Ah the Fuji XF35 F2 WR and XF90 F2.
These two lenses are supreme and exemplify how FujiFilm continue to improve on an already outstanding level of quality with their X-series line up.
They absolutely slayed on a recent wedding in the streets of South Melbourne and are now my go to combos for portraiture. Yes, I still love the XF56 1.2, especially when light is hard to find, but these 2 lenses (as I've said before) are superior in AF speed and accuracy when compared to 'older' lenses from Fuji's X-series line up.
For this post I thought I'd share 2 recent shoots using these admirable lenses, as well as share some of my wife's snaps of Jess (the gorgeous blonde haired woman) with her favoured kit, the Sigma 35mm Art and Canon 6D. I may be a Fuji guy but the Sigma 35mm @F1.4 still produces beautiful images with a lovely artistic and hip vignette. The XF35 F2 was solely used on the train snaps with my wife.
What a way to finish up 2015.
Winnie and Elvin sure know how to celebrate their marriage, with not 1, but 3 weddings across 3 different countries. We had the honour of shooting their wedding in Ho Chi Minh City, Vietnam, where the always lovely Winnie grew up.
The blending of east and west, and tradition with modern opulence were perfect, with an emphasis on family and respect for Vietnamese culture permeating throughout the day.
Winnie & Elvin, we feel privileged for the experience, and especially enjoyed the numerous local cuisines you lavished upon us while we were in HCMC.
You may have seen my earlier post about my First Day Impressions of the Fujifilm XF90,
which details my Fuji fan-boi experience with the new kid on the block. One month on and a fair few more shooting experiences later, this lens has done nothing but impress and inspire me. At my favoured full-frame equivalent focal length of ~137mm, the XF90 fits me like a glove and allowed me to move completely away from my Canon system, which had always been a go to when I needed the sharp and speedy 135mm F2 L.
This past month with the XF90 saw me checking out temperate rain-forest waterfalls in Victoria's east, shooting in stunning Western Australian sunsets with my dear friend Dan at Matsu Photography, exploring the historical sites of federation era Australia, and shooting for Ormsby Guitars and the Melbourne Guitar Makers Festival. On each and every varied occasion the XF90 never missed a beat and I have been left pondering how FujiFilm will outdo themselves next in their world of supreme, high quality consumer photography lenses.
There's something really frustrating about the XF90 - it leaves many of its brethren feeling somewhat inferior (emphasis on 'somewhat').
What Fuji have managed to achieve with this lens and its new quad-motor system is a lens that is incredibly responsive, accurate, and works extremely well in tough lighting conditions, such as low light and heavy back-lighting. I couldn't believe how well it focused on my mate Dan (below) during sunset, or at night as I often put it through its paces targeting objects near and far. As much as I love the XF56 1.2, after using the XF90 it feels somewhat slow and outdated and simply doesn't perform anyway near as well. Also, the XF90's bokeh trumps it by a long shot. Sorry, I know that F1.2 is still a hell of a feature and I'll continue to use mine, but the bokeh it produces simply isn't as smooth and rich.
Something sports and action photographers are going to love about the XF90 is how well it plays with continuous focusing mode, zone focusing and bursts, even at F2. It's smooth, accurate and damned responsive! Overall, a consistently high focus hit rate on par with what I was used to when using my Canon 7D/6D and the 135mm F2.
Did I mention that the XF90 is sharp?
Take a look at the 3 pictures above. I'm not normally a 'here's a 1:1 crop guy' but in this case I had to provide a quick screen grab at that ratio from my LR module (post grain added). I'll just leave you with those snaps to ponder.
If you're considering this lens be aware of how beneficial it is to have a ridiculously close minimum focusing distance on a lens of this focal length. I have loved utilizing the 60cm min. focusing distance so often and cannot wait to try it on some detailed wedding ring shots soon. If you like getting out and shooting a bit of wildlife like me, it's also particularly useful for some more intimate nature shots or flower snaps that provide a beautiful level of compression at this focal length.
I'll keep my conclusion simple. If you're a Fuji X-series user, buy this lens.
If you're on the fence about coming on board to the Fuji-side, get this lens and an XT-1 or XT-10 and be prepared to be blown away.
Before I get started, if you're here for photographic proof of what I have written below, I don't have it quite yet. Well, I do, but unfortunately I cannot share the pictures I have been taking so you're just going to have to trust me until I get usable proof in my next post. I merely want to get numerous other XT-1 users excited for the new update to Firmware 4.0.
As I write this I'm a few hours out from getting on a plane headed for Ireland to shoot a pretty massive wedding between a fine Australian lad and a lovely Irish las. In preparation for the big day I have assembled a very nice and flexible kit for my wife and I to shoot with - she loves the Canon stuff and I'm a big Fuji convert.
