Welcome to the final part of my posts from Brasil!
If you haven't already seen the previous two posts from this trip you can check them out here.
For my fifth visit to Brasil (my wife's home country) Nat and I chose to visit a very unique part of the country that is greatly overlooked and unknown by most foreigners. Chapada Diamantina is a national park situated ~400kms west of Salvador, Bahia. It is known for its old mining towns, incredible panoramas, stunning waterfalls, and numerous ancient sandstone caves. To sum it up, it's the best kept secret from foreigners visiting Brasil, in my opinion.
Traveling to and staying in Chapada Diamantina is very easy, but you'll have to plan carefully as there are only 2 flights to the region each week, or otherwise be prepared to sit on a bus for 7-8 hours.
We were fairly budget minded for accommodation, as we wanted to make sure we could comfortably pay for transport around the national park and its many sites. We stayed with Tatu Do Bem in the town of Lencois, which was an exceptionally comfortable hotel, run by Shirley and Eduardo. They put on a fantastic breakfast (included) everyday, and also run really great personal tours throughout the Chapada. Eduardo knew of all the best places to check out, which often meant that secluded waterfalls and caves were left for us to experience independently of other tourists!
We only had two full days to explore Chapada, but we still managed to do a lot of exploring!
On Day 1 we visited Mucuguezinho River and Poco do Diabo (waterfall), Caverna da Fumaca (cave), Pratinha (turquoise river), Gruta Azul (river cave), finished with sunset at Morro do Pai Inacio.
On Day 2 we visited Poco Azul (river cave) and Cachoeira do Mosquito (waterfall).
Enough with the chatter. I hope you enjoy the snaps!
I just need to get this out of the way.
If you've not visited Vietnam, do so as soon as you can. The people, the culture, the food, the traffic, the history behind the nation, and so much more are something every traveler or adventurer must experience. I am already planning to go back.
We were very fortunate with this trip, having been hired to shoot an incredible wedding in Saigon for Winnie and Elvin, which enabled us to extend our travels throughout Vietnam afterwards. Since the wedding was our main priority, a full kit was packed for our travels, including my prized Fuji family below, with the XF35 F2 being a late addition just before we left Australia. Despite having such a formidable kit, outside of the wedding, most of it didn't see much use*, as the new XF35 F2 completely dominated as a discrete and powerful combination with either the XT-1 or XT-10. I cannot praise the new XF35 F2 highly enough.
*For the purpose of addressing people's curiosity, I will tag photos with lenses that aren't the XF35 F2.
Fuji have really created something special with the XF35 F2.
For many, an F2 50mm equivalent lens doesn't sound particularly amazing, especially when you can get a basic F1.8 50mm for around $100 (disregarding Fuji's XF35 F1.4) with other brands. However, lenses like that feel cheap and simply don't have the performance and quality of this little beast from FujiFIlm.
The very immediate and obvious thing about the XF35 F2 is that it focuses so brilliantly fast and accurately that it puts all the small talkers who badmouth mirrorless cameras for having slow auto-focus right back in their wornout, chiropractor's best customer, DSLR ladened holes. This lens is basically silent, has little to no focusing feel to it and slays (gets the shot) in very tough lighting conditions. And how about that F2 maximum aperture? Well....
The big thing about the maximum aperture of F2 is that it is way more flexible and capable than I imagined and works in conditions I didn't expect it to handle. Throughout my time in Vietnam when shooting with it on my XT-1 or XT-10 (depending on weather) I often shot from the hip in a vertical/portrait position, shutter priority and wide focus, What really made this work was I could push the shutter button and be guaranteed focus in a very, very immediate manner as I walked past or towards my subject. This had two benefits. For one, the plane of my depth of field was basically unchanged so shots (most between F2 & F4) were on the mark, which gave me the highest keeper ratio I have ever had on any camera and lens combo. The other really profound thing was how the auto-focus of the lens performed in low-light or mixed lighting in streets and social settings - think loads of motorbikes, cars, lanterns and other sorts of mixed lighting. I was able to find something that caught my eye, frame it, shoot it, and capture it, without issue.
