Jeez... it's been too long between posts, and this is just one of about six posts or more that I need to get going since moving to the U.K. As you can expect, we've been traveling as much as we can (time and finances dependent) given our proximity to so many amazing places in relative arms reach, and after hearing how epic the Lake District was meant to be we set off with some friends during the early spring for a long weekend away.
For this trip I packed the ever awesome X-T2, along with the battery grip, XF16mm and the XF50-140 for that compressed landscape imagery. I'm not gonna rant on how much I love my Fujifilm kit, you know I do and the X-T2 has been an incredible travel and work companion on numerous occasions. To me it's become an almost 'modular' camera system with how you can adapt the kit to suit certain needs, whether it's street shooting, professional wedding photography, or getting out into the wilderness. When it comes to the streets its lean as with the XF35mm, and when I need beef the added battery grip and the XF50-140mm are a high performance combo.
Ok... I ranted. On to the snaps.
Peace - Mathieu
Well, it's been a bit longer than I'd like between posts but that's to be expected when getting ready to move countries. We're currently 'in-transit' with our move from Melbourne, Australia to our new home in Oxfordshire, U.K. enjoying a unique winter in Denver, Colorado, and the copious amount of food that comes in an average serving of food over here. Lord help me!
During November we were lucky to have one of our dearest friends from Brasil join us again for some travels in Australia; our first visitor from there who isn't family! As a little show of appreciation for her efforts to get down to Oz and see us we decided it'd be nice to take her down to Tasmania for a few days, and it was also a good excuse for us to see more of this wonderful part of Australia.
You may have seen an older post of mine here when we previously visited the south and central parts of Tasmania for my 30th birthday, where my wife gifted me the lovely XF16mm F1.4 from her, my friends and family. This time around we focused on checking out some parts of the north of Tasmania up in Launceston, Cradle Mountain, and Meander, as well as a few other spots. If you're someone who loves airbnb and plan to stay in Tasmania some time I cannot recommend strongly enough that you stay with Bodhi and Martin in Meander. They're just wonderful people to stay with and their immense property is full of adventures, one which I will talk about below!
As usual the Fujifilm kit came along for the ride including my new XF50-140 (still not sure if it suits me) and a recent acquisition of a tilt-adapter with an old Helios 55 F2, among many other parts of my kit. The X-T2 perfromed flawlessly throughout my travels of course ;)
So, let's just take a moment here to talk about how awesome it was staying at Bodhi and Martin's property in Meander. Aside from providing a beautiful homestead, expansive property to explore, facilities like a dojo and sauna, Martin also gave us private tours with one particular tour of his preserved old growth forest. Many years ago the native forest that their property backed onto was set to be cleared for logging, then planting of fast-growth trees for further logging and pulping for paper. Martin purchased a large portion of the forest that is abundant in native ferns, blackwood trees, oaks, and many other native flora and fauna in order to prevent this. Champion!
One night my wife discussed with Martin how she wanted to see the glow worms in a cave that was unfortunately flooded earlier in the year. With a little discussion Martin gave us a ripper story (you can go visit him to hear it) of how he came across some glow worms on his property in the old growth forest! Quick snap, we were off for a tour and before we knew it 4 of us were inside of a very large old tree looking up to a population of glow worms at sunset. MIND BLOWN! Our friend Sara was even luckier, as she got to bring a local critter back with her in the form of a leach on her ankle that was nice and fat after a 3 hour feed on her. Good times!
Creating an Imperfect Image - Fujifilm X-T2 with a Helios, tilt-adapter, and other ramblings after a night of Aussie metal
To para-phrase a security guard at the photo barrier on this night "I F$%KIN hate this music! But... These gigs have the best behaved people. They drink tonnes of piss and spend heaps at the merch stands. Honestly, I'd rather get digitally f#$%ed by a giant than listen to this stuff."
Much love to this fella for being brutally honest and giving me a damned good laugh.
This gig served me up a pretty profound experience as a photographer. With no pressure of producing images other than for my own enjoyment and for all these fine bands to use should they want to, I got to experiment with some new goods, including the XF50-140 and an old Helios 44-2 F2 58mm with a tilt only adapter. This was also the first time I got to use my X-T2 properly in a live music environment, which was a bit of an overdue itch to scratch. So what made it a profound experience?
