Sunshine, glorious florals, and classic English styling in Oxfordshire.
What more could a photographer want?
Well, I was lucky enough to shoot Anisha and Arun's intimate wedding ceremony at the Old Swan Minister Mill as my first U.K. wedding earlier this year and it was nothing short of stunning.
Anisha reached out to me shortly after moving to Oxford asking me to cover her special day that was only to be attended by close family and friends; a special affair that required a candid and discrete approach across the afternoon.
Honestly, I could not have wanted for a more picture perfect couple who executed classic style in such an honest and down-to-earth manner. Just two people in absolute love celebrating it with a sincere gathering of wonderful people in a picture perfect setting.
Much love to you awesome folk!
You know you're privileged when you start losing track of how many significant places you've traveled to for pleasure in less than a year. Well, we didn't exactly move to the U.K. for amazing pay rises or weather but it sure is incredible being so close to so many significant parts of the world that are accessible on the cheap, just like in this case with our ~4 day trip to Olhao, Portugal and it's surrounds.
On a whim some months ago we booked this one in so we could see Seu Jorge live in concert and enjoy a bit of sun and damn good food. We certainly got all that and more. Having gloriously good coffee, toasted sandwiches, and sunshine greet us each day was a blessing. The few days spent relaxing on beaches and even being able to drive across the boarder to Spain for dinner one evening was everything we needed. Sending an impromptu message to Adriano, drummer for Seu Jorge, that it'd be great to say hello, only to be given AAA passes and photo access was the most perfect icing on the cake, topped off with great 3am hangs with the man himself and his band. I have never received such a sincere embrace from a stranger and someone whose music has been there with me in so much of my adult life; he is a true gentleman and a star! Many, many thanks to the whole crew for welcoming us like family throughout the whole evening.
Olhao is a truly beautiful and humble part of the world that really helped me empty my head for a few days and look for new visual experiences. I have walked away hooked on the textures of its streets and architecture, and the reassuring message the less is more by having packed only my X-T2, XF35mm F2, and 3 batteries for 5 days. The only downside is that it has left me wanting more, but that's what those EasyJet price alerts are for!
Another awesome U.K. wedding wrapped up and also the smallest one I have had the absolute pleasure to capture!
Lara and Mark's day was a simple affair where they exchanged vows at the local Register Office in Hammersmith, which also just happens to be situated right near the river Thames. Their day was witnessed by two of their dear friends and the wonderful people who had me come along to capture it all, Sara and Tom. The ceremony was an absolute cracker of an affair with the two city officials and celebrants fighting to hold themselves back from dancing to the Motown music playlist that the wedding party had loaded up.
One of the great things about the U.K. are the ample pubs that even without a plan you can find, grab a drink or three in and have a great time. All of 100m away from the town hall was the gorgeous little pub known as The Dove that sits beside the river Thames. The champagne was popped and several pints of ale were drunk by all, which sparked everyone's enthusiasm to get dirty by walking into the low tide of the river for photos. Did we ruin our shoes in the muck? Sure did! Was it worth it? Well, look ahead and tell me what you think in the comments below. This truly was a celebration of love and true friendship.
Much love all you awesome folk!
Jeez... it's been too long between posts, and this is just one of about six posts or more that I need to get going since moving to the U.K. As you can expect, we've been traveling as much as we can (time and finances dependent) given our proximity to so many amazing places in relative arms reach, and after hearing how epic the Lake District was meant to be we set off with some friends during the early spring for a long weekend away.
For this trip I packed the ever awesome X-T2, along with the battery grip, XF16mm and the XF50-140 for that compressed landscape imagery. I'm not gonna rant on how much I love my Fujifilm kit, you know I do and the X-T2 has been an incredible travel and work companion on numerous occasions. To me it's become an almost 'modular' camera system with how you can adapt the kit to suit certain needs, whether it's street shooting, professional wedding photography, or getting out into the wilderness. When it comes to the streets its lean as with the XF35mm, and when I need beef the added battery grip and the XF50-140mm are a high performance combo.
Ok... I ranted. On to the snaps.
Peace - Mathieu
Take note, grooms who think they can DIY at their wedding. If you're not prepared to custom build an altar and a tree-house for your big day, then you've got nothing on Joseph.
