What a way to start 2016.
An ever handsome and gregarious 6'8" groom, and a classically beautiful and eloquent bride made for a truly unique and stylish wedding at the Werribee Mansion in Victoria's south west. There was always a truly endearing look in Benson and Jacqui's eyes whenever they looked at each other. That of a love that is true and deserving of great celebration.
We are incredibly grateful for Jacqui and Benson having us capture their exceptionally well planned and down right fun wedding day. They will most certainly enjoy a love filled and life-long marriage together.
1 year on with the Fuji XT-1 and a myriad of other FujiFilm gear.
Honestly, I pondered this post today, started collating some of my favourite photos, and then realised that today is my 1 year anniversary with the FujiFilm XT-1. Spooky?!
Nah. Just math.
Well, I must say, it has been a fantastic 12 months using Fuji's X-series 100%. I have traveled a fair bit of the world with my kit and put it through a heck of a lot of varied circumstances. On the streets, through weddings, in the sweat of live music, the pace of MMA, and through various nations, it's been a fantastic journey developing as a photographer, and as a person, refining my creative path through the medium. Not only that, but my hipster factor has grown exponentially with the XT-1's retro dials, coupled with my hair.
What started with just the XT-1 and XF56 (added to my X100s, which I later parted with for an XT-10) soon grew. At year's end my Fuji kit contains an XT-1 & XT-10, Xf16, XF27, XF35F2, XF56, XF90, and the underrated XC 50-230, along with my Instax printer for sharing the love. With various combinations of this gear I explored regions of my home country Australia like never before, shot weddings in Ireland and Vietnam, and most importantly, met so many incredible new people and took part in many great stories.
This post is my first retrospective and quite significant to me personally. I'm not going to say how long I've been shooting for but it's not that long. Happy for you to have a guess!
More importantly, I just want to send a massive thanks to all you curious folk out there. It's been awesome hearing from so many of you over the 12 months and I hope I can help you more and more and perhaps even connect with you too! Enjoy!
Weddings across the world.
Sweating and thrashing through the pits of live music.
Exploring my home country like I never knew.
And exploring a few new ones too.
Got to meet and shoot a lot of lovely people.
Trained and shot alongside some of the best.
And sometimes just watched life go by.
What a way to finish up 2015.
Winnie and Elvin sure know how to celebrate their marriage, with not 1, but 3 weddings across 3 different countries. We had the honour of shooting their wedding in Ho Chi Minh City, Vietnam, where the always lovely Winnie grew up.
The blending of east and west, and tradition with modern opulence were perfect, with an emphasis on family and respect for Vietnamese culture permeating throughout the day.
Winnie & Elvin, we feel privileged for the experience, and especially enjoyed the numerous local cuisines you lavished upon us while we were in HCMC.
It's a lovely Wednesday morning here in Ho Chi Minh/Saigon, Vietnam, as I write this post buzzing on iced Vietnamese style coffee - the juice of the Gods! My wife and I have arrived to shoot a very special wedding in a few days time and it's an honour to be involved.
About 10 hours before leaving Melbourne, Australia I picked up a little something that I'd been eyeing off for some weeks, the newish Fujifilm XF35 F2. As always, I saw the good folks at DigiDirect in the city and they hooked me up with the best price around, just as they've done with my entire Fuji kit. They were also super patient about me trying the original XF35 F1.4 back to back against the new F2 version, and although the F1.4 certainly has its merits, the F2 won out in a few key areas, which I'll discuss soon.
I'll be straight up. The photos in this post aren't intended to be about photographic prowess nor highly technical breakdowns of the XF35's features, construction, and all that camera nerd stuff. I get enough of that in the world of high end guitars, so cameras are a safe haven for me where I can focus more on creativity rather than technicality. Enough coffee induced rambling.
For a little challenge on my first day shooting the XF35, I decided to go with a bit of street style approach by firing from the hip and seeing how well the lens could keep up in the Auto Focus (AF) on Saigon's busy and beautiful streets. I must say, I am damned impressed by this tiny high performance lens.
Onto some stuff about the lens (I suppose). Something that is immediately clear about this lens is just how responsive the AF is. If you've ever been to Vietnam I'm sure you can understand that you need to keep moving in the busy streets, particularly in high traffic areas, which when trying to capture sharp and in focus pictures is not a great combination since your field of focus changes so quickly through movement.
The XF35 is quick, and I mean quick. It's the kind of speedy and accurate responsiveness that makes this such a different beast to many other Fuji lenses, particularly its predecessor, the XF35 1.4. Not only is it dead quiet and has no feel of movement from its internals, the XF35 F2 does not hunt!
In the past with some Fuji gear the AF has left me frustrated due to a missed shot or slightly lagging response time. This little piece of gear absolutely slays its siblings. My time at DigiDirect comparing the two 35's back to back quickly showed that although the 35 1.4 is still awesome and has that extra stop of light, it simply feels outdated in performance and feel when compare the the new 35 F2. When I compared them in continuous focusing with heavy back-light, the 1.4 didn't know what to do, and in single shot mode it had that slightly nagging back and forth hunt for a moment before acquiring focus. The 35 F2 displayed none of these features and made it very easy for me to make a decision on which one to take home, even though the original 35 had a $200 cashback on offer, making it around $100 cheaper than the new 35 F2.
A quick perusal of my snaps in Lightroom shows that most of my first day's snaps were taken between F2 and F4, so it's not as if the lens and camera have taken the easy path of narrow apertures, and thus, depths of field where focus is easier to acquire. So, keeping in mind that I was not holding the camera up to my eye and stopping for creative and stable framing, I think the XF35 F2 has really shown how much it's the new generation of what Fuji has to offer in terms of high performance gear.