For just about my entire journey so far in photography a big part of it has been chasing that perfect, sharp, optically stellar image. An image that really isn't achievable since invariably I know I'd never be satisfied with the result. It's also quite closely linked to gear acquisition too. Undoubtedly, good gear enables great photos to be taken or discretion to be used when necessary, such as in the case of compact performers like my trusty XF35mm F2, a phenomenal ~50mm equivalent.
When I recently purchased an old Helios off of eBay ($80 for a nicely refurbished one) I didn't expect to get much more than an effect out of it that could be used from time to time for a bit of fun when combined with the tilt adapter too. I certainly didn't expect that on this occasion I would end up using it for more than 50% of my photos and come away with images that were so far from perfect they felt much closer to my perfect image than I could ever have expected.
See, the usual suspects in my Fujinon kit certainly got used and performed outstandingly. The XF16mm gave me those close wides and crowd shots with not a single focus issue, and the flexibility of the rear tilt screen of the X-T2 allowed way more freedom for me to compose with. The XF56mm 1.2 also worked outstandingly and provided me with low ISO shots due to its exceptional widest aperture. My newly acquired XF50-140 was the high performance best I expected it to be and served me particularly well when taking shots further back and elevated above the crowd. Using the image stabilization was a blast too in the face of some heavy moshing, providing some unique looks.
In light of these awesome modern lenses, using an old manual focus lens with a non-parallel focus point (can be adjusted to straight) was an absolute jam and a lesson in taking control. I doubt many purists would be overly enthused towards a lens with no hood that gives wild flaring and soft-edges, but for me, the way these 'imperfections' come together in this combo feel so right. There's just something else about making an image that is flawed. An image where the main perceived subject isn't in focus. An image where it's overcome by floods of light and shadow in inconsistent ways. I guess what it also comes down to is creating a certain mood with imagery, which certainly suits the gloominess of the metal scene. Perhaps it's also the thrill of the chase when focusing manually, knowing that the shot could be 'missed'.
After some stern words from my brother Dan at Matsu Photography recently, I think this experience is the turning point for me in seeing the enjoyment of the journey rather than the unattainable end goal, where harsh self-criticism and comparison against other talents can tend to spoil the experience.
It must also be said that I sincerely appreciate all my brothers and fellow 'creative folk' in these phenomenal bands featured. If not for letting me have this experience but for creating incredible, inspiring music that provides a soundtrack in my life. Cheers to my Ormsbros in Psycopritc, Hollow World and Hadal Maw, and to the other fellas in Orpheus Omega, Blackhelm, and Naberus.
Once again I am brought to this incredible piece of the world during the final months of my time here in Australia before we move to the UK for several years. With the perfect excuse of showing a Canadian born Fujifilm user parts of Victoria that he'd never seen we set out early one Wednesday morning to this unique part of Australia. If you're a recent follower of my work you can see a post I made of a similar visit from a year ago here.
I brought all my kit along for this one so that my companion Dragan (check his stuff on instagram!) could try out some focal lengths he hasn't experienced before in the telephoto range. Perhaps the best part of the kit to bring was my new MCEX-11 macro extension ring, which spent a good bit of time attached to my XF56mm F1.2 in the Otways Rainforest and Treetop Walk. Seriously, the best bit of cheap kit I've bought for my Fujifilm gear and works ridiculously well, particularly with the XF90mm F2.
Scroll to the bottom if you want to see me really maxing out the Fujifilm X-T2 when the local penguins returned to the beach head at dusk!
Hope you enjoy!
For some time now I have been making a personal effort to capture Footscray as I see and experience it so that I can hopefully preserve my own memories of it. My time in Melbourne is quickly coming to an end due to our impending move to Oxford in January. Through my ~5 years living in Melbourne's inner-west I have come to love the elements that make up this place, particularly my home suburb of Footscray. It has an incredibly rich cultural history that has served as a new home for migrants from all over the world and each culture has made its mark on the architecture, food, and character of this wonderful place. Unfortunately, as the area gentrifies I am sure some of the suburb's history will be lost as the facades of streets and generations move on.
This is my first post using the new FujiFilm X-T2 but it's not intended to be a review post much like many of my others. I've had the camera since its first day of release and I am yet to fault it. Fuji have taken the few niggles and irritations of the X-T1 and produced a truly phenomenal camera that can hold its own and then some against the big boys. I'll save that review for another week though.
This entire post is devoted to a weekend of shooting for enjoyment and moments, of which I have captured using the Fujifilm emulation of Acros. All of these pictures are Straight Out Of the Camera (SOOC) JPEG small with either AcrosR or AcrosY used (sorry, I don't remember which ones) and have +1 highlight, -1 shadows, +2 sharpening, and strong grain effect. I used the XF16, XF35 F2, and XF56 1.2 for various shots featured.
