You may have seen my earlier post about my First Day Impressions of the Fujifilm XF90,
which details my Fuji fan-boi experience with the new kid on the block. One month on and a fair few more shooting experiences later, this lens has done nothing but impress and inspire me. At my favoured full-frame equivalent focal length of ~137mm, the XF90 fits me like a glove and allowed me to move completely away from my Canon system, which had always been a go to when I needed the sharp and speedy 135mm F2 L.
This past month with the XF90 saw me checking out temperate rain-forest waterfalls in Victoria's east, shooting in stunning Western Australian sunsets with my dear friend Dan at Matsu Photography, exploring the historical sites of federation era Australia, and shooting for Ormsby Guitars and the Melbourne Guitar Makers Festival. On each and every varied occasion the XF90 never missed a beat and I have been left pondering how FujiFilm will outdo themselves next in their world of supreme, high quality consumer photography lenses.
There's something really frustrating about the XF90 - it leaves many of its brethren feeling somewhat inferior (emphasis on 'somewhat').
What Fuji have managed to achieve with this lens and its new quad-motor system is a lens that is incredibly responsive, accurate, and works extremely well in tough lighting conditions, such as low light and heavy back-lighting. I couldn't believe how well it focused on my mate Dan (below) during sunset, or at night as I often put it through its paces targeting objects near and far. As much as I love the XF56 1.2, after using the XF90 it feels somewhat slow and outdated and simply doesn't perform anyway near as well. Also, the XF90's bokeh trumps it by a long shot. Sorry, I know that F1.2 is still a hell of a feature and I'll continue to use mine, but the bokeh it produces simply isn't as smooth and rich.
Something sports and action photographers are going to love about the XF90 is how well it plays with continuous focusing mode, zone focusing and bursts, even at F2. It's smooth, accurate and damned responsive! Overall, a consistently high focus hit rate on par with what I was used to when using my Canon 7D/6D and the 135mm F2.
Did I mention that the XF90 is sharp?
Take a look at the 3 pictures above. I'm not normally a 'here's a 1:1 crop guy' but in this case I had to provide a quick screen grab at that ratio from my LR module (post grain added). I'll just leave you with those snaps to ponder.
If you're considering this lens be aware of how beneficial it is to have a ridiculously close minimum focusing distance on a lens of this focal length. I have loved utilizing the 60cm min. focusing distance so often and cannot wait to try it on some detailed wedding ring shots soon. If you like getting out and shooting a bit of wildlife like me, it's also particularly useful for some more intimate nature shots or flower snaps that provide a beautiful level of compression at this focal length.
I'll keep my conclusion simple. If you're a Fuji X-series user, buy this lens.
If you're on the fence about coming on board to the Fuji-side, get this lens and an XT-1 or XT-10 and be prepared to be blown away.
Spontaneity is incredibly underrated. And sometimes, simply saying 'yes' to an opportunity is the best way to go.
I'm sure many of us feel our work-life creep into our weekend-life, which invariably leaves us feeling unrested and often stifled by a job that we otherwise enjoy. The idea of driving 6 hours on your 2 days off a week is often too great of a sacrifice, and one that we don't see the true value in doing until we finally do it. That was my weekend. A short Saturday getaway with a good mate to Victoria, Australia's south west to the Great Ocean Road and down to the awe inspiring Twelve Apostles.
Our trip saw us travel to some pristine temperate rainforests in Otway, where the endangered black snail can be found, amongst rich, moist forest floors. This experience provided ideal circumstances for me to use my favourite FujiFilm gear to get up close and really craft an image that I wanted, first time, using the ever useful EVF of the XT-1. As we walked among the native blackwood and ash trees, some 25 floors up, I got to capture native flora that I never knew existed. In one small reserve the biodiversity was truly something to behold and had me appreciating, yet again, the beauty that exists in my own backyard.
As the sun began to set low in the afternoon sky, we made a last hour drive to the legendary Twelve Apostles and were fortunate enough to arrive just in time for sunset, with thankfully low numbers of other tourists to be found or hinder the experience. The sea salts rolled in through the air and I took that breath that many of us forget to take in this working life of ever-digital-connectedness. That investment of an afternoon and an evening was worth more than 2 weeks away in a tropical paradise, and it won't be the last.
