You know you're privileged when you start losing track of how many significant places you've traveled to for pleasure in less than a year. Well, we didn't exactly move to the U.K. for amazing pay rises or weather but it sure is incredible being so close to so many significant parts of the world that are accessible on the cheap, just like in this case with our ~4 day trip to Olhao, Portugal and it's surrounds.
On a whim some months ago we booked this one in so we could see Seu Jorge live in concert and enjoy a bit of sun and damn good food. We certainly got all that and more. Having gloriously good coffee, toasted sandwiches, and sunshine greet us each day was a blessing. The few days spent relaxing on beaches and even being able to drive across the boarder to Spain for dinner one evening was everything we needed. Sending an impromptu message to Adriano, drummer for Seu Jorge, that it'd be great to say hello, only to be given AAA passes and photo access was the most perfect icing on the cake, topped off with great 3am hangs with the man himself and his band. I have never received such a sincere embrace from a stranger and someone whose music has been there with me in so much of my adult life; he is a true gentleman and a star! Many, many thanks to the whole crew for welcoming us like family throughout the whole evening.
Olhao is a truly beautiful and humble part of the world that really helped me empty my head for a few days and look for new visual experiences. I have walked away hooked on the textures of its streets and architecture, and the reassuring message the less is more by having packed only my X-T2, XF35mm F2, and 3 batteries for 5 days. The only downside is that it has left me wanting more, but that's what those EasyJet price alerts are for!
Well, it's been a bit longer than I'd like between posts but that's to be expected when getting ready to move countries. We're currently 'in-transit' with our move from Melbourne, Australia to our new home in Oxfordshire, U.K. enjoying a unique winter in Denver, Colorado, and the copious amount of food that comes in an average serving of food over here. Lord help me!
During November we were lucky to have one of our dearest friends from Brasil join us again for some travels in Australia; our first visitor from there who isn't family! As a little show of appreciation for her efforts to get down to Oz and see us we decided it'd be nice to take her down to Tasmania for a few days, and it was also a good excuse for us to see more of this wonderful part of Australia.
You may have seen an older post of mine here when we previously visited the south and central parts of Tasmania for my 30th birthday, where my wife gifted me the lovely XF16mm F1.4 from her, my friends and family. This time around we focused on checking out some parts of the north of Tasmania up in Launceston, Cradle Mountain, and Meander, as well as a few other spots. If you're someone who loves airbnb and plan to stay in Tasmania some time I cannot recommend strongly enough that you stay with Bodhi and Martin in Meander. They're just wonderful people to stay with and their immense property is full of adventures, one which I will talk about below!
As usual the Fujifilm kit came along for the ride including my new XF50-140 (still not sure if it suits me) and a recent acquisition of a tilt-adapter with an old Helios 55 F2, among many other parts of my kit. The X-T2 perfromed flawlessly throughout my travels of course ;)
So, let's just take a moment here to talk about how awesome it was staying at Bodhi and Martin's property in Meander. Aside from providing a beautiful homestead, expansive property to explore, facilities like a dojo and sauna, Martin also gave us private tours with one particular tour of his preserved old growth forest. Many years ago the native forest that their property backed onto was set to be cleared for logging, then planting of fast-growth trees for further logging and pulping for paper. Martin purchased a large portion of the forest that is abundant in native ferns, blackwood trees, oaks, and many other native flora and fauna in order to prevent this. Champion!
One night my wife discussed with Martin how she wanted to see the glow worms in a cave that was unfortunately flooded earlier in the year. With a little discussion Martin gave us a ripper story (you can go visit him to hear it) of how he came across some glow worms on his property in the old growth forest! Quick snap, we were off for a tour and before we knew it 4 of us were inside of a very large old tree looking up to a population of glow worms at sunset. MIND BLOWN! Our friend Sara was even luckier, as she got to bring a local critter back with her in the form of a leach on her ankle that was nice and fat after a 3 hour feed on her. Good times!
Once again I am brought to this incredible piece of the world during the final months of my time here in Australia before we move to the UK for several years. With the perfect excuse of showing a Canadian born Fujifilm user parts of Victoria that he'd never seen we set out early one Wednesday morning to this unique part of Australia. If you're a recent follower of my work you can see a post I made of a similar visit from a year ago here.