UPDATE (next day) Apologies if you read this when I had Astia written down instead of Acros, which is what these are using. I was trying to be productive yesterday after a day at a rather nice winery (pictured) and made some mistakes on here. I have also added in a few other Acros JPEGs where I have pushed the shadows out to +4, which is a look I really dig. They're at the bottom of the post.
A massive shout-out to everyone I got to hang and create with over the weekend, particularly Dragan and Ann. What was set to be a casual photo-walk turned into an amazing afternoon and evening of learning new street portrait skills from Dragan, and passing on some of my more posed portrait skills to him after we bumped into the ever awesome Ann. Ann is a bad ass martial arts actress who stars in the new Hard Target 2 film. Check her out!
The photos below are also using Acros but with Shadows at +4.
They were all shot with the XF35F2
Welcome to the final part of my posts from Brasil!
If you haven't already seen the previous two posts from this trip you can check them out here.
For my fifth visit to Brasil (my wife's home country) Nat and I chose to visit a very unique part of the country that is greatly overlooked and unknown by most foreigners. Chapada Diamantina is a national park situated ~400kms west of Salvador, Bahia. It is known for its old mining towns, incredible panoramas, stunning waterfalls, and numerous ancient sandstone caves. To sum it up, it's the best kept secret from foreigners visiting Brasil, in my opinion.
Traveling to and staying in Chapada Diamantina is very easy, but you'll have to plan carefully as there are only 2 flights to the region each week, or otherwise be prepared to sit on a bus for 7-8 hours.
We were fairly budget minded for accommodation, as we wanted to make sure we could comfortably pay for transport around the national park and its many sites. We stayed with Tatu Do Bem in the town of Lencois, which was an exceptionally comfortable hotel, run by Shirley and Eduardo. They put on a fantastic breakfast (included) everyday, and also run really great personal tours throughout the Chapada. Eduardo knew of all the best places to check out, which often meant that secluded waterfalls and caves were left for us to experience independently of other tourists!
We only had two full days to explore Chapada, but we still managed to do a lot of exploring!
On Day 1 we visited Mucuguezinho River and Poco do Diabo (waterfall), Caverna da Fumaca (cave), Pratinha (turquoise river), Gruta Azul (river cave), finished with sunset at Morro do Pai Inacio.
On Day 2 we visited Poco Azul (river cave) and Cachoeira do Mosquito (waterfall).
Enough with the chatter. I hope you enjoy the snaps!
The eyes of the world are on Rio.
Welcome to the second installment of my travels through Brazil, covering our time in Rio De Janeiro and Salvador. Both are places that are like surrogate homes for me and of course, my wife's childhood home that much of her extended family still resides in.
If you've not already seen it, go check out my post covering the Streets of Rio with the XF35 F2.
For this trip I packed a comprehensive but compact FujiFilm kit, comprising of my XT-1, XF16, XF35 F2, XF 56 1.2, and the XF90. Much like it was during our travels in Vietnam earlier this year, the XF35 spent the most time attached to my XT-1 because of its discrete size, speed, and excellent image quality. If the upcoming XF23 F2 and 50 F2 are close to the 35 F2 in overall quality and performance, they'll certainly be making their way into my kit.
What about post-production and editing? These are all RAFs that have been edited in Lightroom using a familiar preset I've crafted and modded for this trip specifically and exported as JPEGs. Of course there's things that happen in-camera before all that, such as a bit of underexposing and careful use of spot-metering. Ultimately, it's something that comes as a result of the Electronic View Finder (EVF) and the ability to get what I want from the shot at the time it's shot. I must confess though, there are photos from our time in Salvador that were shot on my iPhone 5S when my XT-1 ran out of battery and I didn't bring a spare. A good eye should be able to pick which ones they are.
Stay tuned for my 3rd post from Brazil that's devoted to the incredible Chapada Diamantina.
Special thanks to all our amigas who got their pose on for the camera.
On one of our walks from Copacabana to Ipanema, my wife made a stop in a shop to 'browse' and well, I had to make the most of my time so I asked the sales girls if I could take their snaps whilst I waited. In a way, these photos cost us $500 because while I was busy shooting, my wife was busy shopping. As we often say here in Australia - happy wife, happy life!