So what about sharpness? Bokeh? Weather sealing? Well, it's the first day. I've got a wedding here to shoot that I'm sure will feature heavy use of the XF35 F2 and its brothers, but so far, for its size and performance, this is possibly Fuji's best XF lens to date. I cannot wait to see how this thing performs the new bodies rumoured for 2016, like the X-E2s or X-PRO2.
As the weather starts to warm up down here in Australia (Yes, we do experience temperatures other than stinking bloody hot) and the season to be wed kicks off, I have been out getting my eye trained up for some moodier portraits, and further venturing down that road of posing models to achieve the results I'd truly like to see. I also recently had the pleasure of attending an incredible 2-day workshop here in Melbourne with David Talley Photography, Rob Woodcox, and Kiara Rose Photography, all of whom are incredibly inspiring people and artists whose level of achievements and business savvy for their ages is somewhat confronting and mind-blowing. Truly awesome young creatives!
The love for Fujifilm gear continues on for me and I am so inspired by the XF90 135mm equivalent lens that I purchased a few months ago. It's a focal length that just works for me and the quality of the product itself demonstrates how much Fuji is still evolving, leaving me to wonder what 2016 will mean with the X-Pro2 and potentially, the XT-2. Of course, photography isn't all about gear, but having an inspirational piece of equipment or gear certainly helps!
As I look to the summer months ahead I am eagerly looking forward to a very special wedding that my wife and I will be shooting in Vietnam over Christmas, as well as some other lovely couples here in Melbourne, Australia. With the long days of shooting and travels comes preparation in the gym and good eating, which will hopefully serve me well in the more rural areas of Vietnam and some of long wedding days ahead.
To those of you who read and view my posts, and keep my website traffic at some pretty inspiring levels, I thank you for your support and hope that I can continue to keep you returning in the months and years to come.
Fuji, you're gonna cost me marriage. By all means of financial responsibility I should not have bought this lens on a whim, I simply never do that. That was the immediate impact and impression the new Fujinon XF90 left on me and it only got better as the day wore on.
For some time now I have been bloody excited about Fuji releasing a roughly 135mm F2 equivalent lens. It was the first lens I bought for my Canon system a few years back when I started off and it has been a staple lens in my kit. Even when it was stolen from my house whilst I was home, I still had it replaced. I have always found the XF56 to be a satisfying and impressive lens since getting onto the XT-1 but as a focal length, it never quite fit like the old pair of undies that is the 135mm F2. Thank the good science-folk at Fuji, they have created a lens that surpasses the Canon equivalent and I am as happy as a pig in it's own filth with the new XF90.
(all photos are JPEGs in classic chrome with minor tweaks)
Something that immediately jumps out at you when grasping the XF90 is the build quality. All my XF lenses are certainly well built, but somehow the XF90 and the XF16 seem to be a step up from the previous builds. The aperture ring is just perfect! A wonderful balance of ease of movement and firmness. It just clicks into place confidently across the range.
I was concerned that the XF90 would be too large a lens to match with the XT-1 but it was thankfully not the case. It's actually a bit short and slight more rotund than the XC50-230, which I'm quite used to so it was very familiar territory with the XF90 going onto my XT-1.
So what about that new quad-motor thingy? Well i'll be damned, this thing focuses quickly and accurately and provides the high performance that I was used when using my Canon 135mm F2 L. Admittedly I had my doubts but Fuji have completely destroyed them. Something else that also really surprised me was manual focusing. HOLY SMOKES! This is definitely the best and most 'authentic' and easy to manually focus Fuji lens I have ever used. It's so responsive and easy to finely focus, which is particularly useful when taking advantage of how close the minimum focusing distance is on this lens of 60cm! Yes! 60cm! Where the Canon 135mm only focuses to a minimum of 90cm, this guy comes along and enables you to use the focal range in whole new ways. I couldn't believe how close I could get to the flowers I shot (below) and how damn good the images came up at F2. It ain't macro but jeez, you could certainly get away with some pretty intimate shots.
BOKEH! Oh glorious Bokeh! Just take a look. It's simply the best I've ever seen Fuji produce for the XF range and the focus fall off on the xF90 will have the full frame purists shaking in their boots. Just take a look for yourself.
Fuji have created an absolute winner of a lens here. 'Nuff said.
Cheers to DigiDirect Melbourne as always for them deals!
Neasa and Andy - Two beautiful people, married in a gloriously beautiful country, bringing people together from across the globe in a blending of cultures and tradition.
Their love for each other is clear and their adoration for their little boy Jack is is absolute. But something that really struck me throughout the time I've known Neasa and Andy is how they're not only husband and wife, parents, and a family.
They are best friends.
Their wedding in Dingle, Ireland was nothing short of an exuberant celebration where Irish and Australian cultures collided in a wonderfully competitive, yet friendly game of who could dress better and who could party harder into the early hours of the morning. Whether it was the classic rustic styling of Ballingtagart House, the absolutely mind-boggling combination of a pub, hardware, and bike store at Foxy John's, or the breathtaking views on the far west outlook of the Dingle Penninsulla, Neasa and Andy's was an adventure of a wedding that entertained and drew so many emotions. Their laid-back approach is something we could all learn from and made capturing their day a candid and joyful experience.
And what better way to finish off the days of wedding celebrations than with with an international match of Gaelic and Australian Rules Football!