I brought all my kit along for this one so that my companion Dragan (check his stuff on instagram!) could try out some focal lengths he hasn't experienced before in the telephoto range. Perhaps the best part of the kit to bring was my new MCEX-11 macro extension ring, which spent a good bit of time attached to my XF56mm F1.2 in the Otways Rainforest and Treetop Walk. Seriously, the best bit of cheap kit I've bought for my Fujifilm gear and works ridiculously well, particularly with the XF90mm F2.
Scroll to the bottom if you want to see me really maxing out the Fujifilm X-T2 when the local penguins returned to the beach head at dusk!
Hope you enjoy!
Here's a post I have been looking forward to making since I heard the X-T2 was coming into existence, and boy I was not left disappointed.
In the lead up to the release of the X-T2 there were a few things I was looking forward to seeing improved upon, one being a more competent auto-focus system that followed my instructions a bit better, particularly when shooting my beloved XF56mmF1.2 R. I am well aware that on an ~85mm equivalent lens, AF speed and accuracy at F1.2 is not exactly an easy thing to achieve, and Fujifilm wasn't alone in this department when compared to Canon's 85mm F1.2 L behemoth.
Well, after almost 2 weeks shooting with the X-T2 and my XF56mmF1.2 R on numerous occasions and circumstances I can safely say that Fujifilm have made me a very happy camper. This new pairing is fast, accurate, and surprisingly tracks really well in continuous focus mode. That said, today's post is all about portraiture so you'll just have to wait for another day when I post about the X-T2 and its ability to capture action and fast paced, changing movement.
I had the pleasure of meeting the martial artist, model, actress and generally awesome human, Ann Truong, during some captures at my local Muay Thai gym. We met up in our local neighbourhood one Saturday afternoon recently for some impromptu portraits and I got to put my new camera through its paces, all whilst showing her and another friend some unique parts of the town centre. For this series I used the XF56mmF1.2 R with only a few noted shots on the XF35F2.
You can take a look at full size JPEGs at this link.
Fujifilm have improved their auto-focus system out of sight when comparing the new X-T2 to the X-T1. Yes, I loved my X-T1 (it's moved to a new home now) but at times it was like a disobedient child that you wanted to do one thing and it wanted to do... well, not what you wanted i.e. lock focus on this subject, not that piece of shrub in the background. The immediately noticeable difference is the focus acquisition speed and accuracy when shooting with all of my lenses, particularly the XF56mmF1.2 R @ F1.2. Even when shooting into heavily flared afternoon sunlight behind Ann, the camera and lens combo still hit the mark and didn't go off in the woods hunting! Hallelujah!!!!! In cases where I have shot between near and far subjects, it's quick to find focus and has proven to be a gem at this too during very dim light in my home environment. I will test this more in future though.
So what is there to be mindful of when using this combo?
Fujifilm have a great menu system that can readily be used to access features like face and eye detection. Heck! It can even be setup to choose left or right eye as a priority on the fly. So, if you've got a relatively settled/staged subject this feature is a god send for getting dead set focus on the eyes of your subject. Another thing to be mindful of is that this lens seems to really eat battery power. I am not sure what combo of the lens' motor and camera would cause this but I am certain that the camera would have to work overtime to acquire focus like it does at F1.2. Always pack an extra battery or two, or get the new vertical battery grip.
On a final note, if you're a Canon user and your 85mm 1.2 L is doing your head in with it's heft, awful purple fringing, and slow focus, seriously go and give this combo a test. If you're not this kind of person/user, just go and do it anyway!
For some time now I have been making a personal effort to capture Footscray as I see and experience it so that I can hopefully preserve my own memories of it. My time in Melbourne is quickly coming to an end due to our impending move to Oxford in January. Through my ~5 years living in Melbourne's inner-west I have come to love the elements that make up this place, particularly my home suburb of Footscray. It has an incredibly rich cultural history that has served as a new home for migrants from all over the world and each culture has made its mark on the architecture, food, and character of this wonderful place. Unfortunately, as the area gentrifies I am sure some of the suburb's history will be lost as the facades of streets and generations move on.
This is my first post using the new FujiFilm X-T2 but it's not intended to be a review post much like many of my others. I've had the camera since its first day of release and I am yet to fault it. Fuji have taken the few niggles and irritations of the X-T1 and produced a truly phenomenal camera that can hold its own and then some against the big boys. I'll save that review for another week though.