Wait? That doesn't sound very impressive.
Well, when I want THAT shot it's when I'm most stable at that point of grabbing focus and taking the shot. In clearer terms, I was able to shoot at shutter speeds much lower than I previously could because the absence of lag between me pressing the shutter button and the camera acquiring focus was minute (very, very short/small). If it was down to shooting action on the streets at night with the XF35 F2 and say, the XF56 1.2 I would take the XF35 purely for its speed, accuracy, and very, very nice ease of handling.
The image quality and characteristics of the XF35 F2 is something I'm still trying to figure out. It just has this certain 'pop' to it and the bokeh is just lovely, smooth and has a wonderful fall off between the in focus and out of focus areas. . If you're keen to see what I mean by 'pop' and just really deluxe detail, take a look at this link. That image was shot at F3.5 I have also found this to be my favourite lens when shooting at ISO6400, as it retains a lot of detail and separation between subjects across the image, and there is very little colour bleeding. Check the 100% crop below of the old dear from earlier on.
Another rather big point I want to discuss about this lens and camera combo when traveling in countries like Vietnam is discretion. Having only been shooting for ~2.5 years, this was my first time hitting a 'photographer's country' so I was somewhat concerned about how to approach photographing locals in a respectful manner, whilst also not drawing unwanted attention.
I am not lying when saying that over the course of 16 days of travel I could count on 1 hand when someone reacted or observed me using my camera, and I shot daily. What was very evident was the epidemic, if you will, of DSLR users EVERYWHERE and how very aware locals were of their presence. I'm sorry, but standing 30 meters back from a street vendor with a 70-200mm lens is not street style and you're leaving yourself open to potential trouble from criminal elements, not to mention missing out an opportunity to connect with a local or show them a little support.
To put it simply, if you want to get undisturbed, candid shots during your travels, this is definitely the kit to get, and would easily be my go to combo if someone forced me to take one camera and lens. Did I mention that I shot a significant part of the wedding we were hired to do on this lens? Yeah, it was that good, and I have used it for several more since with sensational results.
I know I talk about all my Fuji gear being amazing, however this is one really special bit of kit and it's left me hoping that Fuji will make more F2 versions of their lenses.
Perhaps a 56 F2?
Like many other folks who've posted about it before me, this lens has always been on either my XT-1 or XT-10 since its purchase. If you're on the fence about which XF35 to get or perhaps just adding another focal length to you kit, get this one!
If I could give a 'satisfaction or your money back' guarantee I would because I know you wouldn't part ways with it once you've tried it out.
Hit me up on Instagram or Facebook if you're keen to see more XF35 2 snaps.
It's a lovely Wednesday morning here in Ho Chi Minh/Saigon, Vietnam, as I write this post buzzing on iced Vietnamese style coffee - the juice of the Gods! My wife and I have arrived to shoot a very special wedding in a few days time and it's an honour to be involved.
About 10 hours before leaving Melbourne, Australia I picked up a little something that I'd been eyeing off for some weeks, the newish Fujifilm XF35 F2. As always, I saw the good folks at DigiDirect in the city and they hooked me up with the best price around, just as they've done with my entire Fuji kit. They were also super patient about me trying the original XF35 F1.4 back to back against the new F2 version, and although the F1.4 certainly has its merits, the F2 won out in a few key areas, which I'll discuss soon.
I'll be straight up. The photos in this post aren't intended to be about photographic prowess nor highly technical breakdowns of the XF35's features, construction, and all that camera nerd stuff. I get enough of that in the world of high end guitars, so cameras are a safe haven for me where I can focus more on creativity rather than technicality. Enough coffee induced rambling.
For a little challenge on my first day shooting the XF35, I decided to go with a bit of street style approach by firing from the hip and seeing how well the lens could keep up in the Auto Focus (AF) on Saigon's busy and beautiful streets. I must say, I am damned impressed by this tiny high performance lens.
