Ah the Fuji XF35 F2 WR and XF90 F2.
These two lenses are supreme and exemplify how FujiFilm continue to improve on an already outstanding level of quality with their X-series line up.
They absolutely slayed on a recent wedding in the streets of South Melbourne and are now my go to combos for portraiture. Yes, I still love the XF56 1.2, especially when light is hard to find, but these 2 lenses (as I've said before) are superior in AF speed and accuracy when compared to 'older' lenses from Fuji's X-series line up.
For this post I thought I'd share 2 recent shoots using these admirable lenses, as well as share some of my wife's snaps of Jess (the gorgeous blonde haired woman) with her favoured kit, the Sigma 35mm Art and Canon 6D. I may be a Fuji guy but the Sigma 35mm @F1.4 still produces beautiful images with a lovely artistic and hip vignette. The XF35 F2 was solely used on the train snaps with my wife.
What a way to finish up 2015.
Winnie and Elvin sure know how to celebrate their marriage, with not 1, but 3 weddings across 3 different countries. We had the honour of shooting their wedding in Ho Chi Minh City, Vietnam, where the always lovely Winnie grew up.
The blending of east and west, and tradition with modern opulence were perfect, with an emphasis on family and respect for Vietnamese culture permeating throughout the day.
Winnie & Elvin, we feel privileged for the experience, and especially enjoyed the numerous local cuisines you lavished upon us while we were in HCMC.
You may have seen my earlier post about my First Day Impressions of the Fujifilm XF90,
which details my Fuji fan-boi experience with the new kid on the block. One month on and a fair few more shooting experiences later, this lens has done nothing but impress and inspire me. At my favoured full-frame equivalent focal length of ~137mm, the XF90 fits me like a glove and allowed me to move completely away from my Canon system, which had always been a go to when I needed the sharp and speedy 135mm F2 L.
This past month with the XF90 saw me checking out temperate rain-forest waterfalls in Victoria's east, shooting in stunning Western Australian sunsets with my dear friend Dan at Matsu Photography, exploring the historical sites of federation era Australia, and shooting for Ormsby Guitars and the Melbourne Guitar Makers Festival. On each and every varied occasion the XF90 never missed a beat and I have been left pondering how FujiFilm will outdo themselves next in their world of supreme, high quality consumer photography lenses.
There's something really frustrating about the XF90 - it leaves many of its brethren feeling somewhat inferior (emphasis on 'somewhat').
What Fuji have managed to achieve with this lens and its new quad-motor system is a lens that is incredibly responsive, accurate, and works extremely well in tough lighting conditions, such as low light and heavy back-lighting. I couldn't believe how well it focused on my mate Dan (below) during sunset, or at night as I often put it through its paces targeting objects near and far. As much as I love the XF56 1.2, after using the XF90 it feels somewhat slow and outdated and simply doesn't perform anyway near as well. Also, the XF90's bokeh trumps it by a long shot. Sorry, I know that F1.2 is still a hell of a feature and I'll continue to use mine, but the bokeh it produces simply isn't as smooth and rich.
Something sports and action photographers are going to love about the XF90 is how well it plays with continuous focusing mode, zone focusing and bursts, even at F2. It's smooth, accurate and damned responsive! Overall, a consistently high focus hit rate on par with what I was used to when using my Canon 7D/6D and the 135mm F2.
Did I mention that the XF90 is sharp?
Take a look at the 3 pictures above. I'm not normally a 'here's a 1:1 crop guy' but in this case I had to provide a quick screen grab at that ratio from my LR module (post grain added). I'll just leave you with those snaps to ponder.
If you're considering this lens be aware of how beneficial it is to have a ridiculously close minimum focusing distance on a lens of this focal length. I have loved utilizing the 60cm min. focusing distance so often and cannot wait to try it on some detailed wedding ring shots soon. If you like getting out and shooting a bit of wildlife like me, it's also particularly useful for some more intimate nature shots or flower snaps that provide a beautiful level of compression at this focal length.
I'll keep my conclusion simple. If you're a Fuji X-series user, buy this lens.
If you're on the fence about coming on board to the Fuji-side, get this lens and an XT-1 or XT-10 and be prepared to be blown away.
