Once again I am brought to this incredible piece of the world during the final months of my time here in Australia before we move to the UK for several years. With the perfect excuse of showing a Canadian born Fujifilm user parts of Victoria that he'd never seen we set out early one Wednesday morning to this unique part of Australia. If you're a recent follower of my work you can see a post I made of a similar visit from a year ago here.
I brought all my kit along for this one so that my companion Dragan (check his stuff on instagram!) could try out some focal lengths he hasn't experienced before in the telephoto range. Perhaps the best part of the kit to bring was my new MCEX-11 macro extension ring, which spent a good bit of time attached to my XF56mm F1.2 in the Otways Rainforest and Treetop Walk. Seriously, the best bit of cheap kit I've bought for my Fujifilm gear and works ridiculously well, particularly with the XF90mm F2.
Scroll to the bottom if you want to see me really maxing out the Fujifilm X-T2 when the local penguins returned to the beach head at dusk!
Hope you enjoy!
Welcome to the final part of my posts from Brasil!
If you haven't already seen the previous two posts from this trip you can check them out here.
For my fifth visit to Brasil (my wife's home country) Nat and I chose to visit a very unique part of the country that is greatly overlooked and unknown by most foreigners. Chapada Diamantina is a national park situated ~400kms west of Salvador, Bahia. It is known for its old mining towns, incredible panoramas, stunning waterfalls, and numerous ancient sandstone caves. To sum it up, it's the best kept secret from foreigners visiting Brasil, in my opinion.
Traveling to and staying in Chapada Diamantina is very easy, but you'll have to plan carefully as there are only 2 flights to the region each week, or otherwise be prepared to sit on a bus for 7-8 hours.
We were fairly budget minded for accommodation, as we wanted to make sure we could comfortably pay for transport around the national park and its many sites. We stayed with Tatu Do Bem in the town of Lencois, which was an exceptionally comfortable hotel, run by Shirley and Eduardo. They put on a fantastic breakfast (included) everyday, and also run really great personal tours throughout the Chapada. Eduardo knew of all the best places to check out, which often meant that secluded waterfalls and caves were left for us to experience independently of other tourists!
We only had two full days to explore Chapada, but we still managed to do a lot of exploring!
On Day 1 we visited Mucuguezinho River and Poco do Diabo (waterfall), Caverna da Fumaca (cave), Pratinha (turquoise river), Gruta Azul (river cave), finished with sunset at Morro do Pai Inacio.
On Day 2 we visited Poco Azul (river cave) and Cachoeira do Mosquito (waterfall).
Enough with the chatter. I hope you enjoy the snaps!
The eyes of the world are on Rio.
Welcome to the second installment of my travels through Brazil, covering our time in Rio De Janeiro and Salvador. Both are places that are like surrogate homes for me and of course, my wife's childhood home that much of her extended family still resides in.
If you've not already seen it, go check out my post covering the Streets of Rio with the XF35 F2.
For this trip I packed a comprehensive but compact FujiFilm kit, comprising of my XT-1, XF16, XF35 F2, XF 56 1.2, and the XF90. Much like it was during our travels in Vietnam earlier this year, the XF35 spent the most time attached to my XT-1 because of its discrete size, speed, and excellent image quality. If the upcoming XF23 F2 and 50 F2 are close to the 35 F2 in overall quality and performance, they'll certainly be making their way into my kit.
What about post-production and editing? These are all RAFs that have been edited in Lightroom using a familiar preset I've crafted and modded for this trip specifically and exported as JPEGs. Of course there's things that happen in-camera before all that, such as a bit of underexposing and careful use of spot-metering. Ultimately, it's something that comes as a result of the Electronic View Finder (EVF) and the ability to get what I want from the shot at the time it's shot. I must confess though, there are photos from our time in Salvador that were shot on my iPhone 5S when my XT-1 ran out of battery and I didn't bring a spare. A good eye should be able to pick which ones they are.
Stay tuned for my 3rd post from Brazil that's devoted to the incredible Chapada Diamantina.
Special thanks to all our amigas who got their pose on for the camera.
On one of our walks from Copacabana to Ipanema, my wife made a stop in a shop to 'browse' and well, I had to make the most of my time so I asked the sales girls if I could take their snaps whilst I waited. In a way, these photos cost us $500 because while I was busy shooting, my wife was busy shopping. As we often say here in Australia - happy wife, happy life!
In Australia we really like our long weekends. In the first half of the year we get quite a few, which gives many of us the well earned time off from busy jobs to get away with family and friends for 3 or 4 days in beautiful parts of the country, or simply veg-out a bit and relax.