Onto some stuff about the lens (I suppose). Something that is immediately clear about this lens is just how responsive the AF is. If you've ever been to Vietnam I'm sure you can understand that you need to keep moving in the busy streets, particularly in high traffic areas, which when trying to capture sharp and in focus pictures is not a great combination since your field of focus changes so quickly through movement.
The XF35 is quick, and I mean quick. It's the kind of speedy and accurate responsiveness that makes this such a different beast to many other Fuji lenses, particularly its predecessor, the XF35 1.4. Not only is it dead quiet and has no feel of movement from its internals, the XF35 F2 does not hunt!
In the past with some Fuji gear the AF has left me frustrated due to a missed shot or slightly lagging response time. This little piece of gear absolutely slays its siblings. My time at DigiDirect comparing the two 35's back to back quickly showed that although the 35 1.4 is still awesome and has that extra stop of light, it simply feels outdated in performance and feel when compare the the new 35 F2. When I compared them in continuous focusing with heavy back-light, the 1.4 didn't know what to do, and in single shot mode it had that slightly nagging back and forth hunt for a moment before acquiring focus. The 35 F2 displayed none of these features and made it very easy for me to make a decision on which one to take home, even though the original 35 had a $200 cashback on offer, making it around $100 cheaper than the new 35 F2.
A quick perusal of my snaps in Lightroom shows that most of my first day's snaps were taken between F2 and F4, so it's not as if the lens and camera have taken the easy path of narrow apertures, and thus, depths of field where focus is easier to acquire. So, keeping in mind that I was not holding the camera up to my eye and stopping for creative and stable framing, I think the XF35 F2 has really shown how much it's the new generation of what Fuji has to offer in terms of high performance gear.
So what about sharpness? Bokeh? Weather sealing? Well, it's the first day. I've got a wedding here to shoot that I'm sure will feature heavy use of the XF35 F2 and its brothers, but so far, for its size and performance, this is possibly Fuji's best XF lens to date. I cannot wait to see how this thing performs the new bodies rumoured for 2016, like the X-E2s or X-PRO2.
Hanging Rock, Victoria, Australia. It's a truly remarkable part of the state, and what's great is it's readily accessible for inner-city folk like myself at only 1 hour's drive away. At the spark of inspiration, my wife and I took off on a drive out there one Sunday for a good bit of fresh air and stunning, natural Australiana.
As you'd expect for this time of year the weather was a somewhat warm 30 degrees celsius, however many areas of the reserve were very refreshing due to different wind tunnels and the natural chill of many of the large shadowy rocks.
For this outing I wanted to keep it simple, light-weight and tack sharp.
Can you guess what I took?
As you may have guessed by the title of the post, I packed the XF16 1.4 and my XT-10. Two extremely powerful pieces of gear that are light-weight, responsive, and can wrestle (and win!) with the big boys. They're also incredibly robust, based on my awful experience of dropping the XF16 from waist height onto concrete some months ago. Watching it bounce several times made my heart skip a beat. Literally.
The temptation to shoot at wide apertures with this lens is always there, but with so much detail going on at Hanging Rock, I chose to shoot just about all these images between F8 and F11. I'm sure you can pick the few that are shot nice and shallow at F1.4 though.
There's really not much I can say about this combo that I've not said or shown before. Every time I pull an image off from this combo I'm just amazed at how much detail there is in the RAF files. Being able to pull shadow details from the way I expose images leaves my Canon rig for dead. I must also add for fellow Fuji X users regarding sharpening with Lightroom. Don't go beyond ~80 the amount of Sharpening and start with Masking at 100 and pull back from there. I like to sit mine around 70-90 depending on the style of photo. Trust me, it'll do your images justice.
Thanks for viewing!