Liz and Joey's wedding was a perfect example of paying homage to young love, and creating a relaxed celebration centered around family, friends, and pets! Every wedding should have pets! Even if they break out of the fence frequently during inopportune times.
Set in the beautiful beach side suburb of Portalrlington where Liz and Joey grew up and got together as a couple, each part of their day was only ever a small walk or drive away, and the collection of classic Aussie muscle cars made each short trip a totally stylish blast! Perhaps one of the sweetest parts of the day though was returning to the street lamp that Liz and Joey got together underneath years before for a few quiet moments. So simple yet so significant. Love it!
My sincerest appreciations go out to Liz & Joey for having me capture such a wonderful, warm day in Australia. Every bride and groom could learn from these two about how to rock it in relaxed DIY style.
WHAT A BLAST!
From start to finish, Anna & Chris created one of the most memorable and fun weddings I've ever had the pleasure of being a part of. They won me over even more by feeding me a deluxe meal, not once, but twice! Yep, it's that simple with me.
Having spent a few occasions getting to know Anna & Chris before their big day (engagement session here) I knew they'd just have an amazing vibe to their wedding - chilled, full of smiles, food, and oh so much love! The elegant and stylish simplicity of their attire, the jovial loving bounce they had for each other all day, and an absolutely blistering first dance! It truly was the perfect balance of organised and footloose fun. I cannot thank them enough for having me capture it all!
Much love and one big ol' blog post of joyful images,
Shout out to the fine venue folk at The Farm Cafe for being on point and keeping me well hydrated!
I just have to say this outright. You folk here in the northern hemisphere, particularly out here in the U.K. are spoiled for good light, when it's out. Coming originally from Western Australia where the sun gives you about an hour each side of the day of pleasant light, it is such a dream with the sun sitting here around 45 degrees.
'Nuff of the whinge!
What's this new XF50 F2 WR all about?
It's a seemingly obscure focal length that doesn't have an older sibling with a wider aperture to usurp, and what kind of photographer would want it? Well, after shooting 1.25 weddings back in Australia with it and having a good few days on the streets of Oxford with it, I am damned impressed by it just as I still am with it's wider mate the XF35 F2, which is my go-to lens and has been since late 2015. It's a bit of a trip down memory lane, as it would be for many who've stuck a 50mm lens on a crop sensor camera so a 76mm equivalent focal length really isn't that unfamiliar.
For this 'review' I have only included small 3000 pixel JPEGS using Chrome, +1 colour, +1 sharpness, and strong grain. Why did I do this? Because it's just bloody brilliant! I have shot backup JPEGs with strong gain for many months now and I simply lovely the images it helps to produce, particularly when shooting into light - I'll get into that more down the page though. I think it also shows for a lot of folk who like what I shoot that they can achieve this look with no post-editing. If you're really wanting RAW/RAF files leave a comment below and I'll get some going since I now have real internet here in the U.K.
Let's take a look at some bokeh samples.
I'm not one to go hunting for this kinda thing and honestly, I am not sure I have the best eye for what good bokeh is but oh well! As you can see though, at F2 this lens has really lovely focus fall off and beautiful smooth background with nice round balls. With a minimum focusing distance of 39cm you can certainly get nice and close with this lens, further exaggerating background blur in many circumstances. It really does an excellent job at focusing closely too, picking what you intend to shoot quickly and accurately.
How about the AF?
It's snappy! Well freakin' snappy! Just as I LOVE the XF35 F2 for it's efficiency this guy is exactly the same in my experience. It handles itself very well shooting into strong backlight, tracks sensationally in CF mode, acts silently and stealthily, and I simply can't fault it. It's also a joy to handle and weighs next to nothing (200g) which I barely noticed during wedding shoots. Remember though, I am shooting with an XT-2 so older cameras may not be so gracious with regards to performance.
But what about the XF56 F1.2?