In Australia we really like our long weekends. In the first half of the year we get quite a few, which gives many of us the well earned time off from busy jobs to get away with family and friends for 3 or 4 days in beautiful parts of the country, or simply veg-out a bit and relax.
. During the recent Easter holiday period we took off down to Phillip Island in Victoria's south for a quiet couple of days away with some friends who rented a sweet beach house. It may have only been 2 days and 1 night, but I was certainly treated to a few stunning photographic experiences, and as you can expect, I packed a nice little shoulder bag load of FujiFilm gear. All shots were on an XT-1 with either the XF16 1.4, XF35 F2, XF56 1.2, or XF90 F2.
As a little thank you gesture for having us, I made sure to grab a few family snaps of our friends who so kindly let us stay with them for free. It was such a pleasure to be able to merge stunning scenery with a family portrait of sorts, which also helps to keep me sharp and inspired in between weddings and other more formal photo shoots. For this afternoon walk I simply took my XT-1 and XF56 1.2, which provides that subtle hint of compression and stunning subject isolation when I take a 'wider' approach to my framing, such as with the shot above. After being so inspired by the location only 2 minutes away from our accommodation that afternoon I made a point of getting up early the next day for sunrise to see how some long exposures would work out.
As the sun rose on the opposite side of the island, I was treated with some stunning tones and during a cloudy early morning. Was it what I expected? No. Was it still immensely satisfying? Absolutely!
What I loved about where we were situated was how quickly I could walk from this beach to another side of the island that had direct morning light, offering a new and equally unique perspective to the day's beginnings. As the day moved on I returned to the beach with our friends for a few more snaps and took advantage of some of the finer details around the house in which we were staying. The XF90 was a gem as always for the close up shots because of its combined focal length and relatively close minimum focusing distance.
Our final short trip down in Phillip Island was to The Nobbies, a vital area to many animal species and a spectacular sight to behold. The boardwalk is a comfortable experience for people of all ages and abilities and awesome viewing angles are in abundance. It's a wonderful family friendly place and if you're lucky, you may get to see penguins having a rest down by the rolling hills and oceans' edge.
As you would expect, the selfie-ticks were in an abundance here but thankfully it wasn't so busy that I couldn't get the snaps I wanted. The sharpness of the XF16 with a 10 stop ND filter in some cases won for me during this experience, with a few extra shots coming in from the XF35 F2 & XF90.
With only a bit more than half a year left before we move to the UK for a few years, I have become increasingly eager to explore my home country. Sure, things will probably be much the same when we return but there is certainly a yearning to live in the now and for experiences, not things. I also hope to inspire fellow visitors or dwellers in Australia to get out there more often and see what this massive country has to offer. Go get lost!
HOLY SMOKES! What a blast this wedding was!
Right from the beginning of the day, Nikki & Kesh set THE tone for a celebration of their love, great friendship and family, then wrapped it in generosity, incredible food, insane partying, and a desire for raw industrial wedding photos.
It's not every wedding where the couple says 'We want you and Nat to feel like our guests' and follow through by trying to get you to drink beer and special rum cocktails in the first hour of the wedding day. Emphasis on 'trying'. They also hounded us with food!
From the preparation, to the ceremony, and right through to the reception, there was such a genuine sense of love and respect between all of Nikki and Kesh's family and friends. Even their celebrant, Kay, was a great friend of theirs!
However, the most touching aspect of the wedding (aside from their marriage) was Nikki & Kesh's noble support of cancer research through a very beautiful gesture. Take a close look at the polaroid station. Each shot that guests took and placed was then matched with a donation by Nikki & Kesh to the Australian Cancer Research Foundation. Can you imagine if every wedding was this selfless?
Natalia and I cannot stress enough how much this wedding was an absolute pleasure to capture, especially since we've made acquaintances with so many people from the wedding too!
Lots of love to you both, Nikki & Kesh! Thank you!
I just need to get this out of the way.
If you've not visited Vietnam, do so as soon as you can. The people, the culture, the food, the traffic, the history behind the nation, and so much more are something every traveler or adventurer must experience. I am already planning to go back.
We were very fortunate with this trip, having been hired to shoot an incredible wedding in Saigon for Winnie and Elvin, which enabled us to extend our travels throughout Vietnam afterwards. Since the wedding was our main priority, a full kit was packed for our travels, including my prized Fuji family below, with the XF35 F2 being a late addition just before we left Australia. Despite having such a formidable kit, outside of the wedding, most of it didn't see much use*, as the new XF35 F2 completely dominated as a discrete and powerful combination with either the XT-1 or XT-10. I cannot praise the new XF35 F2 highly enough.