Before I get started, if you're here for photographic proof of what I have written below, I don't have it quite yet. Well, I do, but unfortunately I cannot share the pictures I have been taking so you're just going to have to trust me until I get usable proof in my next post. I merely want to get numerous other XT-1 users excited for the new update to Firmware 4.0.
As I write this I'm a few hours out from getting on a plane headed for Ireland to shoot a pretty massive wedding between a fine Australian lad and a lovely Irish las. In preparation for the big day I have assembled a very nice and flexible kit for my wife and I to shoot with - she loves the Canon stuff and I'm a big Fuji convert.
After selling my X100s I was quite adamant about getting my hands on the XT-10 after seeing how much smaller it is than the XT-1 and in some aspects, smaller than the X100 series, thus making it 'pocketable' and discrete. I opted to pick up the XF27 as well and honestly, I am a much happier camper with this setup than with the X100s. A significant reason for that though, is the interchangeable lens ability of the XT-10 and the absolutely impressive new Firmware 4.0. The AF system of Fuji's X-series has been reinvented with this update and I have been achieving results that were simply unattainable with the old firmware. Kids running wild shot in continuous zone focus mode on the XF56 at F1.2? Yep. That happened this week for me.
If you're keen to read up about all the specifics involved in the new update, take a look at this link.
Since picking up the XT-10 a day after its release here in Australia, I have been testing it each day on a whole bunch of active school kids, which unfortunately means I can't share the actual proof of what I'm writing just yet. Onto the camera.
The XT-10 feels solid in the hand but could certainly benefit from a grip of some sort. One of the features I have really enjoyed (aside from the new AF system) is the face and eye recognition. This function is absolutely brilliant when paired with the XF56 at F1.2. It's snappy and every time I've shot with it it's made the mark. It will certainly be interesting to see how it holds up at the wedding next week.
Let's get to the really good stuff - Continuous and Zone focusing.
Good God! Or should I say 'Good Fuji!'?
The new focusing system is amazing! Is it perfect? No. Is it on par or better than many of the big guns? YES!
Imagine this. 4 young kids running around a play ground, chasing each other and me snapping in Continuous Zone focusing mode in High Burst with the XF56 at F1.2, focusing on 1 kid. Guess how many photos out of 5 hit the mark? 4! The 5th didn't make the mark because one of the kids came straight towards me at lightning pace and the shallow depth of field of 1.2 meant that the top the kid's head was in focus and not their face. Regardless, the camera tracked beautifully and I achieved something I'd never experienced before with the X-series cameras. Stopped down to F5.6, I spent some time on the sidelines shooting a basketball game. 30 something shots later, not a single miss! The XF16 also tracked exceptionally well and handled objects that were moving laterally and towards the camera exceptionally.
At this point I'd say it tracks better than my trusty Canon 7D and it is definitely better than my long standing (pre-Fuji) favourite, the 6D.
My apologies that I don't have the proof you're all probably looking for of my very large claims. You're just going to have to trust me. I will be posting photos via my usual Facebook and Instagram feeds over the coming weeks whilst in Ireland, hopefully providing insight into how well the XT-10 and XT-1 focus in low light situations with the new firmware.
Lens adapters and mirrorless cameras are certainly getting their fair share of exposure these days (mind the pun). Many Sony A-Series users can be seen sporting a variety of different brands of lenses on their mirrorless beasts, and of course Fuji have their M-Mount adapter for the X-series cameras. After looking into the various lenses folks were using on their mirrorless cameras I decided to purchase a cheap Canon EOS to Fuji X lens adapter and see what the hip rage is all about.
In case you're already looking at doing this based on the few quick snaps on here, this is the eBay link that I purchased my adapter from for ~$15 AUD. It's solid and does the job I expected admirably.
So why does this combo work so well on a mirrorless camera, particularly the XT-1, so well?
Firstly, Focus Peaking in manual mode with split screen focus makes it exceptionally easy to get focus on point. The XT-1 is well known for it's fantastic large Electronic View Finder (EVF) and it accommodates the split image exceptionally well. What's also great is that the cropped focus image changes according to the focal point you choose, which, combined with spot metering that matches the focal point, provides a set of features uncommon to most other systems.