It's a tough call. The ol' XF56 1.2 has that stupidly wide, light eating aperture that melts away out of focus areas, but it's also an 'old' Fujifilm lens that can be a bit sluggish and offers no Weather Resistance. In truth, during the second wedding I shot in Australia recently upon owning both lenses, I switched over to the F1.2 and didn't switch back to the XF50 F2 WR. Why? Because with the XT-2 and at times with boost mode engaged, I didn't have any issues with focusing, and I sure appreciated the images it produced at it's widest aperture. On the other side of it though, the XF50 F2 WR is way more comfortable for day to day use and is a snappier, discrete, crazy sharp and silent lens that represents the latest in Fujifilm's tech. I'll get to a comparison blog post some time soon!
Let's finish up with a little chat about the grain function on the XT-2.
I am really hooked on this little add-on for how it helps gradients appear to the human eye and how it reduces the obvious transitions in colour banding in bright scenes. I find it also helps to produce really pleasing flares as well, and overall gives me +50 hipster points in my day to day photography life. You be the judge! I just hope Adobe gets grain happening in Lightroom that looks this good.
Some final thoughts
Fujifilm have produced yet another sensational bit of gear that's of the highest quality and performs exceptionally, further reaffirming my decision many moons ago to get into the X-Series.
I'm not sure that the XF50mm F2 WR will stay in my kit, as it's so close in focal length to my XF56mm F1.2, which still holds the overall crown for preferred lens out of the two. I also much prefer a 50mm equivalent like the XF35mm F2 WR for street usage and day to day shooting, with the XF23mm F2 WR being the next lens I'd like to get and probably stick with.
Truly, you cannot fault this lens and if I were a newbie to Fujifilm I would grab it in a heartbeat with the XF23mm F2 WR to start my kit off, as they're exceptional lenses for the money that have character and handle wonderfully, whilst producing consistently gorgeous images. Try it out for yourself and you'll see what I mean with the XF50mm F2 WR.
Well, it's been a bit longer than I'd like between posts but that's to be expected when getting ready to move countries. We're currently 'in-transit' with our move from Melbourne, Australia to our new home in Oxfordshire, U.K. enjoying a unique winter in Denver, Colorado, and the copious amount of food that comes in an average serving of food over here. Lord help me!
During November we were lucky to have one of our dearest friends from Brasil join us again for some travels in Australia; our first visitor from there who isn't family! As a little show of appreciation for her efforts to get down to Oz and see us we decided it'd be nice to take her down to Tasmania for a few days, and it was also a good excuse for us to see more of this wonderful part of Australia.
You may have seen an older post of mine here when we previously visited the south and central parts of Tasmania for my 30th birthday, where my wife gifted me the lovely XF16mm F1.4 from her, my friends and family. This time around we focused on checking out some parts of the north of Tasmania up in Launceston, Cradle Mountain, and Meander, as well as a few other spots. If you're someone who loves airbnb and plan to stay in Tasmania some time I cannot recommend strongly enough that you stay with Bodhi and Martin in Meander. They're just wonderful people to stay with and their immense property is full of adventures, one which I will talk about below!
As usual the Fujifilm kit came along for the ride including my new XF50-140 (still not sure if it suits me) and a recent acquisition of a tilt-adapter with an old Helios 55 F2, among many other parts of my kit. The X-T2 perfromed flawlessly throughout my travels of course ;)
So, let's just take a moment here to talk about how awesome it was staying at Bodhi and Martin's property in Meander. Aside from providing a beautiful homestead, expansive property to explore, facilities like a dojo and sauna, Martin also gave us private tours with one particular tour of his preserved old growth forest. Many years ago the native forest that their property backed onto was set to be cleared for logging, then planting of fast-growth trees for further logging and pulping for paper. Martin purchased a large portion of the forest that is abundant in native ferns, blackwood trees, oaks, and many other native flora and fauna in order to prevent this. Champion!
One night my wife discussed with Martin how she wanted to see the glow worms in a cave that was unfortunately flooded earlier in the year. With a little discussion Martin gave us a ripper story (you can go visit him to hear it) of how he came across some glow worms on his property in the old growth forest! Quick snap, we were off for a tour and before we knew it 4 of us were inside of a very large old tree looking up to a population of glow worms at sunset. MIND BLOWN! Our friend Sara was even luckier, as she got to bring a local critter back with her in the form of a leach on her ankle that was nice and fat after a 3 hour feed on her. Good times!