As the weather starts to warm up down here in Australia (Yes, we do experience temperatures other than stinking bloody hot) and the season to be wed kicks off, I have been out getting my eye trained up for some moodier portraits, and further venturing down that road of posing models to achieve the results I'd truly like to see. I also recently had the pleasure of attending an incredible 2-day workshop here in Melbourne with David Talley Photography, Rob Woodcox, and Kiara Rose Photography, all of whom are incredibly inspiring people and artists whose level of achievements and business savvy for their ages is somewhat confronting and mind-blowing. Truly awesome young creatives!
The love for Fujifilm gear continues on for me and I am so inspired by the XF90 135mm equivalent lens that I purchased a few months ago. It's a focal length that just works for me and the quality of the product itself demonstrates how much Fuji is still evolving, leaving me to wonder what 2016 will mean with the X-Pro2 and potentially, the XT-2. Of course, photography isn't all about gear, but having an inspirational piece of equipment or gear certainly helps!
As I look to the summer months ahead I am eagerly looking forward to a very special wedding that my wife and I will be shooting in Vietnam over Christmas, as well as some other lovely couples here in Melbourne, Australia. With the long days of shooting and travels comes preparation in the gym and good eating, which will hopefully serve me well in the more rural areas of Vietnam and some of long wedding days ahead.
To those of you who read and view my posts, and keep my website traffic at some pretty inspiring levels, I thank you for your support and hope that I can continue to keep you returning in the months and years to come.
You may have seen my earlier post about my First Day Impressions of the Fujifilm XF90,
which details my Fuji fan-boi experience with the new kid on the block. One month on and a fair few more shooting experiences later, this lens has done nothing but impress and inspire me. At my favoured full-frame equivalent focal length of ~137mm, the XF90 fits me like a glove and allowed me to move completely away from my Canon system, which had always been a go to when I needed the sharp and speedy 135mm F2 L.
This past month with the XF90 saw me checking out temperate rain-forest waterfalls in Victoria's east, shooting in stunning Western Australian sunsets with my dear friend Dan at Matsu Photography, exploring the historical sites of federation era Australia, and shooting for Ormsby Guitars and the Melbourne Guitar Makers Festival. On each and every varied occasion the XF90 never missed a beat and I have been left pondering how FujiFilm will outdo themselves next in their world of supreme, high quality consumer photography lenses.
There's something really frustrating about the XF90 - it leaves many of its brethren feeling somewhat inferior (emphasis on 'somewhat').
What Fuji have managed to achieve with this lens and its new quad-motor system is a lens that is incredibly responsive, accurate, and works extremely well in tough lighting conditions, such as low light and heavy back-lighting. I couldn't believe how well it focused on my mate Dan (below) during sunset, or at night as I often put it through its paces targeting objects near and far. As much as I love the XF56 1.2, after using the XF90 it feels somewhat slow and outdated and simply doesn't perform anyway near as well. Also, the XF90's bokeh trumps it by a long shot. Sorry, I know that F1.2 is still a hell of a feature and I'll continue to use mine, but the bokeh it produces simply isn't as smooth and rich.
Something sports and action photographers are going to love about the XF90 is how well it plays with continuous focusing mode, zone focusing and bursts, even at F2. It's smooth, accurate and damned responsive! Overall, a consistently high focus hit rate on par with what I was used to when using my Canon 7D/6D and the 135mm F2.
Did I mention that the XF90 is sharp?
Take a look at the 3 pictures above. I'm not normally a 'here's a 1:1 crop guy' but in this case I had to provide a quick screen grab at that ratio from my LR module (post grain added). I'll just leave you with those snaps to ponder.
If you're considering this lens be aware of how beneficial it is to have a ridiculously close minimum focusing distance on a lens of this focal length. I have loved utilizing the 60cm min. focusing distance so often and cannot wait to try it on some detailed wedding ring shots soon. If you like getting out and shooting a bit of wildlife like me, it's also particularly useful for some more intimate nature shots or flower snaps that provide a beautiful level of compression at this focal length.
I'll keep my conclusion simple. If you're a Fuji X-series user, buy this lens.
If you're on the fence about coming on board to the Fuji-side, get this lens and an XT-1 or XT-10 and be prepared to be blown away.