*For the purpose of addressing people's curiosity, I will tag photos with lenses that aren't the XF35 F2.
Fuji have really created something special with the XF35 F2.
For many, an F2 50mm equivalent lens doesn't sound particularly amazing, especially when you can get a basic F1.8 50mm for around $100 (disregarding Fuji's XF35 F1.4) with other brands. However, lenses like that feel cheap and simply don't have the performance and quality of this little beast from FujiFIlm.
The very immediate and obvious thing about the XF35 F2 is that it focuses so brilliantly fast and accurately that it puts all the small talkers who badmouth mirrorless cameras for having slow auto-focus right back in their wornout, chiropractor's best customer, DSLR ladened holes. This lens is basically silent, has little to no focusing feel to it and slays (gets the shot) in very tough lighting conditions. And how about that F2 maximum aperture? Well....
The big thing about the maximum aperture of F2 is that it is way more flexible and capable than I imagined and works in conditions I didn't expect it to handle. Throughout my time in Vietnam when shooting with it on my XT-1 or XT-10 (depending on weather) I often shot from the hip in a vertical/portrait position, shutter priority and wide focus, What really made this work was I could push the shutter button and be guaranteed focus in a very, very immediate manner as I walked past or towards my subject. This had two benefits. For one, the plane of my depth of field was basically unchanged so shots (most between F2 & F4) were on the mark, which gave me the highest keeper ratio I have ever had on any camera and lens combo. The other really profound thing was how the auto-focus of the lens performed in low-light or mixed lighting in streets and social settings - think loads of motorbikes, cars, lanterns and other sorts of mixed lighting. I was able to find something that caught my eye, frame it, shoot it, and capture it, without issue.
Wait? That doesn't sound very impressive.
Well, when I want THAT shot it's when I'm most stable at that point of grabbing focus and taking the shot. In clearer terms, I was able to shoot at shutter speeds much lower than I previously could because the absence of lag between me pressing the shutter button and the camera acquiring focus was minute (very, very short/small). If it was down to shooting action on the streets at night with the XF35 F2 and say, the XF56 1.2 I would take the XF35 purely for its speed, accuracy, and very, very nice ease of handling.
The image quality and characteristics of the XF35 F2 is something I'm still trying to figure out. It just has this certain 'pop' to it and the bokeh is just lovely, smooth and has a wonderful fall off between the in focus and out of focus areas. . If you're keen to see what I mean by 'pop' and just really deluxe detail, take a look at this link. That image was shot at F3.5 I have also found this to be my favourite lens when shooting at ISO6400, as it retains a lot of detail and separation between subjects across the image, and there is very little colour bleeding. Check the 100% crop below of the old dear from earlier on.
Another rather big point I want to discuss about this lens and camera combo when traveling in countries like Vietnam is discretion. Having only been shooting for ~2.5 years, this was my first time hitting a 'photographer's country' so I was somewhat concerned about how to approach photographing locals in a respectful manner, whilst also not drawing unwanted attention.
I am not lying when saying that over the course of 16 days of travel I could count on 1 hand when someone reacted or observed me using my camera, and I shot daily. What was very evident was the epidemic, if you will, of DSLR users EVERYWHERE and how very aware locals were of their presence. I'm sorry, but standing 30 meters back from a street vendor with a 70-200mm lens is not street style and you're leaving yourself open to potential trouble from criminal elements, not to mention missing out an opportunity to connect with a local or show them a little support.
To put it simply, if you want to get undisturbed, candid shots during your travels, this is definitely the kit to get, and would easily be my go to combo if someone forced me to take one camera and lens. Did I mention that I shot a significant part of the wedding we were hired to do on this lens? Yeah, it was that good, and I have used it for several more since with sensational results.
I know I talk about all my Fuji gear being amazing, however this is one really special bit of kit and it's left me hoping that Fuji will make more F2 versions of their lenses.
Perhaps a 56 F2?
Like many other folks who've posted about it before me, this lens has always been on either my XT-1 or XT-10 since its purchase. If you're on the fence about which XF35 to get or perhaps just adding another focal length to you kit, get this one!
If I could give a 'satisfaction or your money back' guarantee I would because I know you wouldn't part ways with it once you've tried it out.
Hit me up on Instagram or Facebook if you're keen to see more XF35 2 snaps.