Creating an Imperfect Image - Fujifilm X-T2 with a Helios, tilt-adapter, and other ramblings after a night of Aussie metal
To para-phrase a security guard at the photo barrier on this night "I F$%KIN hate this music! But... These gigs have the best behaved people. They drink tonnes of piss and spend heaps at the merch stands. Honestly, I'd rather get digitally f#$%ed by a giant than listen to this stuff."
Much love to this fella for being brutally honest and giving me a damned good laugh.
This gig served me up a pretty profound experience as a photographer. With no pressure of producing images other than for my own enjoyment and for all these fine bands to use should they want to, I got to experiment with some new goods, including the XF50-140 and an old Helios 44-2 F2 58mm with a tilt only adapter. This was also the first time I got to use my X-T2 properly in a live music environment, which was a bit of an overdue itch to scratch. So what made it a profound experience?
For just about my entire journey so far in photography a big part of it has been chasing that perfect, sharp, optically stellar image. An image that really isn't achievable since invariably I know I'd never be satisfied with the result. It's also quite closely linked to gear acquisition too. Undoubtedly, good gear enables great photos to be taken or discretion to be used when necessary, such as in the case of compact performers like my trusty XF35mm F2, a phenomenal ~50mm equivalent.
When I recently purchased an old Helios off of eBay ($80 for a nicely refurbished one) I didn't expect to get much more than an effect out of it that could be used from time to time for a bit of fun when combined with the tilt adapter too. I certainly didn't expect that on this occasion I would end up using it for more than 50% of my photos and come away with images that were so far from perfect they felt much closer to my perfect image than I could ever have expected.
See, the usual suspects in my Fujinon kit certainly got used and performed outstandingly. The XF16mm gave me those close wides and crowd shots with not a single focus issue, and the flexibility of the rear tilt screen of the X-T2 allowed way more freedom for me to compose with. The XF56mm 1.2 also worked outstandingly and provided me with low ISO shots due to its exceptional widest aperture. My newly acquired XF50-140 was the high performance best I expected it to be and served me particularly well when taking shots further back and elevated above the crowd. Using the image stabilization was a blast too in the face of some heavy moshing, providing some unique looks.
In light of these awesome modern lenses, using an old manual focus lens with a non-parallel focus point (can be adjusted to straight) was an absolute jam and a lesson in taking control. I doubt many purists would be overly enthused towards a lens with no hood that gives wild flaring and soft-edges, but for me, the way these 'imperfections' come together in this combo feel so right. There's just something else about making an image that is flawed. An image where the main perceived subject isn't in focus. An image where it's overcome by floods of light and shadow in inconsistent ways. I guess what it also comes down to is creating a certain mood with imagery, which certainly suits the gloominess of the metal scene. Perhaps it's also the thrill of the chase when focusing manually, knowing that the shot could be 'missed'.
After some stern words from my brother Dan at Matsu Photography recently, I think this experience is the turning point for me in seeing the enjoyment of the journey rather than the unattainable end goal, where harsh self-criticism and comparison against other talents can tend to spoil the experience.
It must also be said that I sincerely appreciate all my brothers and fellow 'creative folk' in these phenomenal bands featured. If not for letting me have this experience but for creating incredible, inspiring music that provides a soundtrack in my life. Cheers to my Ormsbros in Psycopritc, Hollow World and Hadal Maw, and to the other fellas in Orpheus Omega, Blackhelm, and Naberus.
Once again I am brought to this incredible piece of the world during the final months of my time here in Australia before we move to the UK for several years. With the perfect excuse of showing a Canadian born Fujifilm user parts of Victoria that he'd never seen we set out early one Wednesday morning to this unique part of Australia. If you're a recent follower of my work you can see a post I made of a similar visit from a year ago here.
I brought all my kit along for this one so that my companion Dragan (check his stuff on instagram!) could try out some focal lengths he hasn't experienced before in the telephoto range. Perhaps the best part of the kit to bring was my new MCEX-11 macro extension ring, which spent a good bit of time attached to my XF56mm F1.2 in the Otways Rainforest and Treetop Walk. Seriously, the best bit of cheap kit I've bought for my Fujifilm gear and works ridiculously well, particularly with the XF90mm F2.
Scroll to the bottom if you want to see me really maxing out the Fujifilm X-T2 when the local penguins returned to the beach head at dusk!
Hope you enjoy!