in and it has almost always surpassed my expectations. The ultimate test for me though was shooting the bulk of a wedding with only the XT-1 + XF56 & XF18 and the X100S. Did it pass? Or was it a stupid risk to shoot something as important as a wedding on a relatively new system that 'isn't pro'?
Before I go into further detail it's important to note that I had a second shooter on this wedding who shot with my Canon system (6D + Sigma 35mm & 135mm L) and took many incredible shots on a great camera system. I even ended up using it for part of the reception when I needed to use a flash since I haven't invested in a flash system for Fuji yet and the Yongnuo flash only works in manual on the Fuji Xt-1. My rig for the most part of the day consisted of the XT1 and XF56 slung over one shoulder and the X100s holstered using a knock-off version of the Spider Camera Holster, which for $5 performed without issue. You can see an integrated set of sample pictures from the day here.
Prior to the wedding festivities commencing I had my Fuji rig setup in silent mode - electronic shutter on the XT-1 and the super awesome leaf-shutter on the X100s. This allowed for complete discretion throughout the day and most importantly allowed me to move and shoot silently during the wedding ceremony. When you're in a space the has a lot of reverberation you very quickly notice the difference between a silent camera system and that of a typical DSLR shutter firing off nearby.
Switching between the XT1 and X100s was simple, easy, and effective, and I'm sure it contributed significantly in helping me not wear out at all across the 10 hour day and night. Well aware of the shortcomings of the batteries in the two cameras, I always had a spare full battery in my pocket, and thank the universe that I did because the first battery in the XT1 died on me just as the cake cutting was about to commence. Time to purchase the battery grip!
Aside from an instance of the XT-1's battery dying at an inopportune time, there was also one other peculiar instance where a dodgy eBay battery caused some pretty scary issues. We'd just finished shooting the main bridal party photos when the EVF on the XT-1 froze and flickered rapidly. The camera was effectively dead and I was devastated. I immediately took out the battery and let it cool down since I'd been firing off quite a few snaps on the cheap battery. I didn't have a backup XT-1 at the time so
I jumped across to my extra Canon gear and X100s for a while. Thankfully, with a new good quality battery and a bit of cool down time, the XT-1 came back to life and didn't skip a beat right through the reception. I have since tried to replicate the issue by firing off a hundreds of shots (more than this instance) in short succession but thankfully it hasn't happened again.
So what can be said about shooting with the XT-1 and X100s that hasn't been said in my previous blog posts? For one, people didn't think I was the primary or hired shooter for the wedding since my cameras were 'so small' and 'film like'. Do I have an issue with this? Certainly not, because if anything it made people more relaxed when I was present and let the moment be the moment. When I switched across to my 6D and flash combo the weight difference was tremendous and made me all the more grateful for the small form factor and mass of the XT-1 and X100s.
But the Fuji's aren't Full Frame!!! You can't be pro without Full Frame!!!
Go take a look at the wedding blog and tell me which pictures are Fuji and which ones are Canon.
I purchased the XT-1 shortly after Firmware 3.0 came out, which brought in a tonne of new features that I use frequently, such as: electronic shutter, 1/32000 max shutter speed, silent mode, AF point selection using the cross pad, and linked AF point and spot-metering. These were features that sealed the deal for me and the responsiveness of the XT-1's focusing system has been an absolute treat in low-light settings.
My next wedding is in the south west of Ireland and I plan to shoot the entire event on Fuji's with a Nissin i40 flash included. I have absolute faith that this rig will serve mine and my client's needs perfectly as a discrete, efficient, and professional photographic rig.
BONUS! Here are a few pics from Hayley and Dave's second pre-wedding shoot in an Australian bushland setting, all shot on the XT-1.