This entire post is devoted to a weekend of shooting for enjoyment and moments, of which I have captured using the Fujifilm emulation of Acros. All of these pictures are Straight Out Of the Camera (SOOC) JPEG small with either AcrosR or AcrosY used (sorry, I don't remember which ones) and have +1 highlight, -1 shadows, +2 sharpening, and strong grain effect. I used the XF16, XF35 F2, and XF56 1.2 for various shots featured.
UPDATE (next day) Apologies if you read this when I had Astia written down instead of Acros, which is what these are using. I was trying to be productive yesterday after a day at a rather nice winery (pictured) and made some mistakes on here. I have also added in a few other Acros JPEGs where I have pushed the shadows out to +4, which is a look I really dig. They're at the bottom of the post.
A massive shout-out to everyone I got to hang and create with over the weekend, particularly Dragan and Ann. What was set to be a casual photo-walk turned into an amazing afternoon and evening of learning new street portrait skills from Dragan, and passing on some of my more posed portrait skills to him after we bumped into the ever awesome Ann. Ann is a bad ass martial arts actress who stars in the new Hard Target 2 film. Check her out!
The photos below are also using Acros but with Shadows at +4.
They were all shot with the XF35F2
Me - "Looks like it's going to be raining for our shoot. Are you up for a bit of getting wet?"
Sophie - "Oh yeah that's not a worry at all! We're from Ireland and England- we're not afraid of a few raindrops "
YES! YES! YES!
I had the pleasure of working with Sophie and Ritchie last week only days before they were set to venture off to the UK to be wed. For this shoot it quite literally rained, hailed and shined for us and these two embraced the elements with pure devotion. Running in and out of the scarce cover from the rain for various snaps was such a blast, and Sophie and Ritchie absolutely shone throughout it. You really can't beat their two smiles, right?
Thank you for an incredible photographic experience, Sophie and Ritch!
The eyes of the world are on Rio.
Welcome to the second installment of my travels through Brazil, covering our time in Rio De Janeiro and Salvador. Both are places that are like surrogate homes for me and of course, my wife's childhood home that much of her extended family still resides in.
If you've not already seen it, go check out my post covering the Streets of Rio with the XF35 F2.
For this trip I packed a comprehensive but compact FujiFilm kit, comprising of my XT-1, XF16, XF35 F2, XF 56 1.2, and the XF90. Much like it was during our travels in Vietnam earlier this year, the XF35 spent the most time attached to my XT-1 because of its discrete size, speed, and excellent image quality. If the upcoming XF23 F2 and 50 F2 are close to the 35 F2 in overall quality and performance, they'll certainly be making their way into my kit.
What about post-production and editing? These are all RAFs that have been edited in Lightroom using a familiar preset I've crafted and modded for this trip specifically and exported as JPEGs. Of course there's things that happen in-camera before all that, such as a bit of underexposing and careful use of spot-metering. Ultimately, it's something that comes as a result of the Electronic View Finder (EVF) and the ability to get what I want from the shot at the time it's shot. I must confess though, there are photos from our time in Salvador that were shot on my iPhone 5S when my XT-1 ran out of battery and I didn't bring a spare. A good eye should be able to pick which ones they are.
Stay tuned for my 3rd post from Brazil that's devoted to the incredible Chapada Diamantina.
Special thanks to all our amigas who got their pose on for the camera.
On one of our walks from Copacabana to Ipanema, my wife made a stop in a shop to 'browse' and well, I had to make the most of my time so I asked the sales girls if I could take their snaps whilst I waited. In a way, these photos cost us $500 because while I was busy shooting, my wife was busy shopping. As we often say here in Australia - happy wife, happy life!
Well, it's been 48 hours since I arrived back in Australia from my 5th visit in ~10 years to Brazil and I've got 100gb+ of images to work through from my 2 weeks in the country. It was my first time visiting Brazil with decent photography skills and of course, my first time with my FujiFilm kit.
Leading up to this trip was a bit different than previous times, in the sense that recent media chatter about the country being 'terribly unsafe' and rampant with Zika had, for the first time, left me questioning my safety during the visit. Had Brazil suddenly changed? Did its beautiful, rich culture and warm-hearted populace change in a matter of 3 years since my previous visit?
Thankfully, no. Brazil is still as I remember it from my 4 prior visits, and its sociable and outgoing way of life is still very much intact, with people who frequently go out of their way to say 'hello' and 'good day'.