The second point that makes the XT-1 and a lens adapter work so darn well is the electronic and mechanical shutter combo that allows it to max out at an incredible 1/32000 of a second. Basic lens adapters offer no electrical communication between the lens and camera meaning the lens is stuck at it's widest aperture. For typical DSLRs this makes using apertures like F1.4 difficult to use in broad daylight without the use of neutral density filters. This problem is easily overcome by the Fuji's electronic shutter, as demonstrated in the picture of the video surveillance camera
Another point to consider when using a lens adapter in these circumstances is how it changes the minimum focusing distance of full frame lenses. My Sigma 35mm was able to focus at ~15cm, which is only focuses to 40cm on my Canon 6D. Also, don't ever trust and Aussie giving you a spoon full of plain vegemite. You will die!
Focusing with the Sigma 35mm is a breeze. After shooting with fly-by-wire lenses like many of the native Fuji lenses for many months now, the Sigma was dead easy to get used to in manual mode and made me very conscious of exactly what I was focusing on, making sure it was on point. I was surprised at how easily I could focus on my neighbour's cats in poor light. I have not tested my Canon 135mm extensively, however it too was easy to focus with and having a 200mm equivalent focal length on my Fuji without having to dish out on a new lens is a greatly appreciated.
It's early days but I can definitely see adapting different lenses to my XT-1 as something to get addicted to. I've noticed too that manually focusing helps conserve the XT-1's battery-life since it's not dedicating power to the focusing mechanism in heavy duty glass beasts like the XF56. If you're sitting on the fence about trying this sort of rig out I suggest you get on over to my side and experience it.
There's no hiding the fact that I'm a big fan of FujiFilm and their current lineup of X-Trans mirrorless cameras. Between the X100S and the XT-1 they've become my shooters for 85-95% of assignments I undertake, leaving my Canon rig filling in when I need to shoot sports and flash photography. I'm sure that will change in the near future though once a solid flash system is available for Fuji users.
Looking back to only a few months ago, I scoured the web for posts about the XT-1 for weddings, low-light performance, concerts, and just general pointers about the system. With no local places offering the XT-1 for hire and having only limited in-store testing experiences with it, I decided to jump in and find out for myself. Since purchasing it I have tested just about every setting and style that I would typically shoot in and it has almost always surpassed my expectations. The ultimate test for me though was shooting the bulk of a wedding with only the XT-1 + XF56 & XF18 and the X100S. Did it pass? Or was it a stupid risk to shoot something as important as a wedding on a relatively new system that 'isn't pro'?
Before I go into further detail it's important to note that I had a second shooter on this wedding who shot with my Canon system (6D + Sigma 35mm & 135mm L) and took many incredible shots on a great camera system. I even ended up using it for part of the reception when I needed to use a flash since I haven't invested in a flash system for Fuji yet and the Yongnuo flash only works in manual on the Fuji Xt-1. My rig for the most part of the day consisted of the XT1 and XF56 slung over one shoulder and the X100s holstered using a knock-off version of the Spider Camera Holster, which for $5 performed without issue. You can see an integrated set of sample pictures from the day here.
Prior to the wedding festivities commencing I had my Fuji rig setup in silent mode - electronic shutter on the XT-1 and the super awesome leaf-shutter on the X100s. This allowed for complete discretion throughout the day and most importantly allowed me to move and shoot silently during the wedding ceremony. When you're in a space the has a lot of reverberation you very quickly notice the difference between a silent camera system and that of a typical DSLR shutter firing off nearby.
Switching between the XT1 and X100s was simple, easy, and effective, and I'm sure it contributed significantly in helping me not wear out at all across the 10 hour day and night. Well aware of the shortcomings of the batteries in the two cameras, I always had a spare full battery in my pocket, and thank the universe that I did because the first battery in the XT1 died on me just as the cake cutting was about to commence. Time to purchase the battery grip!
Aside from an instance of the XT-1's battery dying at an inopportune time, there was also one other peculiar instance where a dodgy eBay battery caused some pretty scary issues. We'd just finished shooting the main bridal party photos when the EVF on the XT-1 froze and flickered rapidly. The camera was effectively dead and I was devastated. I immediately took out the battery and let it cool down since I'd been firing off quite a few snaps on the cheap battery. I didn't have a backup XT-1 at the time so
I jumped across to my extra Canon gear and X100s for a while. Thankfully, with a new good quality battery and a bit of cool down time, the XT-1 came back to life and didn't skip a beat right through the reception. I have since tried to replicate the issue by firing off a hundreds of shots (more than this instance) in short succession but thankfully it hasn't happened again.