Fuji, you're gonna cost me marriage. By all means of financial responsibility I should not have bought this lens on a whim, I simply never do that. That was the immediate impact and impression the new Fujinon XF90 left on me and it only got better as the day wore on.
For some time now I have been bloody excited about Fuji releasing a roughly 135mm F2 equivalent lens. It was the first lens I bought for my Canon system a few years back when I started off and it has been a staple lens in my kit. Even when it was stolen from my house whilst I was home, I still had it replaced. I have always found the XF56 to be a satisfying and impressive lens since getting onto the XT-1 but as a focal length, it never quite fit like the old pair of undies that is the 135mm F2. Thank the good science-folk at Fuji, they have created a lens that surpasses the Canon equivalent and I am as happy as a pig in it's own filth with the new XF90.
(all photos are JPEGs in classic chrome with minor tweaks)
Something that immediately jumps out at you when grasping the XF90 is the build quality. All my XF lenses are certainly well built, but somehow the XF90 and the XF16 seem to be a step up from the previous builds. The aperture ring is just perfect! A wonderful balance of ease of movement and firmness. It just clicks into place confidently across the range.
I was concerned that the XF90 would be too large a lens to match with the XT-1 but it was thankfully not the case. It's actually a bit short and slight more rotund than the XC50-230, which I'm quite used to so it was very familiar territory with the XF90 going onto my XT-1.
So what about that new quad-motor thingy? Well i'll be damned, this thing focuses quickly and accurately and provides the high performance that I was used when using my Canon 135mm F2 L. Admittedly I had my doubts but Fuji have completely destroyed them. Something else that also really surprised me was manual focusing. HOLY SMOKES! This is definitely the best and most 'authentic' and easy to manually focus Fuji lens I have ever used. It's so responsive and easy to finely focus, which is particularly useful when taking advantage of how close the minimum focusing distance is on this lens of 60cm! Yes! 60cm! Where the Canon 135mm only focuses to a minimum of 90cm, this guy comes along and enables you to use the focal range in whole new ways. I couldn't believe how close I could get to the flowers I shot (below) and how damn good the images came up at F2. It ain't macro but jeez, you could certainly get away with some pretty intimate shots.
BOKEH! Oh glorious Bokeh! Just take a look. It's simply the best I've ever seen Fuji produce for the XF range and the focus fall off on the xF90 will have the full frame purists shaking in their boots. Just take a look for yourself.
Fuji have created an absolute winner of a lens here. 'Nuff said.
Cheers to DigiDirect Melbourne as always for them deals!
Spontaneity is incredibly underrated. And sometimes, simply saying 'yes' to an opportunity is the best way to go.
I'm sure many of us feel our work-life creep into our weekend-life, which invariably leaves us feeling unrested and often stifled by a job that we otherwise enjoy. The idea of driving 6 hours on your 2 days off a week is often too great of a sacrifice, and one that we don't see the true value in doing until we finally do it. That was my weekend. A short Saturday getaway with a good mate to Victoria, Australia's south west to the Great Ocean Road and down to the awe inspiring Twelve Apostles.
Our trip saw us travel to some pristine temperate rainforests in Otway, where the endangered black snail can be found, amongst rich, moist forest floors. This experience provided ideal circumstances for me to use my favourite FujiFilm gear to get up close and really craft an image that I wanted, first time, using the ever useful EVF of the XT-1. As we walked among the native blackwood and ash trees, some 25 floors up, I got to capture native flora that I never knew existed. In one small reserve the biodiversity was truly something to behold and had me appreciating, yet again, the beauty that exists in my own backyard.
As the sun began to set low in the afternoon sky, we made a last hour drive to the legendary Twelve Apostles and were fortunate enough to arrive just in time for sunset, with thankfully low numbers of other tourists to be found or hinder the experience. The sea salts rolled in through the air and I took that breath that many of us forget to take in this working life of ever-digital-connectedness. That investment of an afternoon and an evening was worth more than 2 weeks away in a tropical paradise, and it won't be the last.
