I just have to say this outright. You folk here in the northern hemisphere, particularly out here in the U.K. are spoiled for good light, when it's out. Coming originally from Western Australia where the sun gives you about an hour each side of the day of pleasant light, it is such a dream with the sun sitting here around 45 degrees.
'Nuff of the whinge!
What's this new XF50 F2 WR all about?
It's a seemingly obscure focal length that doesn't have an older sibling with a wider aperture to usurp, and what kind of photographer would want it? Well, after shooting 1.25 weddings back in Australia with it and having a good few days on the streets of Oxford with it, I am damned impressed by it just as I still am with it's wider mate the XF35 F2, which is my go-to lens and has been since late 2015. It's a bit of a trip down memory lane, as it would be for many who've stuck a 50mm lens on a crop sensor camera so a 76mm equivalent focal length really isn't that unfamiliar.
For this 'review' I have only included small 3000 pixel JPEGS using Chrome, +1 colour, +1 sharpness, and strong grain. Why did I do this? Because it's just bloody brilliant! I have shot backup JPEGs with strong gain for many months now and I simply lovely the images it helps to produce, particularly when shooting into light - I'll get into that more down the page though. I think it also shows for a lot of folk who like what I shoot that they can achieve this look with no post-editing. If you're really wanting RAW/RAF files leave a comment below and I'll get some going since I now have real internet here in the U.K.
Let's take a look at some bokeh samples.
I'm not one to go hunting for this kinda thing and honestly, I am not sure I have the best eye for what good bokeh is but oh well! As you can see though, at F2 this lens has really lovely focus fall off and beautiful smooth background with nice round balls. With a minimum focusing distance of 39cm you can certainly get nice and close with this lens, further exaggerating background blur in many circumstances. It really does an excellent job at focusing closely too, picking what you intend to shoot quickly and accurately.
How about the AF?
It's snappy! Well freakin' snappy! Just as I LOVE the XF35 F2 for it's efficiency this guy is exactly the same in my experience. It handles itself very well shooting into strong backlight, tracks sensationally in CF mode, acts silently and stealthily, and I simply can't fault it. It's also a joy to handle and weighs next to nothing (200g) which I barely noticed during wedding shoots. Remember though, I am shooting with an XT-2 so older cameras may not be so gracious with regards to performance.
But what about the XF56 F1.2?
It's a tough call. The ol' XF56 1.2 has that stupidly wide, light eating aperture that melts away out of focus areas, but it's also an 'old' Fujifilm lens that can be a bit sluggish and offers no Weather Resistance. In truth, during the second wedding I shot in Australia recently upon owning both lenses, I switched over to the F1.2 and didn't switch back to the XF50 F2 WR. Why? Because with the XT-2 and at times with boost mode engaged, I didn't have any issues with focusing, and I sure appreciated the images it produced at it's widest aperture. On the other side of it though, the XF50 F2 WR is way more comfortable for day to day use and is a snappier, discrete, crazy sharp and silent lens that represents the latest in Fujifilm's tech. I'll get to a comparison blog post some time soon!
Let's finish up with a little chat about the grain function on the XT-2.
I am really hooked on this little add-on for how it helps gradients appear to the human eye and how it reduces the obvious transitions in colour banding in bright scenes. I find it also helps to produce really pleasing flares as well, and overall gives me +50 hipster points in my day to day photography life. You be the judge! I just hope Adobe gets grain happening in Lightroom that looks this good.
Some final thoughts
Fujifilm have produced yet another sensational bit of gear that's of the highest quality and performs exceptionally, further reaffirming my decision many moons ago to get into the X-Series.
I'm not sure that the XF50mm F2 WR will stay in my kit, as it's so close in focal length to my XF56mm F1.2, which still holds the overall crown for preferred lens out of the two. I also much prefer a 50mm equivalent like the XF35mm F2 WR for street usage and day to day shooting, with the XF23mm F2 WR being the next lens I'd like to get and probably stick with.
Truly, you cannot fault this lens and if I were a newbie to Fujifilm I would grab it in a heartbeat with the XF23mm F2 WR to start my kit off, as they're exceptional lenses for the money that have character and handle wonderfully, whilst producing consistently gorgeous images. Try it out for yourself and you'll see what I mean with the XF50mm F2 WR.
For some time now I have been making a personal effort to capture Footscray as I see and experience it so that I can hopefully preserve my own memories of it. My time in Melbourne is quickly coming to an end due to our impending move to Oxford in January. Through my ~5 years living in Melbourne's inner-west I have come to love the elements that make up this place, particularly my home suburb of Footscray. It has an incredibly rich cultural history that has served as a new home for migrants from all over the world and each culture has made its mark on the architecture, food, and character of this wonderful place. Unfortunately, as the area gentrifies I am sure some of the suburb's history will be lost as the facades of streets and generations move on.
This is my first post using the new FujiFilm X-T2 but it's not intended to be a review post much like many of my others. I've had the camera since its first day of release and I am yet to fault it. Fuji have taken the few niggles and irritations of the X-T1 and produced a truly phenomenal camera that can hold its own and then some against the big boys. I'll save that review for another week though.
This entire post is devoted to a weekend of shooting for enjoyment and moments, of which I have captured using the Fujifilm emulation of Acros. All of these pictures are Straight Out Of the Camera (SOOC) JPEG small with either AcrosR or AcrosY used (sorry, I don't remember which ones) and have +1 highlight, -1 shadows, +2 sharpening, and strong grain effect. I used the XF16, XF35 F2, and XF56 1.2 for various shots featured.
UPDATE (next day) Apologies if you read this when I had Astia written down instead of Acros, which is what these are using. I was trying to be productive yesterday after a day at a rather nice winery (pictured) and made some mistakes on here. I have also added in a few other Acros JPEGs where I have pushed the shadows out to +4, which is a look I really dig. They're at the bottom of the post.
A massive shout-out to everyone I got to hang and create with over the weekend, particularly Dragan and Ann. What was set to be a casual photo-walk turned into an amazing afternoon and evening of learning new street portrait skills from Dragan, and passing on some of my more posed portrait skills to him after we bumped into the ever awesome Ann. Ann is a bad ass martial arts actress who stars in the new Hard Target 2 film. Check her out!
The photos below are also using Acros but with Shadows at +4.
They were all shot with the XF35F2