So what can be said about shooting with the XT-1 and X100s that hasn't been said in my previous blog posts? For one, people didn't think I was the primary or hired shooter for the wedding since my cameras were 'so small' and 'film like'. Do I have an issue with this? Certainly not, because if anything it made people more relaxed when I was present and let the moment be the moment. When I switched across to my 6D and flash combo the weight difference was tremendous and made me all the more grateful for the small form factor and mass of the XT-1 and X100s.
But the Fuji's aren't Full Frame!!! You can't be pro without Full Frame!!!
Go take a look at the wedding blog and tell me which pictures are Fuji and which ones are Canon.
I purchased the XT-1 shortly after Firmware 3.0 came out, which brought in a tonne of new features that I use frequently, such as: electronic shutter, 1/32000 max shutter speed, silent mode, AF point selection using the cross pad, and linked AF point and spot-metering. These were features that sealed the deal for me and the responsiveness of the XT-1's focusing system has been an absolute treat in low-light settings.
My next wedding is in the south west of Ireland and I plan to shoot the entire event on Fuji's with a Nissin i40 flash included. I have absolute faith that this rig will serve mine and my client's needs perfectly as a discrete, efficient, and professional photographic rig.
BONUS! Here are a few pics from Hayley and Dave's second pre-wedding shoot in an Australian bushland setting, all shot on the XT-1.
I'm about to make quite an about-face opinion on my experience with the XT-1 and its ability to be used in fast paced sports photography with continuous focusing mode engaged. For those who are familiar with my previous posts I have been quite critical of the XT-1's ability to function well in continuous mode with the XF56 1.2 for sports shooting. Upon reflection I have been really quite biased in my evaluation of that combination given the size of the lens, elements/glass involved, and the crazy F1.2 aperture I was shooting in for most shots. After shooting the same circumstances except with the XF18 instead I can see why I was setting very unrealistic expectations for the XT-1. Heck, how many Canon shooters out there use the 85mm 1.2 behemoth for sports shooting with such an insanely shallow depth of field? Not many if any.
As per usual, let's talk shooting specifications. For this bit of casual shooting I was using the XF18mm in Continous mode CH burst, set to ISO1600, varying the shutter between 1/200-1/500sec, and mixing the aperture up between F2.8-F4. These were all shot in JPEG normal with my beloved Chrome setting followed up with some quick tweaks of my own and some radial filters. For a tiny lens this thing produces some darn sharp images that have a beautiful 3D pop to them and awesome resolution that allows for some pretty heavy crops.
So in case you're a bit new to focal lengths, aperture, and their effect on depth of field (DoF), let's look at a comparison of the XF18 and the XF56 and the average aperture I was using on each occasion, and why the XF18 performed substantially better for very logical reasons.
XF18 @F2.8 at a subject distance of 8 feet = 8.23 feet of depth of field
XF56 @1.2 (because that's what you buy the lens for!) at a subject distance of 8 feet = 0.29 feet of depth of field
These two distinctively different levels of DoF explain a lot, particularly why I found continuous focusing mode to be so frustrating in the past. The XF18 didn't hunt around like the XF56 because it didn't have such a dramatically shallow DoF to work with so naturally continuous focusing mode is going to perform considerably better. That said, the XF56 did work well in single shooting mode and even if I shot at an aperture of F2.8 I'd only be getting a DoF of 0.69 of a foot = struggle town for focusing.
Something else that I found quite remarkable though when using the XF18, which probably has a lot to do with how much glass had to be moved around or rather not, is that with 619 photos on a single battery, the indicator hadn't even dropped to the less than 50% remaining mark!
Read that again!
619 photos on a single battery! And plenty more to spare.
After a solid browse through the 619 photos I took, I also noticed that the across bursts the XT-1 DID NOT miss focus mid shot. Amazing!
So why can't the Fuji perform well for sports shooting at wide apertures like my Canon 6D and 135mm F2?
The Canon 135mm F2 L has been my go to sports lens for a while now and was the first lens I owned on my 7D and continued to use on my 6D as well for various purposes. It's well documented that the 135mm F2 L is an exceptional fast focusing lens, and the most underrated piece of L series glass around, so naturally, comparing a Fuji XF56 lens to it is probably unfair. I know from experience that the 85mm 1.2 won't keep up with the Fuji though. I guess I'll just have to wait until the XF90 F2 arrives and see if it'll be the Canon killer!