. During the recent Easter holiday period we took off down to Phillip Island in Victoria's south for a quiet couple of days away with some friends who rented a sweet beach house. It may have only been 2 days and 1 night, but I was certainly treated to a few stunning photographic experiences, and as you can expect, I packed a nice little shoulder bag load of FujiFilm gear. All shots were on an XT-1 with either the XF16 1.4, XF35 F2, XF56 1.2, or XF90 F2.
As a little thank you gesture for having us, I made sure to grab a few family snaps of our friends who so kindly let us stay with them for free. It was such a pleasure to be able to merge stunning scenery with a family portrait of sorts, which also helps to keep me sharp and inspired in between weddings and other more formal photo shoots. For this afternoon walk I simply took my XT-1 and XF56 1.2, which provides that subtle hint of compression and stunning subject isolation when I take a 'wider' approach to my framing, such as with the shot above. After being so inspired by the location only 2 minutes away from our accommodation that afternoon I made a point of getting up early the next day for sunrise to see how some long exposures would work out.
As the sun rose on the opposite side of the island, I was treated with some stunning tones and during a cloudy early morning. Was it what I expected? No. Was it still immensely satisfying? Absolutely!
What I loved about where we were situated was how quickly I could walk from this beach to another side of the island that had direct morning light, offering a new and equally unique perspective to the day's beginnings. As the day moved on I returned to the beach with our friends for a few more snaps and took advantage of some of the finer details around the house in which we were staying. The XF90 was a gem as always for the close up shots because of its combined focal length and relatively close minimum focusing distance.
Our final short trip down in Phillip Island was to The Nobbies, a vital area to many animal species and a spectacular sight to behold. The boardwalk is a comfortable experience for people of all ages and abilities and awesome viewing angles are in abundance. It's a wonderful family friendly place and if you're lucky, you may get to see penguins having a rest down by the rolling hills and oceans' edge.
As you would expect, the selfie-ticks were in an abundance here but thankfully it wasn't so busy that I couldn't get the snaps I wanted. The sharpness of the XF16 with a 10 stop ND filter in some cases won for me during this experience, with a few extra shots coming in from the XF35 F2 & XF90.
With only a bit more than half a year left before we move to the UK for a few years, I have become increasingly eager to explore my home country. Sure, things will probably be much the same when we return but there is certainly a yearning to live in the now and for experiences, not things. I also hope to inspire fellow visitors or dwellers in Australia to get out there more often and see what this massive country has to offer. Go get lost!
It's not everyday I find myself trekking through the Blue Mountains of New South Wales, Australia, wearing suade shoes and black Levi's. However, when there's a great opportunity to be had, you work with what you've got. For this trip I packed an X100T that the lovely FujiFIlm Australia folks have loaned me, and my own XT-1 and XF90 for something a little different to add into the photo mix.
After flying up to Sydney to present at an educational expo on virtual reality, I had a spare few days up my sleeve to suss out a little more than just the local tourist attractions. A quick recommendation from an expert rock-climbing friend to checkout Wentworth Falls, and I was on my way. The 2-hour ride from Sydney's Central Station is very comfortable, picturesque, and best of all, extremely accessible and affordable for anyone. Simply put, if you're ever in Sydney, a day trip here is very easy to undertake and highly recommended.
I took the path straight out of town through Charles Darwin Walk, which in itself presents numerous photo opportunities with stunning creeks, mini falls and wildlife - don't be afraid of the numerous skinks running across the path though, but always keep watch for snakes.
I have seen a fair bit of Australia over my 30 years of life and living here, but it's quite possible that this moment, this place, and this experience at Wentworth Falls was my favourite one of all.
It's hard to capture the sheer mastodonic scale of Wentworth Falls. From it's highest point looking down, the colours, textures, and shapes of the landscape take you back in time leaving you wondering and in awe of how nature carves such beauty. It's the kind of place that when I'd look back up from my camera or my steps, I would immediately be stopped in my tracks by a different angle of this ancient place. As the afternoon slipped away the colours of the landscape became more diverse and intense, with beautiful shadows creating stunning contrast in the scenery. The only thing I regret was not packing sufficient supplies to stay on until sunset. I'll be back though!
Ah the Fuji XF35 F2 WR and XF90 F2.
These two lenses are supreme and exemplify how FujiFilm continue to improve on an already outstanding level of quality with their X-series line up.
They absolutely slayed on a recent wedding in the streets of South Melbourne and are now my go to combos for portraiture. Yes, I still love the XF56 1.2, especially when light is hard to find, but these 2 lenses (as I've said before) are superior in AF speed and accuracy when compared to 'older' lenses from Fuji's X-series line up.