Well not quite 2 weeks....
But there was a lot packed into those 11 days - a crazy big Irish wedding, amazing ancient sights and scenery, and a heck of a lot of good food, people, and beer. Oh yeah... and the XT-10 & XT-1 with the new Firmware 4.0 plus a few rather nice pieces of FujiFilm glass.
After many months of dreaming about this big trip and even bigger wedding in Ireland, the time finally came. The lead up to the trip and shooting said wedding was made even better with the arrival of the XT-10 and the new firmware 4.0 update that proved the XT-10 to be a formidable force in 'budget' mirrorless cameras, and breathed new life into the XT-1, even though it didn't really need it.
For this trip, my wife and I were primarily hired to shoot a wedding on the west coast of Ireland in the incredibly picturesque town of Dingle. Jaw-dropping would be an understatement. Of course, it would be a pity to not see more of a country than just one place and Ireland is a place of wonder and awe. We packed a rather nice bit of kit for this one, including the fresh and sharp Fujinon XF16 and XT-10.
So how about that XT-10?
Well, what can I say? It's a damn fine camera and a perfect match for the XT-1 for shooting weddings in a discrete and professional manner. I actually ended up using the XT-10 for most of the trip because of its compact size and to give it a fair run for its money. Did it impress me just like almost every Fuji product I've used before it? Absolutely!
For the wedding I shot with the XT-1 over my shoulder with the XF56 and had the XT-10 on a holster with the XF16. A light-weight combo that after 16 hours of shooting did not leave me sore, fatigued or in any state of pain. The only ailment was the tiredness that was to be expected from shooting a day that long! I also got to experience the true value of the SP-1 Instax printer and how integral it is for creating a truly memorable wedding photography service that leave clients overjoyed on their big day! Alas, I cannot share their photos just yet.
XT-10 or X100?
Something that's fairly obvious and should be considered by anyone buying into the Fujifilm X-series is the power in a small package with the XT-10. Shortly after the announcement of the XT-10, I did the usual level of research regarding its specs, size and reported performance, and well, it's almost the same size as the X100 series but does a heck of a lot more! So, I sold off my X100s and jumped on the XT-10 the day after it was available in Australia. I also made a point of picking up the XF27 so I had a very pocketable and discrete option for shooting streets and other settings. Do I miss the X100? Absolutely! Does the XT-10 rock! Yes! I will probably get back into the X100 game when they announce their next model. Until then, the equally discrete and lightweight XT-10 paired with the XT-1 will continue to suit my needs appropriately. More on the XT-10 down the page.
And what about the XF16? It's fair to say that it got a good work out, and yet again, the weather sealing was tested and passed wonderfully when paired with the XT-1. Irish summers aren't particularly summery at times, so long exposure shots with the XT-1 and XF16 on a tripod often meant it got rather wet. Well, quite wet. It really is a sensational combo and the close focusing ability of the XF16 (10cm) is rather useful in a country full of beautiful flowers and other majestic scenery.
Let's get to the burning question - XT-1 VS XT-10
At the time of purchasing the XT-10 there were great end of financial year sales going on and the lovely folks at DigiDirect offered me a killer deal on a second XT-1 rather than the XT-10 (think $100 price difference). Sure, it was tempting but I took the XT-10 instead. Why? As I said before, it's almost the same size as the X100 series (it's actually shorter) and when paired with the XF27 is only slightly deeper in size, which makes it 'pocketable' for me. I also liked some of the new features not present on the XT-1, most notably the full-auto switch that can be useful when handing over your camera to someone who doesn't know what to do, or when teaching a friend casually about composition or something similar. The buttons and dials also feel a bit firmer too, and the d-pad buttons are far more pronounced making it just a little better than the XT-1. Reality is, I simply didn't want a copy of another camera body that's going to sit in storage frequently. I wanted a different option when weather sealing wasn't required and when I wanted the tidiest and most discrete camera option.