My recent experiences with a borrowed XF18 lens (sorry Luis! I'll get it back ASAP!) have convinced me yet again that Fuji are making an exceptional product that meets all my needs as a photographer. The fact that I can walk around the streets with the XT-1 and XF18 inconspicuously yet use it to shoot close-quarter sports like Muay Thai, MMA, and BJJ demonstrates its versatility. It's truly hard to fault it as a camera system, particularly being able to use the EVF to get real-time exposure previews across different settings. I think it may be time to sell my X100s to fund a second body with my own XF18 lens or similarly wide lens.
Metal - It's a huge part of my life and has been with me for the majority of it. It's been there during the good times, the bad times, the crazy times, and through many travels around the world.
The concept of jumping into a mosh pit (or whatever the kids call it now) let alone with a couple of grand's worth of camera gear isn't everyone's idea of a good time. For me though, in my limited live shooting experience, it's a place for capturing raw rhythmic energy, played by some of the most hard-working, talented, and genuine people on this planet.
What better place to run another Fuji XT-1 test?
A little background to these handsome figures that grace your screen. These are two top-notch metal/tech/death/thrash bands - Psycroptic and Goatwhore. Tip top names. I've not had the chance to hang out with the guys from Goatwhore, but the boys from Psycroptic are some of the nicest Aussies you'll ever meet and I'm lucky to call them friends. These guys put on a hell of a show and they're certainly not slugs on the stage. They move quickly and often unpredictably, thus giving you a heck of a set of circumstances for your camera and skills to be tested to the EXTREME!
Let's talk kit!
Most of my shots were done with the ever awesome XF56 1.2 strapped to my XT-1, with the occasional use of the XF18 F2, which I'm yet to return to the ever lovely Luis Ascui of www.mediaculture.com.au. I shot primarily at ISO 3200, F1.2, 1/180 sec for the higher production gig at HiFi Melbourne, and ISO priority at the smaller venue. I'll make sure you know what's what. All photos were shot as JPEGs with the Classic Chrome setting and exported in Lightroom using my usual tweaks and output at 55 quality.
I feel like I'm repeating what I've said in other blog posts about the XT-1 but here it goes.
Yet again, the XT-1 met my expectations and provided me with great image quality in some pretty unforgiving circumstances - low light, fast movement, and some less than desirable colours from the lighting rigs. That said, the same ugly issues reared their head - battery life and continuous focusing.
I'm consistently impressed by how well the XT-1 and XF56 focus in low light. They're a responsive combo that react quickly enough and make the mark at a rate I'm more than happy with. At times it will hunt, just like my Canon gear does and that can be worse than the XT-1, but after shooting a full wedding on it (blog to come soon), a number of live shows, a fair few low-light settings, and some fast acting Aussie fauna, it's a system I can rely on in most ways.
There's no denying the JPEGs that the XT-1 produces are great, particularly in high ISO settings. I love the Classic Chrome setting and I'm considering selling my X100S just to get it on the X100T, as well as Wi-Fi! There's an undeniable unique sharpness to the XT-1 and XF56 combo and I have received a lot of compliments from people since converting to it. I love what I've been able to produce in terms of colour tones from these live shots. There's none of that awful colour bleeding like on my Canon system at high ISOs and the noise is simply different on the Fuji's; far more pleasing to the eye.
About that battery life...
Well, there's no arguing it, the batteries for these cameras are somewhat frustrating to deal with. They don't last particularly long (~500-600 shots on a full charge) and I had one die suddenly on me at a peak point at a wedding (spare in pocket!) and was also a little too shutter happy on the way into this gig, which meant I didn't quite get the number of shots of the headline band that I wanted. I made the rookie mistake of not checking my spare on the way out and learned the hard way to always check. That said, these batteries are much smaller than traditional DSLR batteries and they're constantly powering an EVF. OH THAT GLORIOUS XT-1 EVF!
Edit 4 April, 2015: I have had a much better experience recently using the 18mm F2 and Continuous Focusing. Will post about it soon.