For this post I thought I'd share 2 recent shoots using these admirable lenses, as well as share some of my wife's snaps of Jess (the gorgeous blonde haired woman) with her favoured kit, the Sigma 35mm Art and Canon 6D. I may be a Fuji guy but the Sigma 35mm @F1.4 still produces beautiful images with a lovely artistic and hip vignette. The XF35 F2 was solely used on the train snaps with my wife.
I just need to get this out of the way.
If you've not visited Vietnam, do so as soon as you can. The people, the culture, the food, the traffic, the history behind the nation, and so much more are something every traveler or adventurer must experience. I am already planning to go back.
We were very fortunate with this trip, having been hired to shoot an incredible wedding in Saigon for Winnie and Elvin, which enabled us to extend our travels throughout Vietnam afterwards. Since the wedding was our main priority, a full kit was packed for our travels, including my prized Fuji family below, with the XF35 F2 being a late addition just before we left Australia. Despite having such a formidable kit, outside of the wedding, most of it didn't see much use*, as the new XF35 F2 completely dominated as a discrete and powerful combination with either the XT-1 or XT-10. I cannot praise the new XF35 F2 highly enough.
*For the purpose of addressing people's curiosity, I will tag photos with lenses that aren't the XF35 F2.
Fuji have really created something special with the XF35 F2.
For many, an F2 50mm equivalent lens doesn't sound particularly amazing, especially when you can get a basic F1.8 50mm for around $100 (disregarding Fuji's XF35 F1.4) with other brands. However, lenses like that feel cheap and simply don't have the performance and quality of this little beast from FujiFIlm.
The very immediate and obvious thing about the XF35 F2 is that it focuses so brilliantly fast and accurately that it puts all the small talkers who badmouth mirrorless cameras for having slow auto-focus right back in their wornout, chiropractor's best customer, DSLR ladened holes. This lens is basically silent, has little to no focusing feel to it and slays (gets the shot) in very tough lighting conditions. And how about that F2 maximum aperture? Well....
The big thing about the maximum aperture of F2 is that it is way more flexible and capable than I imagined and works in conditions I didn't expect it to handle. Throughout my time in Vietnam when shooting with it on my XT-1 or XT-10 (depending on weather) I often shot from the hip in a vertical/portrait position, shutter priority and wide focus, What really made this work was I could push the shutter button and be guaranteed focus in a very, very immediate manner as I walked past or towards my subject. This had two benefits. For one, the plane of my depth of field was basically unchanged so shots (most between F2 & F4) were on the mark, which gave me the highest keeper ratio I have ever had on any camera and lens combo. The other really profound thing was how the auto-focus of the lens performed in low-light or mixed lighting in streets and social settings - think loads of motorbikes, cars, lanterns and other sorts of mixed lighting. I was able to find something that caught my eye, frame it, shoot it, and capture it, without issue.
Wait? That doesn't sound very impressive.
Well, when I want THAT shot it's when I'm most stable at that point of grabbing focus and taking the shot. In clearer terms, I was able to shoot at shutter speeds much lower than I previously could because the absence of lag between me pressing the shutter button and the camera acquiring focus was minute (very, very short/small). If it was down to shooting action on the streets at night with the XF35 F2 and say, the XF56 1.2 I would take the XF35 purely for its speed, accuracy, and very, very nice ease of handling.
The image quality and characteristics of the XF35 F2 is something I'm still trying to figure out. It just has this certain 'pop' to it and the bokeh is just lovely, smooth and has a wonderful fall off between the in focus and out of focus areas. . If you're keen to see what I mean by 'pop' and just really deluxe detail, take a look at this link. That image was shot at F3.5 I have also found this to be my favourite lens when shooting at ISO6400, as it retains a lot of detail and separation between subjects across the image, and there is very little colour bleeding. Check the 100% crop below of the old dear from earlier on.
Another rather big point I want to discuss about this lens and camera combo when traveling in countries like Vietnam is discretion. Having only been shooting for ~2.5 years, this was my first time hitting a 'photographer's country' so I was somewhat concerned about how to approach photographing locals in a respectful manner, whilst also not drawing unwanted attention.
I am not lying when saying that over the course of 16 days of travel I could count on 1 hand when someone reacted or observed me using my camera, and I shot daily. What was very evident was the epidemic, if you will, of DSLR users EVERYWHERE and how very aware locals were of their presence. I'm sorry, but standing 30 meters back from a street vendor with a 70-200mm lens is not street style and you're leaving yourself open to potential trouble from criminal elements, not to mention missing out an opportunity to connect with a local or show them a little support.