Well not quite 2 weeks....
But there was a lot packed into those 11 days - a crazy big Irish wedding, amazing ancient sights and scenery, and a heck of a lot of good food, people, and beer. Oh yeah... and the XT-10 & XT-1 with the new Firmware 4.0 plus a few rather nice pieces of FujiFilm glass.
After many months of dreaming about this big trip and even bigger wedding in Ireland, the time finally came. The lead up to the trip and shooting said wedding was made even better with the arrival of the XT-10 and the new firmware 4.0 update that proved the XT-10 to be a formidable force in 'budget' mirrorless cameras, and breathed new life into the XT-1, even though it didn't really need it.
For this trip, my wife and I were primarily hired to shoot a wedding on the west coast of Ireland in the incredibly picturesque town of Dingle. Jaw-dropping would be an understatement. Of course, it would be a pity to not see more of a country than just one place and Ireland is a place of wonder and awe. We packed a rather nice bit of kit for this one, including the fresh and sharp Fujinon XF16 and XT-10.
So how about that XT-10?
Well, what can I say? It's a damn fine camera and a perfect match for the XT-1 for shooting weddings in a discrete and professional manner. I actually ended up using the XT-10 for most of the trip because of its compact size and to give it a fair run for its money. Did it impress me just like almost every Fuji product I've used before it? Absolutely!
For the wedding I shot with the XT-1 over my shoulder with the XF56 and had the XT-10 on a holster with the XF16. A light-weight combo that after 16 hours of shooting did not leave me sore, fatigued or in any state of pain. The only ailment was the tiredness that was to be expected from shooting a day that long! I also got to experience the true value of the SP-1 Instax printer and how integral it is for creating a truly memorable wedding photography service that leave clients overjoyed on their big day! Alas, I cannot share their photos just yet.
XT-10 or X100?
Something that's fairly obvious and should be considered by anyone buying into the Fujifilm X-series is the power in a small package with the XT-10. Shortly after the announcement of the XT-10, I did the usual level of research regarding its specs, size and reported performance, and well, it's almost the same size as the X100 series but does a heck of a lot more! So, I sold off my X100s and jumped on the XT-10 the day after it was available in Australia. I also made a point of picking up the XF27 so I had a very pocketable and discrete option for shooting streets and other settings. Do I miss the X100? Absolutely! Does the XT-10 rock! Yes! I will probably get back into the X100 game when they announce their next model. Until then, the equally discrete and lightweight XT-10 paired with the XT-1 will continue to suit my needs appropriately. More on the XT-10 down the page.
And what about the XF16? It's fair to say that it got a good work out, and yet again, the weather sealing was tested and passed wonderfully when paired with the XT-1. Irish summers aren't particularly summery at times, so long exposure shots with the XT-1 and XF16 on a tripod often meant it got rather wet. Well, quite wet. It really is a sensational combo and the close focusing ability of the XF16 (10cm) is rather useful in a country full of beautiful flowers and other majestic scenery.
Let's get to the burning question - XT-1 VS XT-10
At the time of purchasing the XT-10 there were great end of financial year sales going on and the lovely folks at DigiDirect offered me a killer deal on a second XT-1 rather than the XT-10 (think $100 price difference). Sure, it was tempting but I took the XT-10 instead. Why? As I said before, it's almost the same size as the X100 series (it's actually shorter) and when paired with the XF27 is only slightly deeper in size, which makes it 'pocketable' for me. I also liked some of the new features not present on the XT-1, most notably the full-auto switch that can be useful when handing over your camera to someone who doesn't know what to do, or when teaching a friend casually about composition or something similar. The buttons and dials also feel a bit firmer too, and the d-pad buttons are far more pronounced making it just a little better than the XT-1. Reality is, I simply didn't want a copy of another camera body that's going to sit in storage frequently. I wanted a different option when weather sealing wasn't required and when I wanted the tidiest and most discrete camera option.