Typically when I'd shoot fast paced stuff on my Canon I would use continuous focusing mode, which works reliably and can handle sports and action stuff extremely well. I simply can't get along with continuous focusing mode on the XT-1, despite using all the tips and tricks out there. Single focus mode is pretty darn good though and I used this mode solely for these shots after getting immediately frustrated with it when I first tried using at this show.
Below are some shots of Psycroptic at a gig I found myself attending unexpectedly last minute. It was a tight space and featured very minimal lighting; certainly not to the same standard of the gig the week before. The XT-1 did struggle a bit more in this situation with focusing, simple as that. I had a lower keeper ratio than usual, which I attribute to there not being much fill-light on the guys as they played. I came mainly for the music this time around though and only had about 25 minutes to shoot, so keep that in mind when compared to 90 minutes from the prior show.
Minor apologies for this post being somewhat relaxed in its approach and relatively uninformative for the photography purists out there. I hope it serves as an example to others though of what this camera system can do and do exceptionally well.
Lightning fast and responsive AF systems that take hundreds, if not thousands of shots on a single charge are a must have for many photographers. Typically such a combo is only ever found in high end DSLR systems that have a bulking mass, particularly when battery grips and the 'must have' 70-200 zoom lens are attached.
Prior to owning the FujiFilm XT-1 two of the most sought after pieces of information I Googled before purchasing it were how well it performed in fast-paced sports situations and whether or not the battery was as 'bad' as many proclaimed. Coming from a Canon rig (7D and 6D) I was used to very solid cameras that did well on the sports field and provided high IQ in low light and responsive focusing. So, with just over a week of experience into the very talked about XT-1, how has it performed so far in comparison?
In case you've not seen it, I documented my first and very awesome day with the XT-1 here. The next thing I really needed to knuckle out was how well this thing handled fight photography and similar fast action. What better place to test it than with my fellow training partners in MMA and Muay Thai.
EDIT 4 April, 2015: I have had a completely opposite experience to this recently using the 18mm F2 in Continuous focusing. I'll post about it soon.
I'll be straight up. The XT-1 and 56mm 1.2 didn't perform adequately or well enough to the point that I feel I could photograph an event thoroughly with enough images that were on point. This experience could've been exacerbated by the lens I'm using, since it has so many big heavy glass elements and simply isn't designed for such circumstances.
I've done a fair few different fight and sport shoots in my time and they were typically done with my Canon 7D and 135mm F2 lens, or my Canon 6D for indoor stuff like fight nights with my Sigma 35mm 1.4. Those combos always performed admirably and provided me with an extremely high keeper ratio. The XT-1 at a simple training session on the other hand simply missed focus far too often and its Continuous Focusing function was a sluggish and unresponsive headache. It was frustrating to see the camera focusing near and far despite only using the central focus-point at maximum size and often when I wanted to take the shot the delay was that split-second too late. As a fellow martial artist I'm pretty good at predicting when the hit is coming and I NEED my camera to be able to snap within that instant otherwise it's just a lousy post-hit shot.
That said, it wasn't all bad news!
I decided to mix up the focusing modes to see what it was like with Single-Focus mode and briefly dabbled in the manual focusing modes. I actually found Single-Focus to achieve better results because it was really quick and responsive between focusing and taking the shot. The PRE-AF mode also worked quite well here too and combined with high speed burst got some sound results. Overall though the 1-2 hour shooting experience left me feeling like the worst photographer in the world, particularly when looking at how many shots focused beyond the subject and in contrast to my previous experiences shooting with Canon gear in the same environment that went very well.
So how did the battery life perform in such a demanding situation where the camera had a busy time focusing?
Well, quite exceptionally! I managed to shoot ~650 shots without passing the 1/2 way mark (I know it's not technically halfway and probably closer to 1/3 or less) and deliberately kept the same low battery in there for another day, rounding out my single battery to...
782 shots! Yep. 782 shots on a single battery on the XT-1!
How did I achieve such black magic? I have the camera setup so it's EVF only with the eye-sensor but also run it in High Performance Mode. It sounds unbelievable but I've been able to achieve it twice now with similar results on one battery charge. Switching the camera off when not in use for extended periods may also prove beneficial.
So where does this leave me with the whole DSLR vs Mirrorless or Canon vs Fuji argument?