To put it simply, if you want to get undisturbed, candid shots during your travels, this is definitely the kit to get, and would easily be my go to combo if someone forced me to take one camera and lens. Did I mention that I shot a significant part of the wedding we were hired to do on this lens? Yeah, it was that good, and I have used it for several more since with sensational results.
I know I talk about all my Fuji gear being amazing, however this is one really special bit of kit and it's left me hoping that Fuji will make more F2 versions of their lenses.
Perhaps a 56 F2?
Like many other folks who've posted about it before me, this lens has always been on either my XT-1 or XT-10 since its purchase. If you're on the fence about which XF35 to get or perhaps just adding another focal length to you kit, get this one!
If I could give a 'satisfaction or your money back' guarantee I would because I know you wouldn't part ways with it once you've tried it out.
Hit me up on Instagram or Facebook if you're keen to see more XF35 2 snaps.
1 year on with the Fuji XT-1 and a myriad of other FujiFilm gear.
Honestly, I pondered this post today, started collating some of my favourite photos, and then realised that today is my 1 year anniversary with the FujiFilm XT-1. Spooky?!
Nah. Just math.
Well, I must say, it has been a fantastic 12 months using Fuji's X-series 100%. I have traveled a fair bit of the world with my kit and put it through a heck of a lot of varied circumstances. On the streets, through weddings, in the sweat of live music, the pace of MMA, and through various nations, it's been a fantastic journey developing as a photographer, and as a person, refining my creative path through the medium. Not only that, but my hipster factor has grown exponentially with the XT-1's retro dials, coupled with my hair.
What started with just the XT-1 and XF56 (added to my X100s, which I later parted with for an XT-10) soon grew. At year's end my Fuji kit contains an XT-1 & XT-10, Xf16, XF27, XF35F2, XF56, XF90, and the underrated XC 50-230, along with my Instax printer for sharing the love. With various combinations of this gear I explored regions of my home country Australia like never before, shot weddings in Ireland and Vietnam, and most importantly, met so many incredible new people and took part in many great stories.
This post is my first retrospective and quite significant to me personally. I'm not going to say how long I've been shooting for but it's not that long. Happy for you to have a guess!
More importantly, I just want to send a massive thanks to all you curious folk out there. It's been awesome hearing from so many of you over the 12 months and I hope I can help you more and more and perhaps even connect with you too! Enjoy!
Weddings across the world.
Sweating and thrashing through the pits of live music.
Exploring my home country like I never knew.
And exploring a few new ones too.
Got to meet and shoot a lot of lovely people.
Trained and shot alongside some of the best.
And sometimes just watched life go by.
What a way to finish up 2015.
Winnie and Elvin sure know how to celebrate their marriage, with not 1, but 3 weddings across 3 different countries. We had the honour of shooting their wedding in Ho Chi Minh City, Vietnam, where the always lovely Winnie grew up.
The blending of east and west, and tradition with modern opulence were perfect, with an emphasis on family and respect for Vietnamese culture permeating throughout the day.
Winnie & Elvin, we feel privileged for the experience, and especially enjoyed the numerous local cuisines you lavished upon us while we were in HCMC.
As the weather starts to warm up down here in Australia (Yes, we do experience temperatures other than stinking bloody hot) and the season to be wed kicks off, I have been out getting my eye trained up for some moodier portraits, and further venturing down that road of posing models to achieve the results I'd truly like to see. I also recently had the pleasure of attending an incredible 2-day workshop here in Melbourne with David Talley Photography, Rob Woodcox, and Kiara Rose Photography, all of whom are incredibly inspiring people and artists whose level of achievements and business savvy for their ages is somewhat confronting and mind-blowing. Truly awesome young creatives!
The love for Fujifilm gear continues on for me and I am so inspired by the XF90 135mm equivalent lens that I purchased a few months ago. It's a focal length that just works for me and the quality of the product itself demonstrates how much Fuji is still evolving, leaving me to wonder what 2016 will mean with the X-Pro2 and potentially, the XT-2. Of course, photography isn't all about gear, but having an inspirational piece of equipment or gear certainly helps!
As I look to the summer months ahead I am eagerly looking forward to a very special wedding that my wife and I will be shooting in Vietnam over Christmas, as well as some other lovely couples here in Melbourne, Australia. With the long days of shooting and travels comes preparation in the gym and good eating, which will hopefully serve me well in the more rural areas of Vietnam and some of long wedding days ahead.
To those of you who read and view my posts, and keep my website traffic at some pretty inspiring levels, I thank you for your support and hope that I can continue to keep you returning in the months and years to come.