The XT-10 performs just as well as the XT-1 on most fronts. Obviously it can't handle burst shooting anywhere near as good but I have found it to be adequate in JPEG only mode when shooting kids playing sports. I'll be honest in saying that I do miss the metering switch that sits atop the XT-1, since I do like to switch between 'average' and 'spot' metering a fair bit. Other than these points they're very similar cameras with enough subtle differences to warrant their individual existence and purpose.
Ireland is a truly magical country. Whether it's the rolling green hills and mountains, decaying ancient ruins along roadsides, or incredible calorie filled Irish breakfasts, it is always a welcoming and inspiring place. My wife and I can't thank the couple who made it all happen enough (wedding blog to come soon) and the wonderful people who took care of us, fed us, gave us beds to sleep in, and most importantly, took me to the pub. A truly hospitable and generous bunch! I can only hope it doesn't take us another life-time to get back there and explore it even further.
Before I get started, if you're here for photographic proof of what I have written below, I don't have it quite yet. Well, I do, but unfortunately I cannot share the pictures I have been taking so you're just going to have to trust me until I get usable proof in my next post. I merely want to get numerous other XT-1 users excited for the new update to Firmware 4.0.
As I write this I'm a few hours out from getting on a plane headed for Ireland to shoot a pretty massive wedding between a fine Australian lad and a lovely Irish las. In preparation for the big day I have assembled a very nice and flexible kit for my wife and I to shoot with - she loves the Canon stuff and I'm a big Fuji convert.
After selling my X100s I was quite adamant about getting my hands on the XT-10 after seeing how much smaller it is than the XT-1 and in some aspects, smaller than the X100 series, thus making it 'pocketable' and discrete. I opted to pick up the XF27 as well and honestly, I am a much happier camper with this setup than with the X100s. A significant reason for that though, is the interchangeable lens ability of the XT-10 and the absolutely impressive new Firmware 4.0. The AF system of Fuji's X-series has been reinvented with this update and I have been achieving results that were simply unattainable with the old firmware. Kids running wild shot in continuous zone focus mode on the XF56 at F1.2? Yep. That happened this week for me.
If you're keen to read up about all the specifics involved in the new update, take a look at this link.
Since picking up the XT-10 a day after its release here in Australia, I have been testing it each day on a whole bunch of active school kids, which unfortunately means I can't share the actual proof of what I'm writing just yet. Onto the camera.
The XT-10 feels solid in the hand but could certainly benefit from a grip of some sort. One of the features I have really enjoyed (aside from the new AF system) is the face and eye recognition. This function is absolutely brilliant when paired with the XF56 at F1.2. It's snappy and every time I've shot with it it's made the mark. It will certainly be interesting to see how it holds up at the wedding next week.
Let's get to the really good stuff - Continuous and Zone focusing.
Good God! Or should I say 'Good Fuji!'?
The new focusing system is amazing! Is it perfect? No. Is it on par or better than many of the big guns? YES!
Imagine this. 4 young kids running around a play ground, chasing each other and me snapping in Continuous Zone focusing mode in High Burst with the XF56 at F1.2, focusing on 1 kid. Guess how many photos out of 5 hit the mark? 4! The 5th didn't make the mark because one of the kids came straight towards me at lightning pace and the shallow depth of field of 1.2 meant that the top the kid's head was in focus and not their face. Regardless, the camera tracked beautifully and I achieved something I'd never experienced before with the X-series cameras. Stopped down to F5.6, I spent some time on the sidelines shooting a basketball game. 30 something shots later, not a single miss! The XF16 also tracked exceptionally well and handled objects that were moving laterally and towards the camera exceptionally.
At this point I'd say it tracks better than my trusty Canon 7D and it is definitely better than my long standing (pre-Fuji) favourite, the 6D.
My apologies that I don't have the proof you're all probably looking for of my very large claims. You're just going to have to trust me. I will be posting photos via my usual Facebook and Instagram feeds over the coming weeks whilst in Ireland, hopefully providing insight into how well the XT-10 and XT-1 focus in low light situations with the new firmware.