For now the Canon gear will stay until I can get a hold of something like the 50-140mm f2.8 and see if it performs any better than the 56mm on the XT-1. I will also be testing the XT-1 in some better lit settings that don't feature lots of background movement and objects that could be causing issues for the camera's focusing system.
The X-series is such a great system and the results I have achieved in other areas of photography have been nothing short of exceptional. I simply love the colours and how sharp the images are coming out of the XT-1 and shooting the 56mm 1.2 @1.2 a hell of a lot is a total blast!
Check them out below.
The XT-1 is an inspiring camera and a definite keeper!
It's rare to come across a new piece of gear that not only surprises and impresses, but also exceeds expectations. Oh, Fuji, you've won me over yet again and more than any other piece of camera equipment ever has.
Before I go on about my first day with the Fuji XT-1 and 56mm 1.2 lens, let's get a bit of background info out there so you all know where I'm coming from. I'm primarily a Canon user (7D/6D + Sigma 35, Canon 135 L, and other odds & ends gear) who bought into the Fuji game for the first time late in 2013 with the original X100, which was eventually sold off to fund more Canon gear. Fortunately I had the good sense of grabbing a Fuji X100s in the middle of 2014 and found myself gradually drifting towards the mirrorless side of life.
My first experience with the X100 and now the XT-1 are like chalk and cheese. Where the X100 felt confusing, slow, and way beyond my skill set at the time, the XT-1 has blown me away and made my Canon gear feel like it's a decade behind in terms of features, size, and aspects of performance. The X100s has been a staple part of my shooting for the past 6 months and comes with me just about every time I walk out the door. It's so beautifully portable, unimposing, hip, and produces outstanding images on my favourite focal length.
I've had the XT-1 and 56mm 1.2 for roughly 36 hours at the time of writing this and used the first day to charge batteries, update the software, configure the camera as I'd like it (previous Fuji experience really helps here) and catch up on some sleep after flying back from the west coast of Australia to moody ol' Melbourne.
I was interested in a few key elements on my first day testing the XT-1; AF performance, general image quality, sharpness at F1.2 (most if not all shots in this post are @ F1.2), and overall performance and usability, particularly with the new features from V3.0 firmware. Testing involved some shots from home, local streets, and then a full-blown concert by my favourite Brazilian artist, Seu Jorge!
I will say this to spare those of you wading through my writing for key info - The XT-1 performed and outperformed on just about all fronts. If you're sitting on the fence with your 'typical' DLSR gear thinking 'should I try this hyped up mirrorless Fuji stuff?' get out there and buy or hire one. Make sure you get the 56mm 1.2 though, it is a GLORIOUS piece of glass.
My first test shots were of my trusty 'benchmark' objects and creatures - guitars and my feline, Winston. As expected with relatively stationary things, the Fuji performed exceptionally with a responsive AF in filtered window light. One thing was clear though. At F1.2 this camera was SHARP and didn't display the light fall off and vignetting commonly seen at widest apertures in most other lenses and camera systems. Having such incredible focal isolation and none of the drawbacks that typically come with it is something I've never experienced. At this point in my day I had also setup the D-pad on the XT-1 to be focus point select (no mushy buttons on mine!), which made the whole experience a fluid joy.
Once the heavy rain started to clear up I took a trek out to my local barber and shot a bunch of random things along the way just to see how well the XT-1 handled midday light at F1.2. Being able to shoot at a maximum shutter speed of 1/32000 of a second (not used to that extent on this day) is incredibly useful and I found on a couple of occasions with motorized + electronic shutter engaged I was getting beautifully exposed images at F1.2 1/10000! Phenomenal! I can't wait to test this at an evening sunset shoot or even a midday beach shoot!
How about that AF? What kind of AF am I used to as my standard and how did the Fuji compare?
My go to 'speed' combo for action and fast AF is either my 7D or 6D mounted with the Canon 135mm F2 L lens. During the school year I shoot active kids a lot, and if you've ever watched a game of Australian football (AFL), which my kids play a lot, then that's what I'm used to capturing.
I'm yet to test the Fuji in an action setting but so far I can say that the XT-1 and 56mm 1.2 definitely meet my standards for consistent and quick auto-focusing. As you'll see in the pictures further down of Seu Jorge, the lighting was very typical of a live show and as a fairly active performer, the Fuji's AF performed exceptionally well.