Like every country though, Brazil certainly has its issues, but I'm not going to get into that here.
Ever since my first to Brazil in 2006, I have been fascinated by the overtly social manner in which Brazilian people go about their lives. I still vividly remember the Tuesday morning bus ride in the outer suburbs of Rio that created this feeling as I watched the day come to life, which sadly, was contrasted with a drive by viewing of a recent murder scene.
Leading up to my recent visit, I was determined to try and capture my vision of social interaction and daily life in Brazil with a focus on Rio in particular. This meant I had to be observant and discrete, which is where my essential Fuji kit came into play. For this first post of what I am estimating will be 4 posts in total from this trip I have focused solely on the streets and beaches of Rio using my XT-1 and XF35 F2.
I hope you enjoy my perspective.
In Australia we really like our long weekends. In the first half of the year we get quite a few, which gives many of us the well earned time off from busy jobs to get away with family and friends for 3 or 4 days in beautiful parts of the country, or simply veg-out a bit and relax.
. During the recent Easter holiday period we took off down to Phillip Island in Victoria's south for a quiet couple of days away with some friends who rented a sweet beach house. It may have only been 2 days and 1 night, but I was certainly treated to a few stunning photographic experiences, and as you can expect, I packed a nice little shoulder bag load of FujiFilm gear. All shots were on an XT-1 with either the XF16 1.4, XF35 F2, XF56 1.2, or XF90 F2.
As a little thank you gesture for having us, I made sure to grab a few family snaps of our friends who so kindly let us stay with them for free. It was such a pleasure to be able to merge stunning scenery with a family portrait of sorts, which also helps to keep me sharp and inspired in between weddings and other more formal photo shoots. For this afternoon walk I simply took my XT-1 and XF56 1.2, which provides that subtle hint of compression and stunning subject isolation when I take a 'wider' approach to my framing, such as with the shot above. After being so inspired by the location only 2 minutes away from our accommodation that afternoon I made a point of getting up early the next day for sunrise to see how some long exposures would work out.
As the sun rose on the opposite side of the island, I was treated with some stunning tones and during a cloudy early morning. Was it what I expected? No. Was it still immensely satisfying? Absolutely!
What I loved about where we were situated was how quickly I could walk from this beach to another side of the island that had direct morning light, offering a new and equally unique perspective to the day's beginnings. As the day moved on I returned to the beach with our friends for a few more snaps and took advantage of some of the finer details around the house in which we were staying. The XF90 was a gem as always for the close up shots because of its combined focal length and relatively close minimum focusing distance.
Our final short trip down in Phillip Island was to The Nobbies, a vital area to many animal species and a spectacular sight to behold. The boardwalk is a comfortable experience for people of all ages and abilities and awesome viewing angles are in abundance. It's a wonderful family friendly place and if you're lucky, you may get to see penguins having a rest down by the rolling hills and oceans' edge.
As you would expect, the selfie-ticks were in an abundance here but thankfully it wasn't so busy that I couldn't get the snaps I wanted. The sharpness of the XF16 with a 10 stop ND filter in some cases won for me during this experience, with a few extra shots coming in from the XF35 F2 & XF90.
With only a bit more than half a year left before we move to the UK for a few years, I have become increasingly eager to explore my home country. Sure, things will probably be much the same when we return but there is certainly a yearning to live in the now and for experiences, not things. I also hope to inspire fellow visitors or dwellers in Australia to get out there more often and see what this massive country has to offer. Go get lost!
Ah the Fuji XF35 F2 WR and XF90 F2.
These two lenses are supreme and exemplify how FujiFilm continue to improve on an already outstanding level of quality with their X-series line up.
They absolutely slayed on a recent wedding in the streets of South Melbourne and are now my go to combos for portraiture. Yes, I still love the XF56 1.2, especially when light is hard to find, but these 2 lenses (as I've said before) are superior in AF speed and accuracy when compared to 'older' lenses from Fuji's X-series line up.
For this post I thought I'd share 2 recent shoots using these admirable lenses, as well as share some of my wife's snaps of Jess (the gorgeous blonde haired woman) with her favoured kit, the Sigma 35mm Art and Canon 6D. I may be a Fuji guy but the Sigma 35mm @F1.4 still produces beautiful images with a lovely artistic and hip vignette. The XF35 F2 was solely used on the train snaps with my wife.