The XT-10 performs just as well as the XT-1 on most fronts. Obviously it can't handle burst shooting anywhere near as good but I have found it to be adequate in JPEG only mode when shooting kids playing sports. I'll be honest in saying that I do miss the metering switch that sits atop the XT-1, since I do like to switch between 'average' and 'spot' metering a fair bit. Other than these points they're very similar cameras with enough subtle differences to warrant their individual existence and purpose.
Ireland is a truly magical country. Whether it's the rolling green hills and mountains, decaying ancient ruins along roadsides, or incredible calorie filled Irish breakfasts, it is always a welcoming and inspiring place. My wife and I can't thank the couple who made it all happen enough (wedding blog to come soon) and the wonderful people who took care of us, fed us, gave us beds to sleep in, and most importantly, took me to the pub. A truly hospitable and generous bunch! I can only hope it doesn't take us another life-time to get back there and explore it even further.
It's autumn in Australia! What better way to show it off than to head off into the temperate rainforests of Victoria with my FujiFilm XT-1 and X100S.
Rather than rattle on about 'performance this...' and 'sharpness that...' here are some snaps from some bush-walks in some amazing forests that are less than 1 hour's drive from Melbourne's CBD. If you're ever in Victoria, Australia, be sure to check out Sassafras, Ferntree Gully, and East Gippsland.
Massive thanks to my good bud Theo, for taking us well off track for some of these snaps and for the lovely collection of baby leeches that tried to burrow through my shoes.
Recently I was very lucky to spend 5 days cruising through the countryside of Victoria, Australia, soaking up amazing scenery that is unique to this part of the world, and experiencing some of the best light I've ever seen. There were many euphoric moments of awe and appreciation for my home country's beauty, beauty that I had never seen or made a strong enough effort to experience and appreciate properly beforehand.
Knowing full well that I had many kilometers of riding on rough tracks ahead of me, I packed a light day kit, which of course featured my FujiFilm XT-1, XF56, XF18, and the underrated XC50-230. With just about every focal length covered, plus a few spare batteries, I was ready to capture just about anything that caught my eye, which there was of course and abundance of.
My approach to capturing this experience was a little different than usual. I didn't want to think about taking a photo and consider how it could be improved in post-production later on. I really wanted to show off how Fuji's JPEG system is supremely impressive and let the pictures and lenses speak for themselves. All pictures in this post were shot in JPEG with the Chrome simulation, and had a global modification of slight sharpness and shadow boost applied to them in Lightroom. The only exceptions were the few black and white conversions that you'll see in my post.
I spent 4 nights camping in a local caravan park in the town of Yea, Victoria, which is not far from the alpine regions of the state. The locals were extremely welcoming and talkative, even the local wildlife let me get up close and personal with XF56 on a few occasions! Overnight temperatures were pretty mild at ~3 degrees Celsius, which helped provide some truly amazing sunrises that featured beautiful fog and mist peering through the native forests and rolling hills. I love the XT-1's solid metal construction but jeez, when it's cold and you've bare hands you can certainly feel it! That said, I quickly realised too that having all the analog dials were great when wearing gloves because the camera was still very usable and easy to adjust.
The XT-1 performed admirably as always. Having the electronic shutter capable of shooting at 1/32000 of a second was very useful during the early morning sessions when firing off the XF56 at F 1.2. The XF18 was an exceptional performer in the AF department and was comfortable to use on the fly whilst riding. However, the budget master XC50-230, really impressed me. Sure it doesn't quite have the unique 3D crispness of the XF series but to have the equivalent focal lengths of 76-350mm for ~$200 it focuses well, renders detailed and sharp images and is very light weight. Definitely a top contender for best value for money in the entire Fuji lens range.
Below is one of the locals to the caravan park I was camping in - Sexy Face.
Sadly, this fella has a virus known as Psittacine beak and feather disease, which causes progressive feather, claw, and beak malformation and necrosis. Immunosuppresion is a secondary stage of the disease and eventually the poor fella will probably die from a secondary infection of some sort. Sexy Face (as named by the locals) was a very friendly fella and didn't shy away from the camera though. I hope he has a few more years left in him.