That said, I'll get it down for some shots of my fellow martial artists and fighters during the week and let that be the proving ground for all you sports photography nuts.
In order for the Fuji to really meet and surpass my standards it had to perform well in low-light conditions with a fair bit of movement, as well as produce usable high ISO images. I realise that ISO 6400 isn't exactly 'high ISO' nowadays, particularly with the incredible stuff Sony has on their mirrorless cameras, but 6400 for me is about the cut-off limit for 'usable' or image without getting horrible colour bleeding and noise, at least when it came to my Canon 6D.
Yet again, the XT-1 and 56mm 1.2 met and surpassed my expectations for focusing in low-light and the few images I did take at ISO 6400 were of a much cleaner standard than what I was used to with my Canon 6D. Honestly, I didn't expect the Fuji to focus as quickly and consistently as it did at the concert. What I loved about it was when taking photos in succession, the camera re-focused quickly and didn't do the usual shuffle in and out that I was used to from my Canon rig. I didn't even have the face-recognition switched on. I did run into a very stupid user-error around 1/3 of the way into the concert. I'd only brought an 8gb card and had it in RAW and JPEG mode! Yep. Real rookie mistake right there, but then again, I didn't plan to shoot this performance at all. Fuji's RAF files are pretty darn big! Thankfully I had a few shots from earlier in the day I could delete and shot the remaining part of the concert in JPEG only with Classic Chrome on. Oh boy I love that film mode!
To say that the Fuji XT-1 has impressed me is an understatement. It has truly blown me away.
My Canon kit has certainly served me well and it was a tough call breaking my rule of 'if it ain't broke, don't fix it', but the Fuji approach has brought in a different level of joy and confidence to shooting.
Sure, it's early days and I could find myself eating my words (highly doubt it), however I'm more than willing to go out on a limb after yesterday's experiences. Fuji simply have a much more modern approach to photographic equipment. The electronic viewfinder is outstanding and going back to the 6D's optical viewfinder seems dated. It's more than just that though. There's an overall tremendous amount of flexibility to be had in the Fuji system, and I can understand why that freaks Canon and Nikon users out - it's different and requires a bit of retraining and familiarization.
Rather than ramble on with different adjectives and 'OMG Fuji' stuff, I'll finish up with some pointers, big positives and some niggles.
When getting into the Fuji XT-1 or Fuji system for the 1st time:
- Switch on 'high performance' mode.
- On the XT-1, if you want to save battery, switch it so it only uses the EVF and make it so it only illuminates using the eye-sensor. That way it's off at other times when not in use!
- If you love the AF point selector stick on the 7D/5D/1D series, change the rear D-pad buttons to AF-select points. It's incredible being able to focus to any point on the frame AND have have spot-metering match that point.
- Don't be afraid to shoot in JPEG only. They can take a fair bit of editing/tweaking and more importantly look incredible straight out the camera.
Big positives about the Fuji XT-1 and 56mm 1.2 combo:
- It's light and small! ~850g with the 56 1.2. I'm not even going to bother to find what a 6D and 85mm 1.2 Canon lens would weigh in comparison, but it sure as hell wasn't fun when I had one.
- The EVF is simply awe-inspiring. Get to a retailer and try it out.
- Silent mode is just as useful to me as it is on the X100S. Can't wait for my upcoming wedding shoots!
- The combined motorized + electronic shutter mode is brilliant! No ND-filters needed to shoot at F1.2 in daylight.
- The Wi-Fi connectivity is fantastic! I loved it on my 6D and Fuji made it even easier and more reliable.
- Split-screen manual focus mode... dear God/Fuji genii, what a magnificent innovation.
The very minor negatives so far:
- Occasionally when changing the ISO I also knocked the shooting mode out of place since the dial sits directly below it. No biggie.
- Battery? Not sure if this is an issue yet with the way I've the camera setup. I managed to fire off 459 shots and still have the battery indicator at 3/4 full.
I've a pre-wedding shoot with a lovely couple coming up this weekend in some Victorian bushland. I think a nice small sling backpack with my XT-1 and X100s will suffice. I'll keep you posted.
Massive thank you to Seu Jorge and his band for putting on an incredible show! I never imagined seeing you guys in my home country and of the four times I've been to Brasil, I always managed to miss you guys playing by a day or so! Muito Obrigado!