After selling my X100s I was quite adamant about getting my hands on the XT-10 after seeing how much smaller it is than the XT-1 and in some aspects, smaller than the X100 series, thus making it 'pocketable' and discrete. I opted to pick up the XF27 as well and honestly, I am a much happier camper with this setup than with the X100s. A significant reason for that though, is the interchangeable lens ability of the XT-10 and the absolutely impressive new Firmware 4.0. The AF system of Fuji's X-series has been reinvented with this update and I have been achieving results that were simply unattainable with the old firmware. Kids running wild shot in continuous zone focus mode on the XF56 at F1.2? Yep. That happened this week for me.
If you're keen to read up about all the specifics involved in the new update, take a look at this link.
Since picking up the XT-10 a day after its release here in Australia, I have been testing it each day on a whole bunch of active school kids, which unfortunately means I can't share the actual proof of what I'm writing just yet. Onto the camera.
The XT-10 feels solid in the hand but could certainly benefit from a grip of some sort. One of the features I have really enjoyed (aside from the new AF system) is the face and eye recognition. This function is absolutely brilliant when paired with the XF56 at F1.2. It's snappy and every time I've shot with it it's made the mark. It will certainly be interesting to see how it holds up at the wedding next week.
Let's get to the really good stuff - Continuous and Zone focusing.
Good God! Or should I say 'Good Fuji!'?
The new focusing system is amazing! Is it perfect? No. Is it on par or better than many of the big guns? YES!
Imagine this. 4 young kids running around a play ground, chasing each other and me snapping in Continuous Zone focusing mode in High Burst with the XF56 at F1.2, focusing on 1 kid. Guess how many photos out of 5 hit the mark? 4! The 5th didn't make the mark because one of the kids came straight towards me at lightning pace and the shallow depth of field of 1.2 meant that the top the kid's head was in focus and not their face. Regardless, the camera tracked beautifully and I achieved something I'd never experienced before with the X-series cameras. Stopped down to F5.6, I spent some time on the sidelines shooting a basketball game. 30 something shots later, not a single miss! The XF16 also tracked exceptionally well and handled objects that were moving laterally and towards the camera exceptionally.
At this point I'd say it tracks better than my trusty Canon 7D and it is definitely better than my long standing (pre-Fuji) favourite, the 6D.
My apologies that I don't have the proof you're all probably looking for of my very large claims. You're just going to have to trust me. I will be posting photos via my usual Facebook and Instagram feeds over the coming weeks whilst in Ireland, hopefully providing insight into how well the XT-10 and XT-1 focus in low light situations with the new firmware.
Lens adapters and mirrorless cameras are certainly getting their fair share of exposure these days (mind the pun). Many Sony A-Series users can be seen sporting a variety of different brands of lenses on their mirrorless beasts, and of course Fuji have their M-Mount adapter for the X-series cameras. After looking into the various lenses folks were using on their mirrorless cameras I decided to purchase a cheap Canon EOS to Fuji X lens adapter and see what the hip rage is all about.
In case you're already looking at doing this based on the few quick snaps on here, this is the eBay link that I purchased my adapter from for ~$15 AUD. It's solid and does the job I expected admirably.
So why does this combo work so well on a mirrorless camera, particularly the XT-1, so well?
Firstly, Focus Peaking in manual mode with split screen focus makes it exceptionally easy to get focus on point. The XT-1 is well known for it's fantastic large Electronic View Finder (EVF) and it accommodates the split image exceptionally well. What's also great is that the cropped focus image changes according to the focal point you choose, which, combined with spot metering that matches the focal point, provides a set of features uncommon to most other systems.
The second point that makes the XT-1 and a lens adapter work so darn well is the electronic and mechanical shutter combo that allows it to max out at an incredible 1/32000 of a second. Basic lens adapters offer no electrical communication between the lens and camera meaning the lens is stuck at it's widest aperture. For typical DSLRs this makes using apertures like F1.4 difficult to use in broad daylight without the use of neutral density filters. This problem is easily overcome by the Fuji's electronic shutter, as demonstrated in the picture of the video surveillance camera
Another point to consider when using a lens adapter in these circumstances is how it changes the minimum focusing distance of full frame lenses. My Sigma 35mm was able to focus at ~15cm, which is only focuses to 40cm on my Canon 6D. Also, don't ever trust and Aussie giving you a spoon full of plain vegemite. You will die!
Focusing with the Sigma 35mm is a breeze. After shooting with fly-by-wire lenses like many of the native Fuji lenses for many months now, the Sigma was dead easy to get used to in manual mode and made me very conscious of exactly what I was focusing on, making sure it was on point. I was surprised at how easily I could focus on my neighbour's cats in poor light. I have not tested my Canon 135mm extensively, however it too was easy to focus with and having a 200mm equivalent focal length on my Fuji without having to dish out on a new lens is a greatly appreciated.
It's early days but I can definitely see adapting different lenses to my XT-1 as something to get addicted to. I've noticed too that manually focusing helps conserve the XT-1's battery-life since it's not dedicating power to the focusing mechanism in heavy duty glass beasts like the XF56. If you're sitting on the fence about trying this sort of rig out I suggest you get on over to my side and experience it.